Review: Be Dazzled by Ryan La Sala

Be Dazzled by Ryan La Sala

Published by: Sourcebooks Fire

Released: 1^st January 2021 (in the US)

ISBN: 9781492682691

Read: 25-26 December 2020

This second novel by Ryan La Sala is different from his first, Reverie, in many ways, but of course, in so many others, it’s familiar. The queerness is alive and well, and it’s great to see a range of orientations represented so positively. Luca’s bisexuality is a major part of the narrative, and it’s welcome in YA.

But as our narrator, Raffy controls what we see, and when we see it. Flashing back has become a real trope, and I have grown weary of it. However, in this story, it serves as a release valve. The events in Raffy’s present timeline start badly and continue to disastrous, so to return to the past where he and Luca lean into their attraction is a glimpse into a happier time. Not that La Sala explains every event and misadventure. No, he leaves spaces for us to ponder: what exactly does Luca see in Raffy? Sometimes it seems as if he’s mostly spending time because of Raffy’s hobbies and flair. Also, the situation that develops with Inaya lacks detail. There is a lot of room for readers to come to their own conclusions, which is the type of book I love to advocate. Too many of them spell everything out and leave teens with little chance to explore ideas and motivations for themselves.

There are many twists and turns in this world of cosplay and costume design. We are treated to absent AND overprotective parenting. Friendships seem constantly on the cusp of breaking down, and Raffy’s own mental state is a thing of concern. But the immersion into this increasingly more mainstream space is fully realized. I have little awareness of manga worlds, devotion to fictional characters through crafting, and the influence of Youtubers and Instagrammers, yet I experienced Raffy’s stress and triumph completely and satisfactorily. This is the power of the author’s writing and his own knowledge and acceptance of the people who inhabit and commit to these fantastical communities. They own their weird and quirky ways, and we are better for such celebrations and joy.

I received this uncorrected proof thanks to Netgalley and Sourcebooks Fire. Highly recommended to teens who enjoy being part of a tolerant and inclusive community. To those who appreciate that breaking up can sometimes be a good thing, and who cheer on the underestimated and underappreciated. Be Dazzled has a wonderfully appropriate cover and comes out (in the US) on New Year’s Day, 2021.

Review: The Camino Club by Kevin Craig

The Camino Club by Kevin Craig

Published by Duet Books
Released on 6 October 2020 (In the US)
ISBN 9781945053979

Read 26 – 27 September 2020

This is a road trip of a different kind. We follow an eclectic group of teenagers — a little bit delinquent, a little bit neglected, and a lot in need of empathy  — across a section of the Camino Way, a route travelled by pilgrims, through Spain for many centuries. Researching this journey, I discovered that there are quite a few different routes a tourist can choose. Our young Canadians travel from Ponferrada to Santiago de Compostela, (see map below) walking many kilometres a day through amazing landscapes and historic villages, and not for fun, or as part of a school trip. These kids are strangers to each other before they begin what is basically a punishment as a consequence of their (relatively low-level) offenses. It was this or go into Juvenile detention. Not much choice, really, and for one of them, it’s actually on his bucket list!

Picture: https://solitachapter.wordpress.com/2013/04/20/camino-de-santiago-by-solita-chapter-p-r-o-g-r-a-m-a/

Trent, the bucket list offender, is one of three narrative threads, and I think I enjoyed his feisty, no filter, unapologetic voice the most. As an out and proud gay young man, Trent has struggled, yet he remains vibrant and optimistic, and shows a generous big heart. The other two points of view are Diego, a Latino boy raised by his single mother and Abuela, and Shania (not Twain, thank you very much!) a hot headed angry young woman, mostly unlikeable at the start, who develops a crush on Diego, (which, you’ll be pleased to know, is returned).

There are three other teenagers on the pilgrimage – Claire, Manny and Greg – but we only view them through the eyes of the other kids. This means we don’t really get to know them as well. Right at the beginning, Manny and Diego joke about being like The Breakfast Club crowd (hence the pronouncement ‘The Camino Club’), and it is actually a little bit like that: They are a range of ethnicities, with different socio economic backgrounds (& crimes), but ultimately, it is the ways in which they are similar that paves the way to find common ground and bond.

The Camino Clubbers are supervised by Gilbert and Meagan, a pair of counsellors, who keep them on the path (literally), but who are also there as guides and mentors. I can understand the role they are meant to play, but I was disappointed that readers are not given more of these interactions on the page. We are told that the eight of them will assemble at least once a day to share their experiences, unburden their troubles, presumably to develop a group bond. But the focus on encounters between two or three of the group at any one time means that a lot of their individual growth happens through these smaller dialogues, with the group bond developing almost incidentally. Craig also introduces a character called Bastien, an old man who joins them and acts as a parental figure, and while he is genuine, warm-hearted and responsible for many of my tears, I think he diminishes the roles of Gil and Meagan.

I enjoyed walking along these trails with these troubled teenagers. It becomes clear that they have had tough lives, through absent or narrow-minded parents, and through bullying and societal expectations. While it takes them a while (some more than others. I am looking at you Greg!) to face their actions and take responsibility, it’s also hard to imagine that such a trip wouldn’t have a profound effect. The community of pilgrims is tangible, and the demonstration of kindness and inclusivity is palpable, so their eyes are opened up to a world that’s bigger than themselves. They see their behaviours as they are: selfish and reckless, and are challenged to be better. They know now that there are others who have their back. This little group is strong and by the end of the book, we understand they will be okay, especially if they continue to support each other through difficult times.

Thanks to Duet Books and Netgalley for the advanced copy. I have not been lucky enough to journey along the Camino Way, so I loved living vicariously through Trent, Diego and Shania. Recommended for readers who love their protagonists damaged but not broken, who are interested in seeing new places, and who love snarky sometimes shouty conversation. I haven’t mentioned it, but there is also grief here, but the healing is strong with the growth of characters an important part of the story.

Review: The Extraordinaries by TJ Klune

The Extraordinaries by TJ Klune

Published by Tor Teen
Released on 14 July 2020
ISBN 9781250203656

Read 8 – 9 July 2020

Klune’s first foray into YA fiction is a bold exuberant celebration of all things queer and geeky. There is a big nod to lots of fun pop cultural elements: fan fiction and superheroes; but as well there is an intense emotional arc that, while swerving a little too close to sentimental, also reflects a strong sense of questioning identity for young people—am I good enough the way I am?

Nick is on a bunch of spectrums. He’s ADHD, a total geek boy, a totally gay geek boy, and the grief from his mother’s death hangs over him like a heavy cloud. His very supportive father is an adorable inclusion into the narrative as a person who tries hard to protect Nick, while giving him freedom, but also demanding more. Because Nick’s inability to filter himself, his reckless, impulsive side is sometimes a bit scary. It’s not that he’s thoughtless. His brain is just wired to ignore consequences and sometimes makes dangerous decisions that should scare most people.

Luckily, Nick is surrounded by loyal and straight-talking friends. Couple Jazz and Gibby tell him when he is taking things too far and follow him down erratic pathways. His best friend Seth has been missing in action over the summer, and now back at school, Nick is struggling to reconnect with this boy who has long been his secret crush (not helped by Nick writing a lot of slightly smutty fan fic about an Extraordinary called Shadow Star). Klune throws us straight into the middle of this complex relationship without giving all the backstory. He also includes Nick’s ex-boyfriend Owen, who is full of himself and incredibly hostile towards Seth. This dynamic is clearly more than what’s happening on page, and unfortunately for us, Nick’s oblivious narrative voice means we are constantly seeking out clues (which admittedly are dropped often), while he remains ignorant of what’s really going on with this pair of frenemies.

Nick puts himself at the centre of everything. This becomes tiresome, but since he is also very self-aware, he is able to keep readers on side, and our sympathy for him usually comes out ahead of our irritation at his antics and selfishness. But this is Klune very cleverly manipulating us and teasing us by incorporating the superhero elements of the story.

Look, I know I am a bit confusing. But that actually is the structure of the book. We are initially baffled by Nick’s obsession with Shadow Star. We can see Seth is right in front of Nick, and yet Nick lives in the clouds looking through a lens that is idealized and somewhat tainted. We keep reading because basically Klune is a very funny, geeky dude who constantly surprises with the jokes and the humanity and the affection he has for his characters.

And then everything starts to click, and the tension ramps up, and suddenly we are in the middle of a very suspenseful scenario and people could die people! So, we read on, worried for everyone, but especially our earnest, impulsive ordinary guy who without powers, takes on a hero’s journey because he must save those he loves, and he does it all with wit and intelligence, and a tiny spark of what the #$*? It’s extraordinary (gah, she had to go there). The resolution is nicely wrapped up, most mysteries are explained, and of course there’s a HEA…

Then, because this is book one, Klune shoves one more twisty dark secret at us, and leaves us with our mouths open, eyes twitching, hearts racing, and our minds ticking. *Shakes fist at the sky* Damn you Klune and your cliff-hangers. But this might just be me. Ha.

Thanks to Netgalley and Tor Teen for advancing this to me oh so long ago before #coronavirus, and through a delay of publication. I hope it all goes well for this book. Recommended for teens who love their protagonists awkward and flawed, but who is all heart. The intense moments are powerful and authentic, and the story dances around a number of genres. It’s a celebration of life and love, and it looks like there will be more. The Extraordinaries finally comes out tomorrow.

Review: Infinity Son (Infinity Cycle #1) by Adam Silvera

Infinity Son by Adam Silvera

Published by Simon & Schuster
Released on 14 January 2020
ISBN 9781471191565

Read 9 – 10 January 2020

Adam Silvera has built a strong following of fans due to his diverse characters and strong writing. His gay boys express feelings, have genuine, complicated lives, and his plots are original. So far, they have all been situated in contemporary settings, although the magic realism aspects of They Both Die at the End should have clued us into his interest in writing a broader range of genres.

There is no doubt that Infinity Son is fantasy, superhero and magical. Readers are dropped straight into this alternate world and have to do the hard work figuring out the rules and the state of the nation (hint: it’s not good). There are many elements that will be familiar – social media platforms are integral, as are the boroughs of New York, and the political manipulation of the public to allow those in power to retain and increase their control.

However, once terms like, ‘celestials’, ‘spectres’ and ‘The Blackout’ are thrown around, we quickly realise we aren’t in Kansas anymore, Dorothy! Silvera has created a world where some people come into their powers, usually because of a genetic family line, and manifest in recognisable ways—telekinesis, flight or healing—but they can also be in the form of magical creatures’ powers—hydras, phoenixes, or dragons—and the range of ability and power is explored with great detail.

But of course humans once again prove we can’t have nice things because ordinary jealous people decide to experiment with actual magical creatures’ blood and create the ability to become powerful through consuming these ingredients, and the world is divided between those who believe it’s okay to kill these beautiful beings for human desires, and those that don’t.

Emil and Brighton, twin brothers, very different, both longed for powers when they were young, but now, turning 18, it’s only Brighton who still wishes and believes they will manifest. Emil just wants to survive a world that is increasingly violent and uncertain. He observes the disintegrating society with disquiet and fear, while Brighton uses every opportunity of chaos to build his social media influence. Silvera sneakily comments on our growing addiction to everything virtual, and it’s not a pleasant reflection on us at all.

The narrative drive develops quickly and we have barely come to come up for air, as Email and Brighton are continually pushed to their limits, and most telling of all, the growing divide between their reaction to the events that consume them. It transpires that they look at the world through completely different lenses, and it’s also very clear that they do have each other’s backs and continue to rally for each other, even when everything descends into even more madness.

The concluding chapters are very thrilling and not everyone is safe. Another aspect to this novel is the large number of secondary characters who become important and all have their own personalities and agendas. This means it’s difficult to tell who we should be cheering for, and who will live, but this also serves to create a real community who may or may not survive. If we invest in these people, we might find ourselves not very happy at all. Be warned, the cliff hanger ending will infuriate. I don’t know why I believed this was a duology, but it’s not. There will be (at least?) three books.

Thanks to Netgalley and Simon & Schuster for the advanced copy. I found it compelling, but also a bit confusing. Everything happens quickly, and I kept hoping for more downtime to reflect on events and wanted them to have more time to plan. But alas, not to be. Also, the romance elements are small, but of course, who has time to fall in love with the fate of the whole world nearing crisis point. Recommended for readers who love LGBTQIA characters fitting into the world order, and who can help save the world. There are a lot of magical and mystical elements and gorgeous creatures who need rescuing. The brothers’ love for each other is highly visible, but that also foreshadows a darker conclusion that will be spotted by keen speculators. Infinity Son is due out today.

Ten Books One Decade

Putting myself out there to share my highlights of a decade of reading #loveozya novels. These were originally posts on my Instagram and Litsy feeds from Dec 28 to Jan 6.

Tenbooksonedecade

2010

I cannot remember 2010. I was working in a secondary boys’ library and had already been there for 4 years. Enough to feel comfortable. I remember @childrensbookdaily had talked me into returning to uni to complete a Masters of Ed. ‘We need to update our degrees’. Sigh. I only got through one semester because I knew taking on the role of Qld Judge for the #cbcaawards would mean I would be reading (and not much else). I read over 400 books that year, and nearly as many the following.

Melina Marchetta’s return to the world of Francesca and her buddies completely bowled me over—emotional nuance, messy family, and the story of Tom. Shockingly real. I could have picked Marchetta for about four of my years, so it’s only right she’s my first pick of the decade.

2011

While The Piper’s Son didn’t win OR category, my pick for 2011 did. It would be remiss of me not to select at least one Scot Gardner book. His writing over the last 15 years reflect much of the change in YA trends. His male protagonists are often lost (literally), certainly flawed, but always deserve the opportunities to put their lives in order. I especially appreciate that romantic love isn’t a major concern and that friendship, identity and family are strong and welcome features of Gardner’s themes.

The Dead I Know features Aaron, a young man looking for a role model, searching for answers, and the simmering thread of violence is always lurking, ready to pull him into a darker world. Luckily his apprenticeship with John gives him the sense of security and stability he needs. Big shout out to Sparrow (2017) and Changing Gear (2018), which both challenge toxic masculinity norms.

2012

My oldest son slacked his way through Year 12, and I spent the year carting him to gymnastic training and events, choral and orchestra rehearsals and performances, and I took a deep breath after judging for two years, stepping down from reading over 80 #loveozya novels to only 29. Jaclyn Moriarty released a fantasy novel that started the quirky, original warm-hearted series, The Colours of Madeleine which I completely embraced.

Her two lovely main characters, Elliot and Madeleine, swapping letters through a tear between their two worlds, show feisty tenacity, kindness and courage. They are clever novels seemingly light and witty, but that are actually and ultimately multi-layered and terrifically insightful. Her work continues to speak to ordinary people with extraordinary imaginations and startling inner lives. I love everything she writes.

2013

Confession Time: I didn’t read The First Third until 2017. After I read The Sidekicks. After I had conversed with Will. After I left my boys’ school library, where I had pitched it and promoted it. All I can say to 2013 me is what the hell? I didn’t miss the hype. I watched it receive both critical and popular acclaim. All my peers lauded it and the kids loved it and when I finally read it, I accepted its greatness. The First Third is a perfect blend of humour and emotion. Will treats his audience with respect, and he does not pander or preach.  Will is a person of many opinions and a marketing acumen I envy. His stories are authentic, his style is his own, and I can’t wait to see what else he has for us.

Special mention to my other favs: Wildlife by Fiona Wood, Life in Outer Space by Melissa Keil and Girl Defective by Simmone Howell.

2014

II went back to study part-time in 2014. My younger son completed Year 12 at the same school as me, both pressures making it a difficult time. Probably the reason why I only read about 24 #loveozya novels. Having said that, I actually predicted 5 of the 6 OR shortlisted books that year (#humblebrag), so there’s that.

The Protected explores grief in exquisite and infinite sharpness. Hannah’s pain is raw and real. Conversing with her dead sister Katie creates unbearable connection. Her parents’ absence is understandable, yet also unforgivable, and it’s astonishing the relief we feel when Hannah starts talking to Anna. Josh’s appearance brings much needed sunshine to what is in essence of story about confronting death and accepting loss. Claire Zorn is an assured, master storyteller. I hope we don’t lose her entirely to the picture book genre.

Other favourites of 2014 include Intruder by Christine Bongers, Are you Seeing Me? by Darren Groth and Tigerfish by David Metzenthen.

2015

This was my most difficult year professionally. I found myself without a job in August, just in time to sort my youngest son into Calvary basic training a week before his 18^th birthday. That and study kept me from despair and trauma. Finding a new job after turning 50 seemed an impossible dream. I only read 18 #loveozya novels, but the highlight was Fiona’s third book in the aptly named Six Impossiverse trilogy, Cloudwish. There was something elusive and mercurial about Van Uoc’s inner voice, such a contrast to her external presentation – wild versus compliant, risky versus accepting, bold versus quiet. She’s a rare find.

Just as important as Fiona’s writing skills, is the fierce support she offers other Australian authors and to the YA community at large through her thoughtful examinations of books and trends. She promotes diversity and inclusivity, and I have gained insights every time I hear her speak.

Other notable mentions of 2015 for me are A Single Stone by Meg McKinlay, The Flywheel by Erin Gough and Lili Wilkinson’s Green Valentine.

2016

I found validation and purpose this year when Pauline from Riverbend Books asked me to read for RSO. I will be ever grateful for her confidence in me. I continue to read for this amazing service – I mean come on; someone asks me to read YA! #luckyandgrateful I also completed my MEd (Knowledge Networks and Digital Innnovations) while I started the process of becoming a supply/relief teacher.

This was a tough year to pick from the 36 novels I read. Three high quality stories, all exploring grief over the unexpected tragic loss of a loved one, could easily have been the one, but two authors have already had other books highlighted (demonstrating their mastery), but on top of that, Cath Crowley’s Words in Deep Blue also focused on books! And bookshops! And the power of words! And included swoony Henry! So, winner. I love this book so much.

The other two excellent #loveozya novels for me in 2016 are One Would think the Deep by Claire Zorn and The Sidekicks by Will Kostakis.

2017

If I thought 2016 was a difficult year to pick a best book, 2017 has been even harder. I read 45 #loveozya books through my ongoing association with RSO and was able to spend significant time looking after other people’s lovely libraries. This made me realise that being able to share my love of teen novels was still something I wanted to do. But I was also asked to speak at several network meetings, PD events, and I started to believe that I would be able to fill my time valuable by helping other library staff. I started applying more seriously for full time work, but also started to formulate a possible plan b. And was less stressed, less anxious.

But back to the wonderful books of 2017. How do I pick between some of the amazing books that were released this year? I could easily select any one of ten books, and if you want to see them all, go here. I made a ridiculous number of lists, two specifically related to Australian YA.

The book I ultimately chose, Because of You by Pip Harry rates highly for a number of reasons. I am going to go back one of many ravs about this book to try to explain… Harry’s inclusive and diverse cast of minor characters carries a subtle message about stereotyping and judging others. The tone is warm and gentle, but the subject matter is harsh and uncomfortable. However, readers aren’t made to feel pity or guilt. Instead they are inspired by the way individuals rise to the challenge to help others… It’s an astonishingly powerful story.

2018

In a year of Lenny (Book of Everything), Merrick (Changing Gear), and Ana and Jono (from Between Us), it is the protagonist of The Learning Curves of Vanessa Partridge who stays with me most of all. I apparently read 49 #loveozya novels this year, helped by me judging the Young Adult category of the Qld Premier’s Literary Awards. Vanessa’s intellectual curiosity about her sexuality and her navigation through unwanted advances was a highlight. The novel also covered environmental issues, parental mental health, and authentic friendships. I loved every complicated, messy thing about it!

This year I returned to a library on a part time basis. It was a perfect re-introduction back to school, and I settled into a rhythm of juggling a number of roles—I haven’t really mentioned my active involvement in CBCA Qld, and this year, I took on President of the Branch, in a year where we hosted the Shortlist and Winner announcement functions. I really fluked it in, because Jenny Stubbs’s team did the work, and I got to be the front line of the credit taking. Seriously, Qld achieves way beyond its means in these spaces. Such a great year!!

2019

This was a tough year – health issues, death of my dad, and returning to work full time meant I was often stressed. However, some new good things happened too – Rhianna Patrick (@ABCRhi) invited me to be a regular on her radio book chat panel and that has been such good fun. Another year as Qld Branch president, a trip to Canberra for the National CBCA conference and judging the Qld Lit Awards kept me involved in kids’ lit while school encouraged me to learn more about coding and programing (eek). There were fewer YA novels released, but more MG, and I have many opinions about that.

This is How We Change the Ending represents Vikki Wakefield’s contribution to YA this decade. Starting with her debut novel. All I Ever Wanted in 2011, all five novels reflect a genuine representation of Australian teens—their desires, their fears, and their triumphs. Her latest sub-verts our expectations and challenges us all to listen to the teens in our lives and support them to find their best selves.

I also completed loved It Sounded Better in My Head by Nina Kenwood.  

So farewell to the short-sighted twenty-teens. May we all save the planet in the twenty-twentys!

Review: Sick Kids in Love by Hannah Moskowitz

Sick Kids in Love by Hannah Moskowitz

Published by Entangled: Teen
Released: November 5 2019
ISBN: 9781640637320

Read: October 14 – 15 2019

I have been reading Hannah Moskowitz’s quirky yet entirely authentic novels since her debut Break, in 2010. To see that she is now with a publisher who can give her more exposure is terrific. She writes beautifully with both humour and insight, and I hope loads of people read this, and then go back and find her other, shall we say, less conventional but more challenging, novels.

Sick Kids in Love will probably pick up The Fault in Our Stars and Five Feet Apart readers. I read a review that said exactly that. And it does fit into that trope. Both Ingrid and Sasha suffer from chronic pain, and their lives are to some extent, bound by their condition. Their very different family lives also play a role in how much their diagnoses control them, but at its heart, it’s a story about risk.

We see a lot about chance. Isabel often muses on the coincidence of meeting Sasha. She also thinks about destiny and fate, and of course, about the way her mother chose to leave rather than stay for the long haul. Ingrid’s father, a doctor, might seem to be the ideal parent for a child who suffers from Rheumatoid Arthritis, but in fact he has developed into a medical administrator who is in denial about how much Hannah needs in terms of support and acknowledgement, and a confrontation between them is inevitable.

Sasha, in comparison, seems to be surrounded by love and support. But lately his father, seeing a new woman, is leaving Sasha to care for his younger siblings more and more. Sasha remembers how much his parents were around and present for him, and he is dismayed that his younger brothers and sisters are not getting that same attention. So, both Isabel and Sasha dealing with parental issues, builds and develop a stronger connection.

Of course, it is attraction that initially brings them together. Meeting at an infusion clinic, their flirting is adorable, funny and real. Having decided a long time ago that a romantic relationship is not for her, Isabel is in real trouble when their second chance encounter turns into a thing. But her healthy friends sometimes make her feel less, and connecting with Sasha who knows what it’s like to have limitations, appeals to her lonely self. Their honest discussions about having an ‘invisible’ illness are a strong element of the book, however, of course, they do keep a few secrets, so that eventually there is miscommunication and conflict before it is all resolved with a high degree of satisfaction.

I loved this book a lot because all the characters are depicted with flaws, they make many mistakes but always try to do better. The adults are just as important as the teen characters, and the story has layers of complications that never seem unrealistic (although one particular coincidence was a niggle for me). Thanks to Entangled Teen and Netgalley for the advanced copy. It appears that it will be available in Australia this month as well, and I am going to seek it out for my library. My older students will love it. Recommended for readers who look for in-depth narratives with several issues all vying for attention, and who appreciate a mature relationship that develops between the romantic leads. It is not exploitative or graphic, instead offering a loving and accepting depiction. Sick Kids in Love will be out on November 5.

Review: You’d be Mine by Erin Hahn

You’d be Mine by Erin Hahn

Published by: Wednesday Books
Released on: April 2nd 2019 (in the US)
ISBN 9781250192882

Read 25-26 March 2019

You’d Be Mine is an engaging and intense read aimed at older teens who love their fictional love interests damaged and slightly broken. Even though Clay does fit into some very obvious YA tropes (he drinks even though he’s underage, he sticks to hooks up instead of relationships, and has the bad boy rep around the studio executives), but as the novel progresses, we see he is more than this stereotype, and Hahn does an excellent job of drawing us into his troubles, and sympathising with him.

Annie is also damaged by parents, initially neglectful and now dead. She’s been unable to break free of their memory as huge country and western stars (particularly her mother), and this has stymied her own career. This pair of broken kids need each other, and so we go on a summer road trip with them, as they perform on stage and spend time together off stage.

It’s not an original plot for sure, but Clay and Annie are interesting and well developed. We also have many side characters who also play important roles, especially Annie’s band mates, who are both family and friend to her. Hahn includes some of both Clay’s and Annie’s song lyrics, and it’s a good way to demonstrate their feelings for each other, and their growing sense of identity.

You’d be Mine is a  romance, but it’s also an insight into the lives of performing teenagers, and the pressures they put on themselves to succeed. There’s also a strong family element, and as both MCs have lost their closest family members, there’s a lot of grief and loss for them to overcome. It’s lovely to see Annie acknowledge her physical attraction to Clay, even though she isn’t one to act on impulse. Clay is also a gentleman (most of the time).

Thanks to Netgalley and publisher Wednesday Books for providing an advanced copy of this novel. Recommended for readers who love summer romance novels, with a darker edge, who love their female lead to be thoughtful and kind, but also one who stands up for herself. There’s detail here, so it doesn’t skim the surface, instead delving into issues such as drug and alcohol abuse, and suicide. But ultimately this is a love story, so you won’t be surprised that it’s a happy ending.

Review: Fierce Fragile Hearts by Sara Barnard

Fierce Fragile Hearts by Sara Barnard

Published by: Pan Macmillan Australia
ISBN: 9781509852888
Released: February 12, 2019

Read: 3 – 5 February 2019

I have not read the previous book, Beautiful Broken Things, but don’t feel like it diminished by engagement or enjoyment of Fierce Fragile Hearts. Admittedly, when I became attuned to the complicated friendship that narrator Suzanne shares with Caddy and Rosie, I did wonder about the depiction of Suzanne through Caddy’s admiring and slightly envious eyes. The number of times she indicates that she’s ‘channelling Suze’, shows the impact they had one each other. I can also imagine the performance Suzanne would have put on. Being inside her head in Fierce Fragile Hearts is difficult because we know she only shows a portion of her true self to others. And this is a major theme of the novel—Suzanne’s need and desire to move on from trauma, without having to rely on the sympathy and kindness of others. We, as readers, know how hard that will be.

Very early in the novel, Suzanne tries to explain that a person never really gets better from trauma. And while she says it, the events and her actions that follow, demonstrate just how little she believes it. She continually takes one step forward, two steps back, her recovery often dimmed by her inability to reach out, her low sense of worth, and her reluctance to paint herself as a victim or a person to be pitied. While it’s a brave and strong characterisation, it’s also unsustainable and counter-productive. But these are lessons Suzanne must learn, and while she does, the consequences also force Caddy, Rosie, Matt and Sarah to give her space, while also constantly assuring her of their support and love. It’s a terrific representation of the way we all have to be prepared to allow those around us to grow and adapt.

Suzanne’s return to Brighton after two years of therapy and recovery drive the narrative. She must navigate her newly independent life, initially with Caddy and Rosie by her side. Once they leave for university, Suzanne’s inner negativity surfaces and Barnard uses this to highlight the difficulties faced by people who live with depression and fear. We might not understand why she doesn’t reach out sooner to Aunt Sarah or brother Brian, but Suzanne tries to explain it. She doesn’t believe she deserves their love. She doesn’t  want to tempt the moments of happiness she gets with her friends by asking more of them. These insights are important for us to read, because they help us to see the plight of people suffering from mental health issues. I was particularly struck by Suzanne’s epiphany that she lived a childhood of fear. That she was constantly on edge, terrified she might do something or say something to set her father off. This moment showed me the extent of Suzanne’s fragility. It’s a powerful moment.

The story doesn’t only focus on Suzanne’s fight for stability and worth. It also presents Caddy’s boyfriend Kel, and the subsequent development of that relationship. We also learn much more about Rosie, and the introduction of Matt as Suzanne’s potential love interest ensures all three girls are seen as equal and strong. Barnard uses the texting format to keep the story moving along even when the girls are apart. However, the best character introduced is undoubtedly Dilys, the elderly woman who lives in the unit below Suzanne. She offers Suzanne the use of her washing machine and dryer once a week in return for company, and the developing friendship gives Suzanne much to think about. Having someone who has lived a full life offer advice and show unreserved belief has a profound effect on Suzanne’s chances of coming through happy and healthy. Everyone will love Dilys, I am certain.

I am pleased to see there was some dealing with the abuse suffered at the hands of her father, and Suzanne finding a way to resolve her feelings not only for him, but also her mother, and to some extent, Brian, is another necessary component of recovery, providing a way for her to move on.

If I had one niggle, it’s the representative of drinking and other risky behaviours presented in Fierce Fragile Hearts. As an educator who puts books in the hands of teenagers, I will be cautious with this one. There is no judging by the author, nor should there be. Suzanne is 18, turning 19. She is an adult, and while we might worry her attitude towards hurried hook-ups with strangers is a reckless response to her trauma, Suzanne is mostly safe. But these young people consume a lot of alcohol. All of them. I am concerned that such actions are normalised, with some research indicating teenagers in fact are binging less, so a more balanced representation is preferable. We rarely see anyone refuse a drink, and there were a couple of times when Suzanne did have to extricate herself from a possible risky situation. I am sure some young people live this sort of partying life, and that brings authenticity to the story. I just wanted less of it. I was more interested in the way Matt understood and really ‘saw’ Suzanne, the plight of Clarence, and how the care system tries to help Suzanne.

Fierce Fragile Hearts is a strong contemporary novel. It highlights a number of timely topics facing young people, including trauma and abuse, and it provides hope and triumph, without cheesiness or melodrama. The conclusion is open ended but satisfying. We have seen Suzanne on her way to a secure and safe future.

Thanks to Pan Macmillan for including me on this #AUSYAblogger book tour. You can catch all the exciting events that have been happening all week here at the website. Just to highlight a few, here’s what else is happening today:

Jessica’s Bookworld, Interview

That Bibliophile Franklin, Giveaway

Raathi Writes, Review

Escape into YA, Review

Bookish Kirra, Review

I will link any interested readers to Riverbend Books for purchasing, sticking with my #buylocal and #supportindiebookstores philosopy. They have a great online service as well.

Review: The Universe is Expanding and So Am I by Carolyn Mackler

The Universe is Expanding and So Am I by Carolyn Mackler

Published by Bloomsbury Children’s Books
ISBN: 9781408897041
Released: 6 September 2018

Read: 1 – 3 August 2018

The first book in this series originally came out in 2003, and barely six months have gone by when we start this one. I haven’t read The Earth, My Butt and Big, Other Round Things, but I don’t think I needed to. All the important highlights are given a short explanation, and away we go. I believe that the first book (such long titles) has been re-vamped to cater for this millennial generation and then re-released in June to pre-empt  the new title, but I am still happy to enjoy Virginia’s new story without having to go back to the first one.

Part of this is because we don’t get far into the novel and Virginia is ready to cast aside her boyfriend, Froggy. I suspect it took all of book one for her to win him over, and just like that he’s gone. So yeah, no need to read THAT story. Ha. I am sure there are teenagers who will disagree, and fair enough too. Poor Froggy. Mostly I worry about his name.

The story centres around Byron (did the first one? Oh gosh, do I have to read it after all?) and his alleged rape against a college friend. We agonise alongside Virginia as she struggles with Bryon’s return to court, and his drain on their parents emotions and finances. Virginia is also about to see her sister again who has been in Africa for a year. These turbulent times are exacerbated by meeting a boy who seems to return her attraction.

It’s clear early on that Virginia is a plus size young person. She constantly refers to her body, and although she is okay with how she looks, there are a number of people around her, most especially her parents, who seem determined to bring her down and demean her. I found this aspect of the story most distressing. I wanted her parents to do better, but with all their attention firmly focused on her older siblings, Virginia is free to move around NYC with a freedom of which she takes excellent advantage.

What is shown all the way through the story, but never commented on, is that Virginia walks everywhere. She is active, and eats well, so there’s a disconnect between the way others in the book view her, and the way readers do (if they are observant). She loves her weekly kick boxing class, and feels empowered and part of a group. Of course, her mother spoils that for her, and it’s up to Virginia to take charge of her life and refuse to allow her parents to dictate to her.

While the Bryon storyline is serious and challenging, there’s a light and bright sense of humour and strength that runs parallel. Virginia’s new romantic interest is a decent and caring boy, and the secrets they keep and hide from force Virginia to take some steps forward in maturity level, and it suits her.

Thanks to Bloomsbury and Netgalley for advancing me this copy. It’s out tomorrow here in Australia. Recommended to readers who love a realistic love story that is impacted by other people’s problems. Its tone is a mixture of funny and serious, and the setting of New York plays a major role. Virginia is a brave and proactive protagonist who still needs and takes the time to sort through issues. She’s a great role model.

 

Review: Final Draft by Riley Redgate

Final Draft by Riley Redgate

Published by: Amulet Books
ISBN: 9781419728723
Released: June 11 2018 (in the US)

Read: June 11 2018

This is an intense novel, introspective and questioning. Redgate’s protagonist Laila, will feel familiar to other authors. Her constant search for the perfect draft, the dread of sharing her work, and the self-doubt multiplied by spending too much time alone, being safe, writing instead of living must be something a lot of them would know about. I know I understood it, and I just write reviews.

The third person narrative constantly forced me to think deeper. Usually young adult novels are written in the first person, and the drama and angst spills over the page blatantly. But here there’s deliberate distance, careful and considered. Even when Laila is feeling her worst, or her best, the emotions are tightly restrained, but written with such beautiful words, they reverberate for ages.

Laila’s life has been steady and safe. Now she faces uncertainty and risk. But she wants to experience the change because she needs to know the impact it will have on her writing. I worried there would coercion and manipulation by the new creative teacher, but there wasn’t. Sure she suggests, she expects, but she’s also largely there for her own agenda, so she has no qualms about the ramifications these kids might face when they go out to ‘experience life’.

Laila’s relationships with her four best friends is a very strong part of the novel. Hannah, Leo and Felix become as real as Laila, and their support of her is unflagging and ultimately, terribly important. Laila’s family are also authentically developed, although the other three missed out on the supportive parent situation. Felix’s father and Hannah’s parents are pretty unimpressive.

I love Redgate’s Noteworthy, and can tell she is an assured and clever writer. I hope she’s around, writing stories for young adults, for many years to come.

Thanks to Amulet Books and Netgalley for the advanced copy. It’s out now in the US, June 11. Highly recommended for teens who like character study novels, not action-paced thrillers. Laila struggles with many issues, but she’s really thoughtful and rational when she examines her thoughts, actions and motives. She does get up to a few shenanigans, such as underage drinking and drug-taking, but she never goes completely off the rails. There is some discussion about depression and other mental health issues, but we leave Laila in a place where she deserves to be: happy and content, surrounded by people she loves and who love her.