Review: You Have a Match by Emma Lord

You Have a Match by Emma Lord

Published by: Wednesday Books
Released on: January 12 2021 (In the US), March (in AUS)
ISBN: 9781250237309

Read: 4 – 7 January 2021

This is Emma Lord’s second novel. I didn’t read Tweet Cute, but would often see positive and complementary reviews of it crossing my Goodreads updates.

You Have a Match didn’t disappoint. It is my favourite kind of contemporary young adult novel, with a complicated plot, interweaving many layers and themes, while still maintaining a witty romantic tone. The central focus sees main character Abby discover she has a secret full-blooded sister 18 months older. Adjacent to that is her seemingly unrequited crush on her best friend Leo, and a drop in her academic results, partly due to the grief of losing her grandfather, someone who saw her, and listened to her and encouraged her passion for photography.

When new sister Savannah appears as someone put together and totally in charge, Abby’s self-confidence dips even further. Her parents, usually too busy dealing with her three younger rambunctious brothers, have turned their focus on her grades, and she feels much pressure to excel, and its this stress and uncertainty about her future that prompts her to keep Savvy a secret a bit longer and head off on summer camp, pretending she is going to be studying for SATs when in reality, it’s a chance to try to explore her relationship with Savvy and the circumstances of their situation.

Look, there were times when Abby made poor choices of which I was not a fan. Camp brings with it many surprises, one of these being Leo, (a budding chef), and a chance to work on that friendship and hopefully develop it into something more. But of course, miscommunication is the key here, and they spend a lot of time not talking, which is a pity, but which also builds the tension. Another camper, Finn enables Abby’s impulsive tendencies and this in turn jeopardises Abby’s friendship with Savannah. As I say, it’s complicated and (my other favourite word) messy. There’s a lot more that could be said about other characters like Connie and Victoria, the wonders of social media, and the gorgeous dog, but I think I will leave you to discover them for yourselves.

The drama builds, as we speculate on Savvy’s adoption, secrets are revealed, and insights gained. I immersed myself completely in Abby’s voice and sympathized with her, while also holding her accountable for her actions. Towards the end, it becomes a lot more about their parents, which is definitely an important contribution to the story. There’s fun to be had while Abby discovers things about herself and how she relates to others, and I am pleased to report the resolutions are satisfying and tie up most loose ends nicely.

Thanks to Wednesday Books and Netgalley for an advanced copy. Highly recommended to fans of Emery Lord, Jenn Bennett and Sarah Dessen. It’s modern, twisty and inclusive. Savvy’s gay status doesn’t even raise an eyebrow. I am so glad Australia audiences will have easy access by March.

You Have a Match is available now in the US.

Review: Be Dazzled by Ryan La Sala

Be Dazzled by Ryan La Sala

Published by: Sourcebooks Fire

Released: 1st January 2021 (in the US)

ISBN: 9781492682691

Read: 25-26 December 2020

This second novel by Ryan La Sala is different from his first, Reverie, in many ways, but of course, in so many others, it’s familiar. The queerness is alive and well, and it’s great to see a range of orientations represented so positively. Luca’s bisexuality is a major part of the narrative, and it’s welcome in YA.

But as our narrator, Raffy controls what we see, and when we see it. Flashing back has become a real trope, and I have grown weary of it. However, in this story, it serves as a release valve. The events in Raffy’s present timeline start badly and continue to disastrous, so to return to the past where he and Luca lean into their attraction is a glimpse into a happier time. Not that La Sala explains every event and misadventure. No, he leaves spaces for us to ponder: what exactly does Luca see in Raffy? Sometimes it seems as if he’s mostly spending time because of Raffy’s hobbies and flair. Also, the situation that develops with Inaya lacks detail. There is a lot of room for readers to come to their own conclusions, which is the type of book I love to advocate. Too many of them spell everything out and leave teens with little chance to explore ideas and motivations for themselves.

There are many twists and turns in this world of cosplay and costume design. We are treated to absent AND overprotective parenting. Friendships seem constantly on the cusp of breaking down, and Raffy’s own mental state is a thing of concern. But the immersion into this increasingly more mainstream space is fully realized. I have little awareness of manga worlds, devotion to fictional characters through crafting, and the influence of Youtubers and Instagrammers, yet I experienced Raffy’s stress and triumph completely and satisfactorily. This is the power of the author’s writing and his own knowledge and acceptance of the people who inhabit and commit to these fantastical communities. They own their weird and quirky ways, and we are better for such celebrations and joy.

I received this uncorrected proof thanks to Netgalley and Sourcebooks Fire. Highly recommended to teens who enjoy being part of a tolerant and inclusive community. To those who appreciate that breaking up can sometimes be a good thing, and who cheer on the underestimated and underappreciated. Be Dazzled has a wonderfully appropriate cover and comes out (in the US) on New Year’s Day, 2021.

Review: Defending the Galaxy by Maria V Snyder

Defending the Galaxy (Sentinels of the Galaxy #3) by Maria V Snyder

Published by HQ Young Adult – AU
Released on December 2 2020
ISBN 9781489252784

Read 9 – 12 December 2020

This is the first time in a long while where I have been unable to review a Netgalley book before its release date, and believe me! I feel all the remorse. Funny that, considering how small an audience this blog has, and how little my reviews contribute. But no matter. My Catholic guilt doesn’t discriminate.

I loved the first two books in this series, and having reviewed the second one a year ago here, I can see that I would be gushing about all the same elements: Ara’s growth, her ability to do what’s right not what’s easy, and the fast-paced action. This book just bulldozes through a number of complex plot points, some insightful considerations about the way humans treat technology and anything in fact that they can bend to their will, as well as some great family dynamics and the love story. Aah Niall, you are a true treasure: trusting, supportive and patient.

At the end of book 2, Ara’s connection to the Q-net is complete. Her bond and musings with the sentient being make for thoughtful and witty conversations. Q helps Ara navigate the obstacles, the bad guys and the whole galaxy, and it really feels like she is only 17. Continuously referred to as ‘junior officer’, readers never forget that she is low on every scale. When Ming pulls out the mother card and Ara is grounded, teen readers will observe an interesting stand off. Ara has been living by herself, training as a security officer, and yet she acquiesces to her mother’s worry and protective behaviour, demonstrating her maturity and her understanding of her parents’ feeling. But secretly, she continues to help her teammates and the human race, so much of her rebellious nature persists.

Jarren and his cronies are revealed in more detail: their motivation, their goals and their process. The HoLFs remain scary and a very clever enemy. Their attacks constantly create tension and suspense. While Ara’s abilities often seem to solve everything, she does have to work for the rewards — just trying to get the head honchos on board is a mammoth task in itself.

This is a highly satisfying conclusion to an action packed sci fi series. Recommended to any fans of this authors’ work, and to readers who enjoyed series such as Marissa Meyer’s Renegades, and Claudia Grey’s Constellations. Thanks to Netgalley and Harlequin Teen for advanced copy.

Released (in Australia) on December 2nd.

Review: The Extraordinaries by TJ Klune

The Extraordinaries by TJ Klune

Published by Tor Teen
Released on 14 July 2020
ISBN 9781250203656

Read 8 – 9 July 2020

Klune’s first foray into YA fiction is a bold exuberant celebration of all things queer and geeky. There is a big nod to lots of fun pop cultural elements: fan fiction and superheroes; but as well there is an intense emotional arc that, while swerving a little too close to sentimental, also reflects a strong sense of questioning identity for young people—am I good enough the way I am?

Nick is on a bunch of spectrums. He’s ADHD, a total geek boy, a totally gay geek boy, and the grief from his mother’s death hangs over him like a heavy cloud. His very supportive father is an adorable inclusion into the narrative as a person who tries hard to protect Nick, while giving him freedom, but also demanding more. Because Nick’s inability to filter himself, his reckless, impulsive side is sometimes a bit scary. It’s not that he’s thoughtless. His brain is just wired to ignore consequences and sometimes makes dangerous decisions that should scare most people.

Luckily, Nick is surrounded by loyal and straight-talking friends. Couple Jazz and Gibby tell him when he is taking things too far and follow him down erratic pathways. His best friend Seth has been missing in action over the summer, and now back at school, Nick is struggling to reconnect with this boy who has long been his secret crush (not helped by Nick writing a lot of slightly smutty fan fic about an Extraordinary called Shadow Star). Klune throws us straight into the middle of this complex relationship without giving all the backstory. He also includes Nick’s ex-boyfriend Owen, who is full of himself and incredibly hostile towards Seth. This dynamic is clearly more than what’s happening on page, and unfortunately for us, Nick’s oblivious narrative voice means we are constantly seeking out clues (which admittedly are dropped often), while he remains ignorant of what’s really going on with this pair of frenemies.

Nick puts himself at the centre of everything. This becomes tiresome, but since he is also very self-aware, he is able to keep readers on side, and our sympathy for him usually comes out ahead of our irritation at his antics and selfishness. But this is Klune very cleverly manipulating us and teasing us by incorporating the superhero elements of the story.

Look, I know I am a bit confusing. But that actually is the structure of the book. We are initially baffled by Nick’s obsession with Shadow Star. We can see Seth is right in front of Nick, and yet Nick lives in the clouds looking through a lens that is idealized and somewhat tainted. We keep reading because basically Klune is a very funny, geeky dude who constantly surprises with the jokes and the humanity and the affection he has for his characters.

And then everything starts to click, and the tension ramps up, and suddenly we are in the middle of a very suspenseful scenario and people could die people! So, we read on, worried for everyone, but especially our earnest, impulsive ordinary guy who without powers, takes on a hero’s journey because he must save those he loves, and he does it all with wit and intelligence, and a tiny spark of what the #$*? It’s extraordinary (gah, she had to go there). The resolution is nicely wrapped up, most mysteries are explained, and of course there’s a HEA…

Then, because this is book one, Klune shoves one more twisty dark secret at us, and leaves us with our mouths open, eyes twitching, hearts racing, and our minds ticking. *Shakes fist at the sky* Damn you Klune and your cliff-hangers. But this might just be me. Ha.

Thanks to Netgalley and Tor Teen for advancing this to me oh so long ago before #coronavirus, and through a delay of publication. I hope it all goes well for this book. Recommended for teens who love their protagonists awkward and flawed, but who is all heart. The intense moments are powerful and authentic, and the story dances around a number of genres. It’s a celebration of life and love, and it looks like there will be more. The Extraordinaries finally comes out tomorrow.

Review: More than Maybe by Erin Hahn

More Than Maybe by Erin Hahn

Published by: St Martin’s Press (Wednesday Books)
Released: 21st June 2020 (in the US)
ISBN 9781250231642

Read: 20 -21 June 2020

While it’s really important to make sure I read just before I review a book, l also don’t recommend waiting until the day before it’s due to be released either. I am unable to give myself time to ponder the style, the plot or any of those other elements that require some thought before writing a review.

So, just so you know – I just finished More Than Maybe not 30 minutes ago, and I am still aglow with the lovely grand gesture and the perfectly pitched epilogue, and the tremendous bond that is the love between Vada and Luke.

They share the story with alternate chapters. Luke is a British boy, all charm and music nerd, a perfect counterbalance to wannabe music journalist Vada. I loved that they both had secret crushes on each other, which is a bit different to the usual plot where it’s either the boy or the girl who has the long-term crush. Here we see Luke feverishly checking every time Vada posts a new music vlog, and Vada going to sleep listening to Luke’s soothing voice through the podcast he presents with his twin brother, Cullen.

Both have music in their blood – Luke’s father is an ex punk rocker, now mostly retired looking for purpose. Vada’s horrible father used to be the lead singer of a local band. They broke up when drummer Phil quit and Marcus, now insurance salesman, having abandoned Vada’s mother, regularly turns up to Phil’s bar (where Vada works), and tosses around blame and regret while drinking himself to embarrassing levels. He refuses to help Vada financially and still expects her to babysit his new children. I don’t want him to take up any more of the review, actually. He’s basically a nightmare of a character and father.

So while Vada and Luke share secret longings for each other (Cullen and Luke record their show in Phil’s sound booth), neither of them are bold enough to take any steps beyond stumbling small talk. Of course, fate intervenes, by way their class schedule. Vada takes a dance elective, mostly to use the improvisation time to drive out her demons through movement and song. Luke’s music composition class is given the opportunity to create a piece for one of the dance class to choreograph a dance for the end of year final assessment. While Vada dances without knowing Luke is observing, she convinces herself no one will ask to work with her. But there’s no way Luke can pick anyone else!

While in actuality, very little collaboration goes on between them (Luke is able to compose several songs about Vada with very little effort), it does begin a series of texts, sharing stories and adventures, in which they get to know each other, allowing us to see them as well. This includes the acknowledgement that Luke is not interested in a life of performance, even though he has the voice of an angel, and the song writing ability of a legend and the network opportunity his father Charlie is only too willing to exploit. Luke’s decision to keep all his composition work private means he feels misunderstood by his family, and this is played out when Cullen uploads a video of Luke singing a song (secretly inspired by his love for Vada). It goes viral. He denies there ‘is a girl’, and the aftermath of this decision provides much of the drama of the middle of the book.

Hahn develops characters that are authentically teen. Cullen and his boyfriend Zack are more than side characters, as is Vada’s best friend Meg, and all the bar workers – lumbersexual Ben, and dread headed Kazi. I also liked seeing Vada’s mum build her lovely romance with Phil, and Luke and Cullen’s parents as well. Complicated messy families who still work together to overcome their issues are very much welcome in YA fiction.

Hahn drops in many musical references and although personally, I am aghast at Vada’s aggressive dislike for Stevie Nicks (what the?), most of the bands and songs reflect Vada and Luke’s growing relationship and inform much of the plot. Luke’s own songs are raw and when he lets others in, we see his vulnerabilities and how much he’s prepared to do for Vada.

Thanks to publisher, Wednesday Books, and Netgalley for advanced copy. This is a super romantic story with two main characters deserving of the dreams they want to follow. They are usually thoughtful of other people, but yeah, they make mistakes and then try to do better. I have previously reviewed Hahn’s first book, You’d Be Mine, another teen romance involving teen music stars, and I am here for both of them. More than Maybe will be released in the US on June 21. Recommended if you love your fictional boys shy and a little bit broken, your fictional girls feisty and goal oriented, and a range of side characters who try to make our protagonists step up and risk love.

Review: If We Were Us by K L Walther

If We Were Us by K L Walther

Published by: Sourcebooks Fire
Released on 1 June 2020
ISBN: 9781728210261

Read on: 5 – 6 May 2020

I really enjoyed this romantic, boarding school story. It was light, and while our dual narrators mostly focus on teenage drama, and somewhat frivolous stuff, for example, dresses for prom, and spending time with friends, there is enough serious material to engage readers on a deeper level.

Sage and Charlie are best friends forever. So much so that almost everyone expects them to wake up and love in love. Both of them know that’s never going to happen – Sage is secretly in love with Charlie’s twin brother Nick, and Charlie is deeply, deeply in the closet. When Luke arrives, there’s a bit of a stir in the group of friends – good looking, personable, popular – which girl will snag him?

The boarding school setting is as you’d expect – elite, preppy and mostly rich kids. There are many characters to indicate the many friends Sage and Charlie have, and how many girlfriends Charlie has, and while they serve the purpose of offering a range of opinions about each other and the entanglements of romantic interludes, they really are just backdrops to our focused four.

Walther doesn’t explain everything either. Readers have to keep up with Sage’s breezy monologues, and Charlie’s intense regime of academic excellence, student leader, sporting commitments and getting together with and then quickly breaking up a string of beautiful peers. He’s quite exhausting, and as the story progresses and we watch the way he struggles with his attraction to Luke, we understand why he maintains so many commitments. Sage’s secret romance with Nick also seems like it’s a hot minute from disaster, and we’re not surprised when everything is turned on its head.

It is so easy to engage with Sage and Charlie. Their loyalty and love for each other is infinite. Even though they think they are keeping secrets from each other, they’re really not. They know each other too well. They are observant and keep a protective eye out. It’s a fascinating bond, and when Sage loses everything to keep Charlie safe, and Charlie realises what Sage has done for him, they are truly insightful moments for these kids, and we sympathise and cheer them on.

Talk on the review sites mention the terrible ways Charlie treats his girlfriends, and subsequently Luke. But Walther does a good job of showing us why he is so fearful about his sexuality. Nick too develops beautifully as a character. He has to come to terms with a lot about both Sage and Charlie, and his forgiveness is everything.

But Luke is the character that stands out for me – brave, resilient, extraordinarily strong. He puts up with a lot from Charlie, and it’s important that he draws a line on the treatment and holds his ground. But since predominantly, this is a romance novel, the grand gestures are predictable, and readers aren’t required to deal with too much angst or darkness.

Thanks to Netgalley and Sourcebooks Fire for the advanced copy. Recommended for readers who like books that focus on romance and friendships more than social issues and commentary. It doesn’t try to be more than it is, however, there’s some thoughtful conflict in there among all the typical high school hi-jinks. It’s funny too, so it doesn’t take itself too seriously. Highly satisfying conclusion. If We Were Us comes out on June first 2020. [Can I just add that watching these kids group hug and engage in absolute no social distancing seems weird in these current circumstances? Wonder if we’ll be given books set in this time in a year or so? Or will it just be a small blot on the year that was 2020? Who knows.]

Review: Yes No Maybe So by Becky Albertalli & Aisha Saeed

Yes No Maybe So by Becky Albertalli and Aisha Saeed

Published by Simon & Schuster
Released on 4 February 2020
ISBN: 9781471184666

Read: 24 – 25 December 2019

Yes No Maybe So is a thoughtful novel that encompasses a broad range of topical issues, wrapping them in a deliciously cute romance that will appeal to fans of Simon versus the Homo Sapien Agenda, which let’s face it, is practically every living teen on the planet right now. Albertalli’s novels reflect the concerns and celebrate the inclusiveness of this generation, and Aisha Saeed’s contribution to this one will ensure it continues.

Basic plot is simple, but effective. Socially awkward, Jewish white boy, Jamie fears public speaking which is does not bode well for his dream of becoming a politician. Maya, an American-Pakistani Muslim girl, finding herself at a loose end for the summer, for a variety of awful reasons, is encouraged (more like blackmailed) into canvassing for Jordan Rossum, the democratic candidate for her local district election. Her reward at the end? A car. Jamie and Maya were best friends at childcare, over 10 years ago, and when their mothers reconnect and push them together, only one really is keen – Jamie. Maya is on board for the car. Not that she tells Jamie that. Unfortunately.

Slowly, over the summer, they begin to share their fears, but not only that, as Rossum’s campaign gathers momentum, their optimism grows that they might be contributing to a brighter future. They also develop feelings for each other as they reconnect and support each other through family and friendship breakdowns. As you would imagine, they both make terrible mistakes towards the end, hurting each other. But of course, we know once they sit down, hash it out, and actually take some risks, everything will be okay.

Look, it’s adorable.

But more than, it’s a call to arms. Albertalli and Saeed break down American’s political system into digestible chunks that will inform and entertain young readers. Other countries don’t have the exact systems of the US, however, connections can be made and parallels drawn, so that readers can see how corruption and power make it almost impossible for marginalized groups to be heard. The authors are having none of that. They make it clear that individuals can all do his or her (or their) bit to defeat racists, bullies, homophobes, or whoever else stomps on the rights of others. It’s inspiring stuff, and it never sounds preachy. The two main characters always feel like teenagers—awkward, powerless, and prone to impulsive acts and words—so their insights and observations feel true. They genuinely realise that helping local communities, uniting under a common belief despite differences, and working towards a single purpose is uplifting and exciting.

There are many complications that aren’t even touched on here. Messy family situations, the role of the media and the lasting impacts of social media, the additions of terrific animals, and the eventual realization of strong feelings make Yes No Maybe So an engaging and triumphant reading experience. I have no doubt any teenager will love its message and the way the message is delivered.

Thanks to Netgalley and Simon & Schuster for advanced copy. I believe it’s out everywhere on February 4th. Highly recommended for contemporary book lovers, who enjoy well developed characters bumbling around trying to be their best selves. Who love inclusive stories that don’t shy away from tackling big subjects, but in a readable manner that isn’t heavy handed. I found it really hopeful and loved the way it presented options for teenagers who might be feeling overwhelmed by the constant barrage of negativity offered by mainstream media outlets.

Review: Infinity Son (Infinity Cycle #1) by Adam Silvera

Infinity Son by Adam Silvera

Published by Simon & Schuster
Released on 14 January 2020
ISBN 9781471191565

Read 9 – 10 January 2020

Adam Silvera has built a strong following of fans due to his diverse characters and strong writing. His gay boys express feelings, have genuine, complicated lives, and his plots are original. So far, they have all been situated in contemporary settings, although the magic realism aspects of They Both Die at the End should have clued us into his interest in writing a broader range of genres.

There is no doubt that Infinity Son is fantasy, superhero and magical. Readers are dropped straight into this alternate world and have to do the hard work figuring out the rules and the state of the nation (hint: it’s not good). There are many elements that will be familiar – social media platforms are integral, as are the boroughs of New York, and the political manipulation of the public to allow those in power to retain and increase their control.

However, once terms like, ‘celestials’, ‘spectres’ and ‘The Blackout’ are thrown around, we quickly realise we aren’t in Kansas anymore, Dorothy! Silvera has created a world where some people come into their powers, usually because of a genetic family line, and manifest in recognisable ways—telekinesis, flight or healing—but they can also be in the form of magical creatures’ powers—hydras, phoenixes, or dragons—and the range of ability and power is explored with great detail.

But of course humans once again prove we can’t have nice things because ordinary jealous people decide to experiment with actual magical creatures’ blood and create the ability to become powerful through consuming these ingredients, and the world is divided between those who believe it’s okay to kill these beautiful beings for human desires, and those that don’t.

Emil and Brighton, twin brothers, very different, both longed for powers when they were young, but now, turning 18, it’s only Brighton who still wishes and believes they will manifest. Emil just wants to survive a world that is increasingly violent and uncertain. He observes the disintegrating society with disquiet and fear, while Brighton uses every opportunity of chaos to build his social media influence. Silvera sneakily comments on our growing addiction to everything virtual, and it’s not a pleasant reflection on us at all.

The narrative drive develops quickly and we have barely come to come up for air, as Email and Brighton are continually pushed to their limits, and most telling of all, the growing divide between their reaction to the events that consume them. It transpires that they look at the world through completely different lenses, and it’s also very clear that they do have each other’s backs and continue to rally for each other, even when everything descends into even more madness.

The concluding chapters are very thrilling and not everyone is safe. Another aspect to this novel is the large number of secondary characters who become important and all have their own personalities and agendas. This means it’s difficult to tell who we should be cheering for, and who will live, but this also serves to create a real community who may or may not survive. If we invest in these people, we might find ourselves not very happy at all. Be warned, the cliff hanger ending will infuriate. I don’t know why I believed this was a duology, but it’s not. There will be (at least?) three books.

Thanks to Netgalley and Simon & Schuster for the advanced copy. I found it compelling, but also a bit confusing. Everything happens quickly, and I kept hoping for more downtime to reflect on events and wanted them to have more time to plan. But alas, not to be. Also, the romance elements are small, but of course, who has time to fall in love with the fate of the whole world nearing crisis point. Recommended for readers who love LGBTQIA characters fitting into the world order, and who can help save the world. There are a lot of magical and mystical elements and gorgeous creatures who need rescuing. The brothers’ love for each other is highly visible, but that also foreshadows a darker conclusion that will be spotted by keen speculators. Infinity Son is due out today.

Ten Books One Decade

Putting myself out there to share my highlights of a decade of reading #loveozya novels. These were originally posts on my Instagram and Litsy feeds from Dec 28 to Jan 6.

Tenbooksonedecade

2010

I cannot remember 2010. I was working in a secondary boys’ library and had already been there for 4 years. Enough to feel comfortable. I remember @childrensbookdaily had talked me into returning to uni to complete a Masters of Ed. ‘We need to update our degrees’. Sigh. I only got through one semester because I knew taking on the role of Qld Judge for the #cbcaawards would mean I would be reading (and not much else). I read over 400 books that year, and nearly as many the following.

Melina Marchetta’s return to the world of Francesca and her buddies completely bowled me over—emotional nuance, messy family, and the story of Tom. Shockingly real. I could have picked Marchetta for about four of my years, so it’s only right she’s my first pick of the decade.

2011

While The Piper’s Son didn’t win OR category, my pick for 2011 did. It would be remiss of me not to select at least one Scot Gardner book. His writing over the last 15 years reflect much of the change in YA trends. His male protagonists are often lost (literally), certainly flawed, but always deserve the opportunities to put their lives in order. I especially appreciate that romantic love isn’t a major concern and that friendship, identity and family are strong and welcome features of Gardner’s themes.

The Dead I Know features Aaron, a young man looking for a role model, searching for answers, and the simmering thread of violence is always lurking, ready to pull him into a darker world. Luckily his apprenticeship with John gives him the sense of security and stability he needs. Big shout out to Sparrow (2017) and Changing Gear (2018), which both challenge toxic masculinity norms.

2012

My oldest son slacked his way through Year 12, and I spent the year carting him to gymnastic training and events, choral and orchestra rehearsals and performances, and I took a deep breath after judging for two years, stepping down from reading over 80 #loveozya novels to only 29. Jaclyn Moriarty released a fantasy novel that started the quirky, original warm-hearted series, The Colours of Madeleine which I completely embraced.

Her two lovely main characters, Elliot and Madeleine, swapping letters through a tear between their two worlds, show feisty tenacity, kindness and courage. They are clever novels seemingly light and witty, but that are actually and ultimately multi-layered and terrifically insightful. Her work continues to speak to ordinary people with extraordinary imaginations and startling inner lives. I love everything she writes.

2013

Confession Time: I didn’t read The First Third until 2017. After I read The Sidekicks. After I had conversed with Will. After I left my boys’ school library, where I had pitched it and promoted it. All I can say to 2013 me is what the hell? I didn’t miss the hype. I watched it receive both critical and popular acclaim. All my peers lauded it and the kids loved it and when I finally read it, I accepted its greatness. The First Third is a perfect blend of humour and emotion. Will treats his audience with respect, and he does not pander or preach.  Will is a person of many opinions and a marketing acumen I envy. His stories are authentic, his style is his own, and I can’t wait to see what else he has for us.

Special mention to my other favs: Wildlife by Fiona Wood, Life in Outer Space by Melissa Keil and Girl Defective by Simmone Howell.

2014

II went back to study part-time in 2014. My younger son completed Year 12 at the same school as me, both pressures making it a difficult time. Probably the reason why I only read about 24 #loveozya novels. Having said that, I actually predicted 5 of the 6 OR shortlisted books that year (#humblebrag), so there’s that.

The Protected explores grief in exquisite and infinite sharpness. Hannah’s pain is raw and real. Conversing with her dead sister Katie creates unbearable connection. Her parents’ absence is understandable, yet also unforgivable, and it’s astonishing the relief we feel when Hannah starts talking to Anna. Josh’s appearance brings much needed sunshine to what is in essence of story about confronting death and accepting loss. Claire Zorn is an assured, master storyteller. I hope we don’t lose her entirely to the picture book genre.

Other favourites of 2014 include Intruder by Christine Bongers, Are you Seeing Me? by Darren Groth and Tigerfish by David Metzenthen.

2015

This was my most difficult year professionally. I found myself without a job in August, just in time to sort my youngest son into Calvary basic training a week before his 18th birthday. That and study kept me from despair and trauma. Finding a new job after turning 50 seemed an impossible dream. I only read 18 #loveozya novels, but the highlight was Fiona’s third book in the aptly named Six Impossiverse trilogy, Cloudwish. There was something elusive and mercurial about Van Uoc’s inner voice, such a contrast to her external presentation – wild versus compliant, risky versus accepting, bold versus quiet. She’s a rare find.

Just as important as Fiona’s writing skills, is the fierce support she offers other Australian authors and to the YA community at large through her thoughtful examinations of books and trends. She promotes diversity and inclusivity, and I have gained insights every time I hear her speak.

Other notable mentions of 2015 for me are A Single Stone by Meg McKinlay, The Flywheel by Erin Gough and Lili Wilkinson’s Green Valentine.

2016

I found validation and purpose this year when Pauline from Riverbend Books asked me to read for RSO. I will be ever grateful for her confidence in me. I continue to read for this amazing service – I mean come on; someone asks me to read YA! #luckyandgrateful I also completed my MEd (Knowledge Networks and Digital Innnovations) while I started the process of becoming a supply/relief teacher.

This was a tough year to pick from the 36 novels I read. Three high quality stories, all exploring grief over the unexpected tragic loss of a loved one, could easily have been the one, but two authors have already had other books highlighted (demonstrating their mastery), but on top of that, Cath Crowley’s Words in Deep Blue also focused on books! And bookshops! And the power of words! And included swoony Henry! So, winner. I love this book so much.

The other two excellent #loveozya novels for me in 2016 are One Would think the Deep by Claire Zorn and The Sidekicks by Will Kostakis.

2017

If I thought 2016 was a difficult year to pick a best book, 2017 has been even harder. I read 45 #loveozya books through my ongoing association with RSO and was able to spend significant time looking after other people’s lovely libraries. This made me realise that being able to share my love of teen novels was still something I wanted to do. But I was also asked to speak at several network meetings, PD events, and I started to believe that I would be able to fill my time valuable by helping other library staff. I started applying more seriously for full time work, but also started to formulate a possible plan b. And was less stressed, less anxious.

But back to the wonderful books of 2017. How do I pick between some of the amazing books that were released this year? I could easily select any one of ten books, and if you want to see them all, go here. I made a ridiculous number of lists, two specifically related to Australian YA.

The book I ultimately chose, Because of You by Pip Harry rates highly for a number of reasons. I am going to go back one of many ravs about this book to try to explain… Harry’s inclusive and diverse cast of minor characters carries a subtle message about stereotyping and judging others. The tone is warm and gentle, but the subject matter is harsh and uncomfortable. However, readers aren’t made to feel pity or guilt. Instead they are inspired by the way individuals rise to the challenge to help others… It’s an astonishingly powerful story.

2018

In a year of Lenny (Book of Everything), Merrick (Changing Gear), and Ana and Jono (from Between Us), it is the protagonist of The Learning Curves of Vanessa Partridge who stays with me most of all. I apparently read 49 #loveozya novels this year, helped by me judging the Young Adult category of the Qld Premier’s Literary Awards. Vanessa’s intellectual curiosity about her sexuality and her navigation through unwanted advances was a highlight. The novel also covered environmental issues, parental mental health, and authentic friendships. I loved every complicated, messy thing about it!

This year I returned to a library on a part time basis. It was a perfect re-introduction back to school, and I settled into a rhythm of juggling a number of roles—I haven’t really mentioned my active involvement in CBCA Qld, and this year, I took on President of the Branch, in a year where we hosted the Shortlist and Winner announcement functions. I really fluked it in, because Jenny Stubbs’s team did the work, and I got to be the front line of the credit taking. Seriously, Qld achieves way beyond its means in these spaces. Such a great year!!

2019

This was a tough year – health issues, death of my dad, and returning to work full time meant I was often stressed. However, some new good things happened too – Rhianna Patrick (@ABCRhi) invited me to be a regular on her radio book chat panel and that has been such good fun. Another year as Qld Branch president, a trip to Canberra for the National CBCA conference and judging the Qld Lit Awards kept me involved in kids’ lit while school encouraged me to learn more about coding and programing (eek). There were fewer YA novels released, but more MG, and I have many opinions about that.

This is How We Change the Ending represents Vikki Wakefield’s contribution to YA this decade. Starting with her debut novel. All I Ever Wanted in 2011, all five novels reflect a genuine representation of Australian teens—their desires, their fears, and their triumphs. Her latest sub-verts our expectations and challenges us all to listen to the teens in our lives and support them to find their best selves.

I also completed loved It Sounded Better in My Head by Nina Kenwood.  

So farewell to the short-sighted twenty-teens. May we all save the planet in the twenty-twentys!

Review: We Used to be Friends by Amy Spalding

We Used to Be Friends by Amy Spalding

Published by: Amulet Books
Released on January 7, 2020 (in the US)
ISBN: 9781419738661

Read: December 28 – 30, 2020

Amy Spalding is a great author. I have read almost all of her lighter, romantic comedies such as Kissing Ted Callaghan (2015) and The Reese Malcolm List (2013), and always enjoyed her fully developed characters and those awkward but often hilarious scenarios that were easy to relate to. Her latest novel We Used to Be Friends, takes a more serious approach to what is often treated as a sub-plot in many YA contemporaries—the friendship between two teenage girls.

James and Kat have been friends forever. But it’s easy to see right from the start, that they are very different people—James is a runner, introverted committed to her five-year plan. Kat is outgoing, popular, living day to day. Her mother died a few years back and her older brother is now away at college, and she just wants the best senior year experience she can have. James, an only child, is the offspring of high school sweethearts and as we start the novel, everything is about to unravel.

We read Kat’s story from the beginning of senior year, right through to leaving home for college. Arriving home after summer break, Kat’s boyfriend confesses to cheating on her ‘because (he) was bored’… and …’it meant nothing’… Dumping him will result in huge changes, including meeting a vivacious girl (so, actually I am bi? Okay then), changing lunch tables and broadening her social circle.

But before we meet Kat, we hear James’s narrative voice. And she begins at the end. She is about to head off to her chosen college, her friendship with Kat is over, and as she leaves her house with her father, she asks if they can drop in to visit mum before we go… what the? It’s all topsy‑turvey. And from there, alternately, we are with Kat as she moves forward to the end of senior year and move backwards with James to the beginning.

I felt more sympathy towards James’s plight, but feel I received more information about Kat’s. Clearly the backwards timeline didn’t satisfy as much especially because there’s a strong sense of anxiety growing as we get closer to the disaster that occurs to completely overwhelm her. Kat’s acceptance of her true sexual orientation and of the new woman in his father’s life never feel as tumultuous as James’s situation. As well, as is reflective of James’s nature, her voice is starker, more direct and not as emotional. Whereas Kat shares and shares (and shares).

There are many gaps in a narrative like this, which I very much appreciate and admire. It’s the author’s skill that allows readers to follow the threads and fill in spaces, and I like a book that keeps me actively engaged. While some might not want to work that hard, rewards are there for people who persist. Of course, my bug bear is again on display—a book like this is much better as a print copy. I wanted to flick back through James’s section when I finally reached Kat’s versions, and sometimes it was impossible to find the corresponding bit (Did James talk about prom? It’s a crucial element of Kat realising how far she and James had lost their way, and I wanted to review James’s input, and no amount of searching took me there).

Thanks to Netgalley and publisher for this advanced copy. Highly recommended for readers who want more depth about non-romantic relationships. While both girls’ love interests play a part, the focus is on the breakdown of James and Kat’s inability to reach out to each other when their own world view shifts significantly. It’s a mature read, with discussions about sex and underage drinking at parties. Bisexuality is representative positively, and diversity is strong and convincing. We Used to be Friends is released in the US on January 7. I hope we see it here in Australia soon.