Review: The Mall by Megan McCafferty

The Mall by Megan McCafferty

Published by Wednesday Books
Released on 28 July 2020 (in the US)
ISBN 9781250209955

Read: 14 – 17 July 2020

This is a layered ride, a roller coaster of fun and mystery, but also a story of a girl coming to terms with her own prejudices and selfishness. The literal quest for treasure involving cabbage patch dolls and a snarky ex best friend who dumped our MC for cooler buds back in elementary school, is a reflection of Cassie’s inner quest to reconcile all her different personas – girlfriend of domineering Troy, high achieving honor roll student, judger of anyone not planning to attend college, daughter of Frank and Kathy, not so much life partners now, as dentists and business partners, and girl with no car licence.

Cassie has big plans but getting mononucleosis was not one of them. After four months recovery, she returns to her life, assuming all with be the same: she’ll finally ‘do it’ with Troy, they’ll work together over summer at the America’s Best Cookies franchise at the local Mall, and sail away to New York together for their happy ever after.

Well, actually, no. It’s not hard to predict that everything falls out of her reach. The first few chapters are devastating to read as Cassie sees her whole life disintegrate. McCafferty does an excellent job of making this privileged brainy tunnel-visioned character a person of sympathy. But as we get to know her, we see how many ways she can be a better person. It’s a gambit to make Cassie unlikeable, but by the time we understand her flaws, we’ve also seen her generosity, her stubborn will and her slow realisation of how selfish and condescending she can be. Her attempts to make amends are welcome and that it’s full of laughter and fun, only serves to make it more of a delight to read.

I haven’t mentioned a huge part of the story – it’s set in the ‘90s. So we have the Mall as the main place for bored teenagers, the video arcades, the cinema, the food court. McCafferty recreates the time and place with nostalgic affection, and her characters fit seamlessly into the space. The use of the treasure hunt to send Cassie and Drea all over the Mall to locate clues allows us to meet a bunch of quirky retailers and shops, as well as a potential new romance for Cassie. The musical soundtrack is perfect, of course, as is the pop cultural references (Beverley Hills 90210 anyone?) and the descriptions of fashion and hairstyles.

Despite the inner turmoil and identity crisis Cassie faces, McCafferty keeps it mostly light and witty. It’s so much fun to read. I hope 2020 kids pick it up and love it as much as I do.

Thanks to Netgalley and Wednesday Books for the advanced copy. It’s out in the US on July 28, and I hope Australia will see sometime in the future. Highly recommended who love their teen angst strong and snarky, who love to see their protagonists have to face a cold splash of reality, but who can also admit their failings and work to be better. The boys here a mix (as is true of real life) – some big-hearted and respectful, others not so much! The friendship battles with Drea are good times. Cassie’s parental woes are worked through the plot in a clever way, with the mystery of the treasure hunt solved satisfactorily (sort of).

Ten Books One Decade

Putting myself out there to share my highlights of a decade of reading #loveozya novels. These were originally posts on my Instagram and Litsy feeds from Dec 28 to Jan 6.

Tenbooksonedecade

2010

I cannot remember 2010. I was working in a secondary boys’ library and had already been there for 4 years. Enough to feel comfortable. I remember @childrensbookdaily had talked me into returning to uni to complete a Masters of Ed. ‘We need to update our degrees’. Sigh. I only got through one semester because I knew taking on the role of Qld Judge for the #cbcaawards would mean I would be reading (and not much else). I read over 400 books that year, and nearly as many the following.

Melina Marchetta’s return to the world of Francesca and her buddies completely bowled me over—emotional nuance, messy family, and the story of Tom. Shockingly real. I could have picked Marchetta for about four of my years, so it’s only right she’s my first pick of the decade.

2011

While The Piper’s Son didn’t win OR category, my pick for 2011 did. It would be remiss of me not to select at least one Scot Gardner book. His writing over the last 15 years reflect much of the change in YA trends. His male protagonists are often lost (literally), certainly flawed, but always deserve the opportunities to put their lives in order. I especially appreciate that romantic love isn’t a major concern and that friendship, identity and family are strong and welcome features of Gardner’s themes.

The Dead I Know features Aaron, a young man looking for a role model, searching for answers, and the simmering thread of violence is always lurking, ready to pull him into a darker world. Luckily his apprenticeship with John gives him the sense of security and stability he needs. Big shout out to Sparrow (2017) and Changing Gear (2018), which both challenge toxic masculinity norms.

2012

My oldest son slacked his way through Year 12, and I spent the year carting him to gymnastic training and events, choral and orchestra rehearsals and performances, and I took a deep breath after judging for two years, stepping down from reading over 80 #loveozya novels to only 29. Jaclyn Moriarty released a fantasy novel that started the quirky, original warm-hearted series, The Colours of Madeleine which I completely embraced.

Her two lovely main characters, Elliot and Madeleine, swapping letters through a tear between their two worlds, show feisty tenacity, kindness and courage. They are clever novels seemingly light and witty, but that are actually and ultimately multi-layered and terrifically insightful. Her work continues to speak to ordinary people with extraordinary imaginations and startling inner lives. I love everything she writes.

2013

Confession Time: I didn’t read The First Third until 2017. After I read The Sidekicks. After I had conversed with Will. After I left my boys’ school library, where I had pitched it and promoted it. All I can say to 2013 me is what the hell? I didn’t miss the hype. I watched it receive both critical and popular acclaim. All my peers lauded it and the kids loved it and when I finally read it, I accepted its greatness. The First Third is a perfect blend of humour and emotion. Will treats his audience with respect, and he does not pander or preach.  Will is a person of many opinions and a marketing acumen I envy. His stories are authentic, his style is his own, and I can’t wait to see what else he has for us.

Special mention to my other favs: Wildlife by Fiona Wood, Life in Outer Space by Melissa Keil and Girl Defective by Simmone Howell.

2014

II went back to study part-time in 2014. My younger son completed Year 12 at the same school as me, both pressures making it a difficult time. Probably the reason why I only read about 24 #loveozya novels. Having said that, I actually predicted 5 of the 6 OR shortlisted books that year (#humblebrag), so there’s that.

The Protected explores grief in exquisite and infinite sharpness. Hannah’s pain is raw and real. Conversing with her dead sister Katie creates unbearable connection. Her parents’ absence is understandable, yet also unforgivable, and it’s astonishing the relief we feel when Hannah starts talking to Anna. Josh’s appearance brings much needed sunshine to what is in essence of story about confronting death and accepting loss. Claire Zorn is an assured, master storyteller. I hope we don’t lose her entirely to the picture book genre.

Other favourites of 2014 include Intruder by Christine Bongers, Are you Seeing Me? by Darren Groth and Tigerfish by David Metzenthen.

2015

This was my most difficult year professionally. I found myself without a job in August, just in time to sort my youngest son into Calvary basic training a week before his 18^th birthday. That and study kept me from despair and trauma. Finding a new job after turning 50 seemed an impossible dream. I only read 18 #loveozya novels, but the highlight was Fiona’s third book in the aptly named Six Impossiverse trilogy, Cloudwish. There was something elusive and mercurial about Van Uoc’s inner voice, such a contrast to her external presentation – wild versus compliant, risky versus accepting, bold versus quiet. She’s a rare find.

Just as important as Fiona’s writing skills, is the fierce support she offers other Australian authors and to the YA community at large through her thoughtful examinations of books and trends. She promotes diversity and inclusivity, and I have gained insights every time I hear her speak.

Other notable mentions of 2015 for me are A Single Stone by Meg McKinlay, The Flywheel by Erin Gough and Lili Wilkinson’s Green Valentine.

2016

I found validation and purpose this year when Pauline from Riverbend Books asked me to read for RSO. I will be ever grateful for her confidence in me. I continue to read for this amazing service – I mean come on; someone asks me to read YA! #luckyandgrateful I also completed my MEd (Knowledge Networks and Digital Innnovations) while I started the process of becoming a supply/relief teacher.

This was a tough year to pick from the 36 novels I read. Three high quality stories, all exploring grief over the unexpected tragic loss of a loved one, could easily have been the one, but two authors have already had other books highlighted (demonstrating their mastery), but on top of that, Cath Crowley’s Words in Deep Blue also focused on books! And bookshops! And the power of words! And included swoony Henry! So, winner. I love this book so much.

The other two excellent #loveozya novels for me in 2016 are One Would think the Deep by Claire Zorn and The Sidekicks by Will Kostakis.

2017

If I thought 2016 was a difficult year to pick a best book, 2017 has been even harder. I read 45 #loveozya books through my ongoing association with RSO and was able to spend significant time looking after other people’s lovely libraries. This made me realise that being able to share my love of teen novels was still something I wanted to do. But I was also asked to speak at several network meetings, PD events, and I started to believe that I would be able to fill my time valuable by helping other library staff. I started applying more seriously for full time work, but also started to formulate a possible plan b. And was less stressed, less anxious.

But back to the wonderful books of 2017. How do I pick between some of the amazing books that were released this year? I could easily select any one of ten books, and if you want to see them all, go here. I made a ridiculous number of lists, two specifically related to Australian YA.

The book I ultimately chose, Because of You by Pip Harry rates highly for a number of reasons. I am going to go back one of many ravs about this book to try to explain… Harry’s inclusive and diverse cast of minor characters carries a subtle message about stereotyping and judging others. The tone is warm and gentle, but the subject matter is harsh and uncomfortable. However, readers aren’t made to feel pity or guilt. Instead they are inspired by the way individuals rise to the challenge to help others… It’s an astonishingly powerful story.

2018

In a year of Lenny (Book of Everything), Merrick (Changing Gear), and Ana and Jono (from Between Us), it is the protagonist of The Learning Curves of Vanessa Partridge who stays with me most of all. I apparently read 49 #loveozya novels this year, helped by me judging the Young Adult category of the Qld Premier’s Literary Awards. Vanessa’s intellectual curiosity about her sexuality and her navigation through unwanted advances was a highlight. The novel also covered environmental issues, parental mental health, and authentic friendships. I loved every complicated, messy thing about it!

This year I returned to a library on a part time basis. It was a perfect re-introduction back to school, and I settled into a rhythm of juggling a number of roles—I haven’t really mentioned my active involvement in CBCA Qld, and this year, I took on President of the Branch, in a year where we hosted the Shortlist and Winner announcement functions. I really fluked it in, because Jenny Stubbs’s team did the work, and I got to be the front line of the credit taking. Seriously, Qld achieves way beyond its means in these spaces. Such a great year!!

2019

This was a tough year – health issues, death of my dad, and returning to work full time meant I was often stressed. However, some new good things happened too – Rhianna Patrick (@ABCRhi) invited me to be a regular on her radio book chat panel and that has been such good fun. Another year as Qld Branch president, a trip to Canberra for the National CBCA conference and judging the Qld Lit Awards kept me involved in kids’ lit while school encouraged me to learn more about coding and programing (eek). There were fewer YA novels released, but more MG, and I have many opinions about that.

This is How We Change the Ending represents Vikki Wakefield’s contribution to YA this decade. Starting with her debut novel. All I Ever Wanted in 2011, all five novels reflect a genuine representation of Australian teens—their desires, their fears, and their triumphs. Her latest sub-verts our expectations and challenges us all to listen to the teens in our lives and support them to find their best selves.

I also completed loved It Sounded Better in My Head by Nina Kenwood.  

So farewell to the short-sighted twenty-teens. May we all save the planet in the twenty-twentys!

Review: Sick Kids in Love by Hannah Moskowitz

Sick Kids in Love by Hannah Moskowitz

Published by Entangled: Teen
Released: November 5 2019
ISBN: 9781640637320

Read: October 14 – 15 2019

I have been reading Hannah Moskowitz’s quirky yet entirely authentic novels since her debut Break, in 2010. To see that she is now with a publisher who can give her more exposure is terrific. She writes beautifully with both humour and insight, and I hope loads of people read this, and then go back and find her other, shall we say, less conventional but more challenging, novels.

Sick Kids in Love will probably pick up The Fault in Our Stars and Five Feet Apart readers. I read a review that said exactly that. And it does fit into that trope. Both Ingrid and Sasha suffer from chronic pain, and their lives are to some extent, bound by their condition. Their very different family lives also play a role in how much their diagnoses control them, but at its heart, it’s a story about risk.

We see a lot about chance. Isabel often muses on the coincidence of meeting Sasha. She also thinks about destiny and fate, and of course, about the way her mother chose to leave rather than stay for the long haul. Ingrid’s father, a doctor, might seem to be the ideal parent for a child who suffers from Rheumatoid Arthritis, but in fact he has developed into a medical administrator who is in denial about how much Hannah needs in terms of support and acknowledgement, and a confrontation between them is inevitable.

Sasha, in comparison, seems to be surrounded by love and support. But lately his father, seeing a new woman, is leaving Sasha to care for his younger siblings more and more. Sasha remembers how much his parents were around and present for him, and he is dismayed that his younger brothers and sisters are not getting that same attention. So, both Isabel and Sasha dealing with parental issues, builds and develop a stronger connection.

Of course, it is attraction that initially brings them together. Meeting at an infusion clinic, their flirting is adorable, funny and real. Having decided a long time ago that a romantic relationship is not for her, Isabel is in real trouble when their second chance encounter turns into a thing. But her healthy friends sometimes make her feel less, and connecting with Sasha who knows what it’s like to have limitations, appeals to her lonely self. Their honest discussions about having an ‘invisible’ illness are a strong element of the book, however, of course, they do keep a few secrets, so that eventually there is miscommunication and conflict before it is all resolved with a high degree of satisfaction.

I loved this book a lot because all the characters are depicted with flaws, they make many mistakes but always try to do better. The adults are just as important as the teen characters, and the story has layers of complications that never seem unrealistic (although one particular coincidence was a niggle for me). Thanks to Entangled Teen and Netgalley for the advanced copy. It appears that it will be available in Australia this month as well, and I am going to seek it out for my library. My older students will love it. Recommended for readers who look for in-depth narratives with several issues all vying for attention, and who appreciate a mature relationship that develops between the romantic leads. It is not exploitative or graphic, instead offering a loving and accepting depiction. Sick Kids in Love will be out on November 5.

Review: Wreck by Kristen Cronn-Mills

Wreck by Kristen Cronn-Mills

Published by Sky Pony Press
Released on April 2nd (in the US)
ISBN 9781510739031

Read 17 – 18 April 2019

Someone said to me, ‘it’s easy to write intensely sad books. All that emotion – very easy to articulate’. And that’s true to a point, but it’s also easy to descend into cliché and predictability. Which is why Wreck is so on point.

The emotional arc of Tobin’s grief never feels trite or superficial. She has always kept a tight rein on her feelings, has always been a quiet, thoughtful child, so finding words difficult when she discovers her paramedic marathon-running father has Lou Gehrig’s Disease (ALS), isn’t out of character. She spurns a lot of people’s effort to engage her (bf, Gracie #hashtagmonster and Aunt Allison), but takes support from others (Great-Uncle Paul and shy violinist Sid). She starts to tank in school, and throws her heart (metaphorically) into her beloved Lake Superior. But she never cuts herself off from these decisions, always self-aware, and mostly honest with herself and others.

This exploration of grief is slow and detailed. We see the disease catch up with Steve too too quickly, forcing Tobin to adapt to a very new set of life circumstances. Ike her dad’s carer, eventually moves in and the three of them navigate Steve’s withering muscles, as well as his damaged brain. It does take half the book to get to the really awful part of Steve’s decline, but the first part is crucial, so that we see all that is going to be lost—the closeness of Tobin and Steve, the all-embracing life he lives, the absence of her mother, and most surprising of all, the history lesson about the town where they live, Duluth.

Tobin’s family were right there at the beginning of western settlement, and Cronn-Mills deals with the ‘invasion’ in a thoughtful and honest way. Tobin’s reflections on the way the settlers explored and survived in this harsh landscape, and the interactions with the first nations people are a break from the impending tragedy, but also reflect Tobin’s inner confusion and turmoil. Her ancestors paved the way for Tobin’s life, and her love of this place grounds her and gives the story a strong and layered tapestry.

There are moments of lightness: Steve’s dad jokes, Ike’s eternal patience and forgiveness, Tobin’s attempts to create her origin story mashing together X-men and Star Wars figurines, and the six story high duck. And while these serve to illuminate the obvious—life does indeed go on, and we all grieve in our own way—there is no preparing us for the end of Steve’s life. It’s messy, it’s unfair and ultimately heroic. I was a crying mess, basically.

I did love the way that mum doesn’t arrive to save the day, nor do we get a full-on romance. This is real life, and nothing will halt the viciousness of a terrible disease. But Tobin makes us proud, and we know she’ll always have her dad guiding her way. Thanks to Netgalley and Sky Pony Press for this advanced copy. It has been out in the US for a couple of weeks now. Seek it out if you like strong narratives that don’t sugarcoat the world, that create authentic characters and situations, and that allow readers the space to explore grief in complex ways.

Review: Just Pretending by Leah & Kate Rooper

Just Pretending (The Chicago Falcons, #3) by Leah & Kate Rooper

Published by Entangled Crush
Released on November 5 2018 (in the US)
ISBN 9781640637153

Read October 21 2018

This is very much a romance novel, so I advise you to just chill out and enjoy these two as they stumble their way through dislike to fake relationship; from misunderstanding to communication; from what-the-hell-people? to aww-shucks-that’s-cute. It’s predictable and doesn’t break any expectations.

Tyler is presented as a troubled boy, who although he deserves our sympathy and our help, refuses to be seen as weak or needy. His dyslexia has an up side and down side–on the positive, we see how clever Tyler has been to hide his disability and to show that with enough determination, he can pretty much function and achieve. On the negative side, his fear of discovery means he is very sensitive and defensive, which makes him impossible to really know. How can anyone else like him when he barely likes himself?

Also? The fact that he is ashamed of his family makes him harder to like. So it’s easy to see that Tyler has lots of growing to do throughout the novel. I found that at least he was honest with himself, even if he couldn’t give others the same courtesy.

Eva was also a fairly stereotypical character. Being Queen of her country at only 16 means she is bound by obligation and honour. It’s not ridiculous to imagine that she would sometimes want to take a break and enjoy some ordinary teenage pursuits. Her mother is unfortunately a complete (horror) trope, and Daniel (who had his own book last year) is entirely too over-protective, and I desperately wished someone would call him out on it. So annoying that he was cast in this role.

Tyler pretending to be someone else in order to spend quality time with Eva was unrealistic, but it was fun to see them connect. That Eva forgives him works in the context of the novel’s expectations. Tyler does grow up a lot, and seeks forgiveness, not only from Eva, but also his family and friends. They display much surprise about his lack of confidence, which only serves to makes us more aware of how little attention they paid him.

But I went along for the ride, despite my misgivings, knowing that the target audience will love it and enjoy the wish fulfillment elements. After all, who among us here, didn’t wish that we could be a princess and be swept off our feet by a fit, hunky, tall all-American boy who loves only us? I mean, when we were younger of course, not now. (cough cough).

Thanks to publisher and Netgalley for advanced copy. Just Pretending was released in the US on November 5.

Review: Two Middle Fiction Books (but are they?)

Lenny’s Book of Everything by Karen Foxlee

Published by Allen & Unwin
ISBN 9781760528706
Released on October 26 2018

Read October 8-12 2018

The Slightly Alarming Tale of the Whispering Wars by Jaclyn Moriarty

Published by Allen & Unwin
ISBN 9781760297183
Released on October 26 2018

Read August 23 – October 10 2018

Both of these books will be marketed at young readers, anywhere between 10 and 14 years. They are very different in style, subject matter, and purpose, but they have one thing in common  – The complexity of those above elements in each, mean that they can be enjoyed by much older readers. Foxlee and Moriarty use language in extraordinary ways, they don’t pander to a preconceived idea of how books should treat children, and they certainly don’t mess around with telling some harsh truths about living and dying. These two novels deserve a wide and deep audience.

The Slightly Alarming Tale of the Whispering Wars is a prequel (of sorts) to The Extremely Inconvenient Adventures of Bronte Mettlestone. The same charm is evident, the same quirky humour, and it overflows with adventures, asides, and development of character. The start takes us to a different part of the Kingdoms and Empires world, and the gradual reveal of how it links to Bronte’s story is worth every minute. The story of the competitiveness between the two groups of children, and their subsequent banding together despite their differences, reflects Moriarty’s understanding of young people and the way they interact and navigate relationships. Finlay, Honey Bee, Glim, Victor, Taya, Eli and Hamish all require acknowledgement as each plays a pivotal role in discovering the mystery at the heart of the whispering wars. This is a twisty tale, and children will be caught up in the puzzles, the clues and the surprises.

However, The Slightly Alarming Tale of the Whispering Wars is so much more than a child’s fantasy, much in the same way as Philip Pullman’s His Dark Materials series is. Moriarty includes commentary and explanation along the way that is often mature and oh so relevant. We grapple with the injustices against people overwhelmed by poverty. We experience frustration at the wasted layers of bureaucracy and mediocrity. There’s also the crucial question to ponder: why are children always stolen away? This means that we, as adults, meet this story on a number of other ostensibly deeper layers, and are enriched and enlightened as well as entertained and moved.

Lenny’s Book of Everything is set in 1970’s Ohio, which might seem strange for an author who lives in Queensland. However, its time period, geographic location and creation of characters are all pitched perfectly. Cindy, mother of Lenore and David, is a force with which to be reckoned. She is all lioness, protective, growling and under estimated. Her fight for dominance with Burrell’s General Sales Manager Martha Brent, is a battle for the ages, and the lines drawn in the sand reflect the growing struggle for Davey’s life. Ultimately everyone unites for the same cause–and the emotional power is sustained and lingering on the reader.

Lenny our narrator is an authentic child. She radiates with anger about their useless ineffectual father, while she mourns his absence. She keeps Davey safe, at the same time resenting the attention everyone pours over him. She refuses to let go of her dreams to be an entomologist, and never wavers in her dislike for Mr King or her belief in Mrs Gasper. Her encounters with Mrs E Spink and the insights she gains through that misadventure, show her growing into a compassionate and kind individual. This really is Lenny’s book, and the heartache surrounding Davey is filtered through the lens of her optimism and faith in the world. Just like Scout, Holden and Ponyboy, Lenny is a character who represents her time, and whose view of the world is one to admire and revisit. Foxlee’s writing is sublime. Lenny’s Book of Everything is a story that will be enjoyed by adults as well as young people. The same is true of The Slightly Alarming Tale of the Whispering Wars.

Seek them out.

 

Review: Miles Away from You by A B Rutledge

Miles Away From You by A B Rutledge

Published by: HMH Books for Young People
ISBN: 9781328852335
Released: March 20 2018 (In the US)

Read: February 8 2013

Okay, so judging by the reviews so far on Goodreads, this is a polarising book. Those who read and view it within the journey-to-find-yourself trope have enjoyed Miles’s voyage to Iceland, and discovered a flawed yet sympathetic character, who (as is the way) makes plenty of mistakes, shows himself initially to be selfish and horny, and whose letters to Vivian (which form the narrative framework) offer poignancy, insight and truthful anger.

Others who read it through a political and social lens, express deep hostility and rage. This is becoming a very familiar reaction – readers offended on behalf of marginalised communities, at the way they are being erased. They are then blasting the author for causing this offense, and I am starting to find myself reacting against these loud calls for these books to boycotted or banned. Sometimes the reader identifies with that particular identity and justifiably call it ‘triggering’. But nobody forces anyone to read anything, so if  a story about a black M2F trans teen who attempts suicide, falls into a coma for 18 months, and is unable to speak for herself to refute Miles’s accusations and memories, then I say this is not the book for you.

I guess my review is written in response to some of these unhappy readers.

Their main argument revolves around the central plot being hinged upon cis white characters whose narrative is dependent on someone ‘lesser’ dying. While Miles is far from cis, he is white, and some would argue privileged and entitled. Interestingly, his identification as demi-sexual also causes angst. Apparently he objectifies other characters way too much, to be demi. I struggle with this concern, because Miles also throws around the terms ‘pan’ and ‘queer’, and his two mothers run programs for LGBTQIA youth, which is how Miles meets Vivian. He constantly proves he is open-minded, open-hearted, and falls for both boys and girls. I understand that the main characteristic of ‘demi-sexual’ is that a person must have an emotional connection before there is sexual attraction, and it’s true that Miles often refers to other characters by their physicality and his attraction to them. Yet, those who he actually makes out with, are all people with whom he has an established bond. All right, so I can’t explain the situation with the French backpacker. But if I accept Miles’s own defence (the sight of two girls making out turns him on), I can sort of see his point of view.

But with every mistake Miles makes, it only becomes clearer how real he is. He is selfish about Vivian’s situation. He is angry at her for her last actions. He is angry she remains in a coma 18 months later, and that  her parents refuse to let her go. He is angry at himself for not noticing, and not being there on the day Vivian made the attempt. He is also in obvious need of some intimacy, a connection with another person, so he’s constantly searching for that. Anybody who argues that he is not traumatised by his situation is misreading his portrayal. He is deeply bereft and completely stuck. While the trip to Iceland helps him to process her situation, Miles remains troubled, and so of course, he is troublesome.

Landscape is obviously a key aspect of the novel. Iceland is remote, alien, but as he befriends Oscar, and develops familiarity with Reykjavik and the surrounding countryside, his confidence grows, he becomes more at peace with how his life now is, and it’s exhausting to watch him try to maintain his rage at the injustice of everything Vivian went through.

There is way more to the legal ramifications of her situation too, but readers can learn that for themselves. What you should know is that Miles’s journey is far from easy, and he fights all the way. While I understand people’s anger about Vivian being used as a prop, there’s also the consideration that statistics show suicide rates are very high in the trans community. Surely we can also argue another point of view: that readers learn more about the plight of under represented communities and can develop empathy and awareness of their situations, and when faced with it in their own lives, they might be better equipped to act more compassionately. This is what books can do – highlight social inequality and the unfairness of the world for us to learn to do better to improve it.

Some of what Miles says about and to Vivian is distressing. But he is grieving and so twisted about her, it’s not surprising that he directs some anger toward her. So yes, if hurt people acting out, and taking ages to recognise their own faults is something that would enrage you, stay away from this book.

I found it lively, fast-paced, and unpredictable. Thanks to publisher HMH Books and Netgalley for advanced copy. Recommended for people who like their contemporaries angsty and controversial. The sex talk and discussions about trans issues are direct and confrontational, and Miles is always thinking about touch, intimacy and closeness. The contrivances of some plot points are hard to ignore, and there is a skeevy character who preyed on a very young man. It’s a tough read, with an open, but mostly satisfying conclusion.

 

 

 

 

Review: Truly, Wildly, Deeply by Jenny McLachlan

Truly, Wildly, Deeply by Jenny McLachlan

Published by: Bloomsbury
ISBN: 9781408879740
Released: March 8 (UK) April 1 (AUS)

Read: December 17, 2017

What Jenny MacLachlan has done here is nothing short of brilliant. Her provocative protagonist challenges us to re-think all our assumptions and misnomers about disability, friendship, and love. Annie has cerebral palsy and her brisk, exuberant attitude to life is a beautiful slap in the face to all young people who moan about how tough they have it, how much school annoys them, and about how much they don’t have.

Annie’s excitement about attending secondary college is refreshing. She wants to take advantage of every opportunity thrown her way. She makes friends like a boss, argues literature with a passion, and grabs hold of life tightly and with joy.

Let’s talk about Fab for a moment. He matches her for passion and enthusiasm. His motto, ‘life’s too short for embarrassment’ even catches Annie off guard. Yes, she is determined to be seen for herself, not her twisted legs or limps, but Fab’s flamboyant declaration that he wants her ‘to be his girl’ startles her, and she denies her mutual feelings and fobs him off.

While we accept Annie’s surface explanation of her decision to be friends, we also see how much hurt she causes. Annie’s growth as a character parallels her understanding of her selfishness, and her grand gesture is balanced perfectly with a realistic and honest discussion of relationships and expectations. When they finally begin to communicate, their feelings for each other can evolve naturally, and the open ending is welcome and strong.

While I have focused on the romantic aspect of the plot, be aware there is a lot more going on. Annie’s friends each have their own journey, and I particularly enjoyed Annie’s conversations with Jackson as they travel to and from school by train. His own love story contrasts with Annie’s, and his frankness with her is pivotal to her choices. Such a great thing to see—a platonic boy/girl friendship.

Annie’s mother is a loving support, although her own doubts about Annie are realistic and understandable. Fab’s Polish family offer a glimpse into his life—not always easy, but always loved, and Miss Caudle, their English teacher is exactly the teacher you want for this pair. I love the representations of adults and young people alike.

Truly, Wildly, Deeply is highly recommended for readers who love their contemporaries full of diversity, wit, and positive messages. Annie makes many mistakes, but she owns up to them and makes better decisions. Thanks to publisher and Netgalley for a copy of this book for review which will be out in the UK on March 8, and here in Australia on April 1.

 

Lists: Best of 2017 LoveOzYA (more)

So now you know why I have been adding reviews up here randomly–so I can link to them without having to come up with something about a book I read months ago. I am very weepy that I never wrote more about The Secret Science of Magic (April) because it might almost be my favourite of the year, and I don’t have a copy to remind myself or reread passages. Yet I have strong memories of its authentic portrayal of anxiety, its diverse range of characters, plus a terrific representation of family, and of course, Joshua’s magic, optimism and final grand gesture. Everything about it worked for me.

I added reviews of The Things We Promise (March) and Take Three Girls (September) recently. I believe they will feature on many 2017 awards lists. They are powerful stories that invite readers to see the perspective of different people, and in doing so, encourages empathy and action.

I will add some words from reviews I wrote for RSO for the other three books.

Remind Me How it Ends by Gabrielle Tozer (March)

Gabrielle Tozer’s third novel presents Milo, small town slacker, one of the only kids in his year level to not escape to university. We meet him in the first chapter, visiting Sal, his high school girlfriend at a college party, and his bewildering sense of dislocation and separateness from her and her new friends is described perfectly.

This sets the scene for Milo’s search for a sense of belonging. It’s not in Durnan, middle of nowhere ACT, or at his parents’ bookshop where he works. It’s certainly not Sal, or his friends who have left him behind. Turns out it might be Layla, one time best friend, who arrives out of the blue, seemingly damaged, reliant on a deadbeat boyfriend, but who sparks something in Milo he can’t deny or resist.

This coming-of-age story is fresh and strong, and offers many layers beneath the banter, the banal world Milo wants to escape, and the bittersweet feelings of loss and longing. The ending is perfectly pitched, and provides an realistic and satisfying resolution.

Because of You by Pip Harry (August)

Tiny’s voice, aimless and full of longing, is distinct from Nora’s heart-broken and uncertain one. There is vulnerability for both of them, and the friendship and kinship that develops through their interactions is as hopeful as it is unexpected. Harry’s inclusive and diverse cast of minor characters carries a subtle message about stereotyping and judging others. The tone is warm and gentle, but the subject matter is harsh and uncomfortable. However, readers aren’t made to feel pity or guilt. Instead they are inspired by the way individuals rise to the challenge to help others, like Eddie, and cheer on the members of the creative writing group as they bravely confront their demons in a public forum full of strangers.

Harry has created a well plotted story combining a number of topical social issues with a strong coming-of-age journey. Do not let teen boys be put off by this cover. It’s relevant and important for all young adults about to step into the wide, sometimes uncaring world.

Gap Year in Ghost Town by Michael Pryor (August)

Anton’s snarky, laid-back voice is one of the best reasons to read this book–he is hilarious, self-aware and self-depreciating. The two female leads, Rani and Bec call him out when he is disparaging, but in ways that are clever and helpful. The trio are formidable when the action starts, but that takes time, actually, and the story is better for the steady build-up and foundation created by astute writing and an eye for detail. Pryor’s confident and witty wordplay will appeal to nerdy readers who are likely to geek out at the constant pop culture references and the humorous asides.

Anton’s indecision about his future is not overworked, and yet is a constant thread, making it just as much a coming-of-age story as it is a ghost busting action-packed fight against the forces of evil. Adults play significant roles, some helpful and some obstructive, adding depth and richness. I particularly love the character arc of Anton’s dad where he learns to navigate the wonders of 21st century technology.

It’s a genre novel that doesn’t pander or placate. It’s elegant, clever and charming.

On Sunday, I will post the obscurely titled ‘Names’ list.

 

Review: The Sweetheart Sham by Danielle Ellison

The Sweetheart Sham by Danielle Ellison

Published by Entangled: Crush
Released: December  4 2017 (in the US)
ISBN: 9781640633551

Read: November 29 2017

I love it when Entangled Crush advances me a book on Netgalley. I enjoy their marketing, their covers, and their final products. It’s true the books aren’t difficult to read, and are often predictable, but who doesn’t love a great HEA? Even though the focus is on bringing the two main characters together in a sweet and young teen friendly way, authors often slip in a few issues to challenge readers. These can be social, particularly friendships or the use of technology, or environmental, like sustainable living or conservation. But most often they deal with family dramas and identity crises, which with most young readers can identify.

In The Sweetheart Sham, Ellison develops a gay character, Will. who is too scared to come out. Will is a Montgomery, and in the small Southern town of Culler, this is a very big deal. He and protagonist and best friend, Georgia Ann, watched the only out boy leave town, and Will is horribly worried his conservative grandfather will reject him. To be able to spend time with his new secret ‘mystery boy’, Will convinces Georgie to go on fake dates with him. There are valid reasons why Georgie agrees – it’s summer, the wedding of the century, run by her mother, is stressful and going off with Will gives her much needed breaks, and there isn’t anybody she wants to date.

Except Beau. But he left town two years ago, breaking Georgia’s heart. So naturally, as soon as she agrees to this set-up, Beau appears for the summer, to re-connect with his estranged father, and to secretly see if his feelings for Georgia are true. Oi Vey, what a mess!

We are given both Georgia’s and Beau’s points of view, as well as flashing back to the past, when the heartbreak occurred. They both have come through some dark times – his parent’s divorce, and her mother’s cancer, and there’s a lot they don’t know about each other. But the attraction is undeniable and their secrets could break what’s left of their friendship. This aspect of the story is well handled, and even though we wish Georgia would come clean, it’s difficult to not applaud her loyalty to Will. Beau is charming and thoughtful, Georgia is feisty and kind, and of course, Will deserves the space to reconcile his identity in his own time. Ellison deals with this very compassionately.

Ellison makes a lot of points about the dangers of keeping secrets. Will and Georgia are also keeping secrets from each other – that she is (and always has been) attracted to Beau, and Will refuses to give up the identity of ‘mystery boy’. Beau is thoroughly confused by Georgia’s mixed signals, and through all of this, wedding plans go awry and need sorting. It’s a terrific set up, and we learn lots about all of the characters, ensuring the town of Culler comes alive for readers.

Of course, at the wedding of the year, everything is resolved wonderfully. If I have one niggle, it was disappointment that there wasn’t a final scene between Will and Georgia once all the drama died down: one quiet conversation where they forgive each other, and cement their best friend status. It would have been the icing on the (wedding) cake (so to speak).

Recommended to readers who already enjoy romance novels offered by Entangled, and who like small town shenanigans. The town is filled with quirky oldies who know everything and have no hesitation in telling the young ‘uns how they should live their lives. There is very little focus on the future, which is a nice change, and all the parents are supportive and avoid stereotypes. Thanks to Netgalley and publisher for this advanced copy. The Sweetheart Sham will be out on December 4.