You Have a Match by Emma Lord Published by: Wednesday BooksReleased on: January 12 2021 (In the US), March (in AUS)ISBN: 9781250237309 Read: 4 – 7 January 2021 This is Emma Lord’s second novel. I… More
Review: The Camino Club by Kevin Craig
The Camino Club by Kevin Craig
Published by Duet Books
Released on 6 October 2020 (In the US)
ISBN 9781945053979
Read 26 – 27 September 2020
This is a road trip of a different kind. We follow an eclectic group of teenagers — a little bit delinquent, a little bit neglected, and a lot in need of empathy — across a section of the Camino Way, a route travelled by pilgrims, through Spain for many centuries. Researching this journey, I discovered that there are quite a few different routes a tourist can choose. Our young Canadians travel from Ponferrada to Santiago de Compostela, (see map below) walking many kilometres a day through amazing landscapes and historic villages, and not for fun, or as part of a school trip. These kids are strangers to each other before they begin what is basically a punishment as a consequence of their (relatively low-level) offenses. It was this or go into Juvenile detention. Not much choice, really, and for one of them, it’s actually on his bucket list!
Trent, the bucket list offender, is one of three narrative threads, and I think I enjoyed his feisty, no filter, unapologetic voice the most. As an out and proud gay young man, Trent has struggled, yet he remains vibrant and optimistic, and shows a generous big heart. The other two points of view are Diego, a Latino boy raised by his single mother and Abuela, and Shania (not Twain, thank you very much!) a hot headed angry young woman, mostly unlikeable at the start, who develops a crush on Diego, (which, you’ll be pleased to know, is returned).
There are three other teenagers on the pilgrimage – Claire, Manny and Greg – but we only view them through the eyes of the other kids. This means we don’t really get to know them as well. Right at the beginning, Manny and Diego joke about being like The Breakfast Club crowd (hence the pronouncement ‘The Camino Club’), and it is actually a little bit like that: They are a range of ethnicities, with different socio economic backgrounds (& crimes), but ultimately, it is the ways in which they are similar that paves the way to find common ground and bond.
The Camino Clubbers are supervised by Gilbert and Meagan, a pair of counsellors, who keep them on the path (literally), but who are also there as guides and mentors. I can understand the role they are meant to play, but I was disappointed that readers are not given more of these interactions on the page. We are told that the eight of them will assemble at least once a day to share their experiences, unburden their troubles, presumably to develop a group bond. But the focus on encounters between two or three of the group at any one time means that a lot of their individual growth happens through these smaller dialogues, with the group bond developing almost incidentally. Craig also introduces a character called Bastien, an old man who joins them and acts as a parental figure, and while he is genuine, warm-hearted and responsible for many of my tears, I think he diminishes the roles of Gil and Meagan.
I enjoyed walking along these trails with these troubled teenagers. It becomes clear that they have had tough lives, through absent or narrow-minded parents, and through bullying and societal expectations. While it takes them a while (some more than others. I am looking at you Greg!) to face their actions and take responsibility, it’s also hard to imagine that such a trip wouldn’t have a profound effect. The community of pilgrims is tangible, and the demonstration of kindness and inclusivity is palpable, so their eyes are opened up to a world that’s bigger than themselves. They see their behaviours as they are: selfish and reckless, and are challenged to be better. They know now that there are others who have their back. This little group is strong and by the end of the book, we understand they will be okay, especially if they continue to support each other through difficult times.
Thanks to Duet Books and Netgalley for the advanced copy. I have not been lucky enough to journey along the Camino Way, so I loved living vicariously through Trent, Diego and Shania. Recommended for readers who love their protagonists damaged but not broken, who are interested in seeing new places, and who love snarky sometimes shouty conversation. I haven’t mentioned it, but there is also grief here, but the healing is strong with the growth of characters an important part of the story.
Review: The Mall by Megan McCafferty
The Mall by Megan McCafferty
Published by Wednesday Books
Released on 28 July 2020 (in the US)
ISBN 9781250209955
Read: 14 – 17 July 2020
This is a layered ride, a roller coaster of fun and mystery, but also a story of a girl coming to terms with her own prejudices and selfishness. The literal quest for treasure involving cabbage patch dolls and a snarky ex best friend who dumped our MC for cooler buds back in elementary school, is a reflection of Cassie’s inner quest to reconcile all her different personas – girlfriend of domineering Troy, high achieving honor roll student, judger of anyone not planning to attend college, daughter of Frank and Kathy, not so much life partners now, as dentists and business partners, and girl with no car licence.
Cassie has big plans but getting mononucleosis was not one of them. After four months recovery, she returns to her life, assuming all with be the same: she’ll finally ‘do it’ with Troy, they’ll work together over summer at the America’s Best Cookies franchise at the local Mall, and sail away to New York together for their happy ever after.
Well, actually, no. It’s not hard to predict that everything falls out of her reach. The first few chapters are devastating to read as Cassie sees her whole life disintegrate. McCafferty does an excellent job of making this privileged brainy tunnel-visioned character a person of sympathy. But as we get to know her, we see how many ways she can be a better person. It’s a gambit to make Cassie unlikeable, but by the time we understand her flaws, we’ve also seen her generosity, her stubborn will and her slow realisation of how selfish and condescending she can be. Her attempts to make amends are welcome and that it’s full of laughter and fun, only serves to make it more of a delight to read.
I haven’t mentioned a huge part of the story – it’s set in the ‘90s. So we have the Mall as the main place for bored teenagers, the video arcades, the cinema, the food court. McCafferty recreates the time and place with nostalgic affection, and her characters fit seamlessly into the space. The use of the treasure hunt to send Cassie and Drea all over the Mall to locate clues allows us to meet a bunch of quirky retailers and shops, as well as a potential new romance for Cassie. The musical soundtrack is perfect, of course, as is the pop cultural references (Beverley Hills 90210 anyone?) and the descriptions of fashion and hairstyles.
Despite the inner turmoil and identity crisis Cassie faces, McCafferty keeps it mostly light and witty. It’s so much fun to read. I hope 2020 kids pick it up and love it as much as I do.
Thanks to Netgalley and Wednesday Books for the advanced copy. It’s out in the US on July 28, and I hope Australia will see sometime in the future. Highly recommended who love their teen angst strong and snarky, who love to see their protagonists have to face a cold splash of reality, but who can also admit their failings and work to be better. The boys here a mix (as is true of real life) – some big-hearted and respectful, others not so much! The friendship battles with Drea are good times. Cassie’s parental woes are worked through the plot in a clever way, with the mystery of the treasure hunt solved satisfactorily (sort of).
Review: The Extraordinaries by TJ Klune
The Extraordinaries by TJ Klune
Published by Tor Teen
Released on 14 July 2020
ISBN 9781250203656
Read 8 – 9 July 2020
Klune’s first foray into YA fiction is a bold exuberant celebration of all things queer and geeky. There is a big nod to lots of fun pop cultural elements: fan fiction and superheroes; but as well there is an intense emotional arc that, while swerving a little too close to sentimental, also reflects a strong sense of questioning identity for young people—am I good enough the way I am?
Nick is on a bunch of spectrums. He’s ADHD, a total geek boy, a totally gay geek boy, and the grief from his mother’s death hangs over him like a heavy cloud. His very supportive father is an adorable inclusion into the narrative as a person who tries hard to protect Nick, while giving him freedom, but also demanding more. Because Nick’s inability to filter himself, his reckless, impulsive side is sometimes a bit scary. It’s not that he’s thoughtless. His brain is just wired to ignore consequences and sometimes makes dangerous decisions that should scare most people.
Luckily, Nick is surrounded by loyal and straight-talking friends. Couple Jazz and Gibby tell him when he is taking things too far and follow him down erratic pathways. His best friend Seth has been missing in action over the summer, and now back at school, Nick is struggling to reconnect with this boy who has long been his secret crush (not helped by Nick writing a lot of slightly smutty fan fic about an Extraordinary called Shadow Star). Klune throws us straight into the middle of this complex relationship without giving all the backstory. He also includes Nick’s ex-boyfriend Owen, who is full of himself and incredibly hostile towards Seth. This dynamic is clearly more than what’s happening on page, and unfortunately for us, Nick’s oblivious narrative voice means we are constantly seeking out clues (which admittedly are dropped often), while he remains ignorant of what’s really going on with this pair of frenemies.
Nick puts himself at the centre of everything. This becomes tiresome, but since he is also very self-aware, he is able to keep readers on side, and our sympathy for him usually comes out ahead of our irritation at his antics and selfishness. But this is Klune very cleverly manipulating us and teasing us by incorporating the superhero elements of the story.
Look, I know I am a bit confusing. But that actually is the structure of the book. We are initially baffled by Nick’s obsession with Shadow Star. We can see Seth is right in front of Nick, and yet Nick lives in the clouds looking through a lens that is idealized and somewhat tainted. We keep reading because basically Klune is a very funny, geeky dude who constantly surprises with the jokes and the humanity and the affection he has for his characters.
And then everything starts to click, and the tension ramps up, and suddenly we are in the middle of a very suspenseful scenario and people could die people! So, we read on, worried for everyone, but especially our earnest, impulsive ordinary guy who without powers, takes on a hero’s journey because he must save those he loves, and he does it all with wit and intelligence, and a tiny spark of what the #$*? It’s extraordinary (gah, she had to go there). The resolution is nicely wrapped up, most mysteries are explained, and of course there’s a HEA…
Then, because this is book one, Klune shoves one more twisty dark secret at us, and leaves us with our mouths open, eyes twitching, hearts racing, and our minds ticking. *Shakes fist at the sky* Damn you Klune and your cliff-hangers. But this might just be me. Ha.
Thanks to Netgalley and Tor Teen for advancing this to me oh so long ago before #coronavirus, and through a delay of publication. I hope it all goes well for this book. Recommended for teens who love their protagonists awkward and flawed, but who is all heart. The intense moments are powerful and authentic, and the story dances around a number of genres. It’s a celebration of life and love, and it looks like there will be more. The Extraordinaries finally comes out tomorrow.
Review: More than Maybe by Erin Hahn
More Than Maybe by Erin Hahn
Published by: St Martin’s Press (Wednesday Books)
Released: 21st June 2020 (in the US)
ISBN 9781250231642
Read: 20 -21 June 2020
While it’s really important to make sure I read just before I review a book, l also don’t recommend waiting until the day before it’s due to be released either. I am unable to give myself time to ponder the style, the plot or any of those other elements that require some thought before writing a review.
So, just so you know – I just finished More Than Maybe not 30 minutes ago, and I am still aglow with the lovely grand gesture and the perfectly pitched epilogue, and the tremendous bond that is the love between Vada and Luke.
They share the story with alternate chapters. Luke is a British boy, all charm and music nerd, a perfect counterbalance to wannabe music journalist Vada. I loved that they both had secret crushes on each other, which is a bit different to the usual plot where it’s either the boy or the girl who has the long-term crush. Here we see Luke feverishly checking every time Vada posts a new music vlog, and Vada going to sleep listening to Luke’s soothing voice through the podcast he presents with his twin brother, Cullen.
Both have music in their blood – Luke’s father is an ex punk rocker, now mostly retired looking for purpose. Vada’s horrible father used to be the lead singer of a local band. They broke up when drummer Phil quit and Marcus, now insurance salesman, having abandoned Vada’s mother, regularly turns up to Phil’s bar (where Vada works), and tosses around blame and regret while drinking himself to embarrassing levels. He refuses to help Vada financially and still expects her to babysit his new children. I don’t want him to take up any more of the review, actually. He’s basically a nightmare of a character and father.
So while Vada and Luke share secret longings for each other (Cullen and Luke record their show in Phil’s sound booth), neither of them are bold enough to take any steps beyond stumbling small talk. Of course, fate intervenes, by way their class schedule. Vada takes a dance elective, mostly to use the improvisation time to drive out her demons through movement and song. Luke’s music composition class is given the opportunity to create a piece for one of the dance class to choreograph a dance for the end of year final assessment. While Vada dances without knowing Luke is observing, she convinces herself no one will ask to work with her. But there’s no way Luke can pick anyone else!
While in actuality, very little collaboration goes on between them (Luke is able to compose several songs about Vada with very little effort), it does begin a series of texts, sharing stories and adventures, in which they get to know each other, allowing us to see them as well. This includes the acknowledgement that Luke is not interested in a life of performance, even though he has the voice of an angel, and the song writing ability of a legend and the network opportunity his father Charlie is only too willing to exploit. Luke’s decision to keep all his composition work private means he feels misunderstood by his family, and this is played out when Cullen uploads a video of Luke singing a song (secretly inspired by his love for Vada). It goes viral. He denies there ‘is a girl’, and the aftermath of this decision provides much of the drama of the middle of the book.
Hahn develops characters that are authentically teen. Cullen and his boyfriend Zack are more than side characters, as is Vada’s best friend Meg, and all the bar workers – lumbersexual Ben, and dread headed Kazi. I also liked seeing Vada’s mum build her lovely romance with Phil, and Luke and Cullen’s parents as well. Complicated messy families who still work together to overcome their issues are very much welcome in YA fiction.
Hahn drops in many musical references and although personally, I am aghast at Vada’s aggressive dislike for Stevie Nicks (what the?), most of the bands and songs reflect Vada and Luke’s growing relationship and inform much of the plot. Luke’s own songs are raw and when he lets others in, we see his vulnerabilities and how much he’s prepared to do for Vada.
Thanks to publisher, Wednesday Books, and Netgalley for advanced copy. This is a super romantic story with two main characters deserving of the dreams they want to follow. They are usually thoughtful of other people, but yeah, they make mistakes and then try to do better. I have previously reviewed Hahn’s first book, You’d Be Mine, another teen romance involving teen music stars, and I am here for both of them. More than Maybe will be released in the US on June 21. Recommended if you love your fictional boys shy and a little bit broken, your fictional girls feisty and goal oriented, and a range of side characters who try to make our protagonists step up and risk love.
Review: If We Were Us by K L Walther
If We Were Us by K L Walther
Published by: Sourcebooks Fire
Released on 1 June 2020
ISBN: 9781728210261
Read on: 5 – 6 May 2020
I really enjoyed this romantic, boarding school story. It was light, and while our dual narrators mostly focus on teenage drama, and somewhat frivolous stuff, for example, dresses for prom, and spending time with friends, there is enough serious material to engage readers on a deeper level.
Sage and Charlie are best friends forever. So much so that almost everyone expects them to wake up and love in love. Both of them know that’s never going to happen – Sage is secretly in love with Charlie’s twin brother Nick, and Charlie is deeply, deeply in the closet. When Luke arrives, there’s a bit of a stir in the group of friends – good looking, personable, popular – which girl will snag him?
The boarding school setting is as you’d expect – elite, preppy and mostly rich kids. There are many characters to indicate the many friends Sage and Charlie have, and how many girlfriends Charlie has, and while they serve the purpose of offering a range of opinions about each other and the entanglements of romantic interludes, they really are just backdrops to our focused four.
Walther doesn’t explain everything either. Readers have to keep up with Sage’s breezy monologues, and Charlie’s intense regime of academic excellence, student leader, sporting commitments and getting together with and then quickly breaking up a string of beautiful peers. He’s quite exhausting, and as the story progresses and we watch the way he struggles with his attraction to Luke, we understand why he maintains so many commitments. Sage’s secret romance with Nick also seems like it’s a hot minute from disaster, and we’re not surprised when everything is turned on its head.
It is so easy to engage with Sage and Charlie. Their loyalty and love for each other is infinite. Even though they think they are keeping secrets from each other, they’re really not. They know each other too well. They are observant and keep a protective eye out. It’s a fascinating bond, and when Sage loses everything to keep Charlie safe, and Charlie realises what Sage has done for him, they are truly insightful moments for these kids, and we sympathise and cheer them on.
Talk on the review sites mention the terrible ways Charlie treats his girlfriends, and subsequently Luke. But Walther does a good job of showing us why he is so fearful about his sexuality. Nick too develops beautifully as a character. He has to come to terms with a lot about both Sage and Charlie, and his forgiveness is everything.
But Luke is the character that stands out for me – brave, resilient, extraordinarily strong. He puts up with a lot from Charlie, and it’s important that he draws a line on the treatment and holds his ground. But since predominantly, this is a romance novel, the grand gestures are predictable, and readers aren’t required to deal with too much angst or darkness.
Thanks to Netgalley and Sourcebooks Fire for the advanced copy. Recommended for readers who like books that focus on romance and friendships more than social issues and commentary. It doesn’t try to be more than it is, however, there’s some thoughtful conflict in there among all the typical high school hi-jinks. It’s funny too, so it doesn’t take itself too seriously. Highly satisfying conclusion. If We Were Us comes out on June first 2020. [Can I just add that watching these kids group hug and engage in absolute no social distancing seems weird in these current circumstances? Wonder if we’ll be given books set in this time in a year or so? Or will it just be a small blot on the year that was 2020? Who knows.]
Review: Four Days of You and Me by Miranda Kenneally
Four Days of You and Me by Miranda Kenneally
Published by Sourcebooks Fire
Released on 5th May 2020 (In the US)
ISBN: 9781492684138
Read 05 – 06 March 2020
So far, Miranda Kenneally has focused on teen novels, depicting young sporty women, exploring their family, friendships, and love interests with the Hundred Oaks series. Four Days of You and Me signals a departure, and it’s an interesting direction. The structure and style of this new book is constrained and controlled and often requires readers to fill in a lot of gaps.
We meet up with our two protagonists, Lulu and Alex once a year, for four years, on the same day, May 7, which is basically the end of the American school year. Lulu is 15 when the novel starts the same as her arch-enemy Alex. The sparks between the two of them, as they duke it out over patches of land, class elections and being stuck together in an escape room are strong and fiery. They clearly have feelings and are attracted to each other, yet they are also stubborn, independent humans, and their on and off again romance will keep readers engaged and laughing.
Lulu has two best friends: Cousin Grace, and Max. They too struggle with crushes and gossips and are just as integral to the plot. They support Lulu, just as she supports them, through bad decision-making, heartbreak and cheer each other on through triumphs. Lulu is a passionate graphic novel creator, and keen green activist. Alex desperately needs a baseball scholarship because his family won’t be able to afford to send him to college. These different agendas butt up against each other, so this relationship is born of hard work and compromise.
But we don’t only see these characters once a year. Within each May 7 chapter, we also flashback to other pivotal days through that one year, meaning readers have to stay on their toes to keep up with all the events that have happened. As I previously mentioned, they also must fill in missing gaps and join the dots. It’s good to challenge readers and make them work for their rewards, and there are plenty of happy times and smexy times too (but not too graphic or exploitative). I have no hesitation in giving this to a 15 or 16-year-old.
We observe the obligatory moments in any teen’s schooling life – dances, formals, camps, and class trips. There are several important secondary characters, who help to keep the stories bubbling along, as well as developing the teens as authentic and realistic. These are all flawed kids who make mistakes, but that makes them easy to connect with on a number of levels.
Thanks to Sourcebooks Fire and Netgalley for the advanced copy. I have kept my review deliberately vague because it is good for readers to watch the growth and development for themselves. The novel tries to capture the way teens obsess and crave something one year, that seems so unimportant the next. Initially, there are boys for whom Lulu has no time because of their immaturity and nonsense, but who gradually become an important part of her friendship circle. Recommended for readers who like the angst of long term, will-they-won’t-they, and watching characters grow up in front of their eyes. The romance element is very strong, as are the friendships, and family drama to a lesser extent. Some sexual references are included, and Kenneally has always been sex positive and direct. The satisfying resolution is open, yet we leave our college-bound young men and women in a optimistic place. Four Days of You and Me is released on May 5, 2020.
Review: Unscripted by Nicole Kronzer
Unscripted by Nicole Kronzer
Published by Amulet Books
Released on 21 April 2020
ISBN 9781419740848
Read: 5 – 7 February 2020
This is a timely release in terms of the #metoo movement. Although protagonist Zelda is not sexually abused, there is a lot of misogynistic behaviour which is ignored by others, to the point where Zelda’s self-doubt and second-guessing leads to her keeping secrets and avoiding others while she blames herself for what’s happening to her. Her path from passive sufferer to outspoken survivor is a trip worth going on, not least of all because of its fresh backdrop.
Zelda is a wannabe comedian. She’s been invited to be part of a highly sought-after improvisation camp, where young people from all over the US congregate to learn from professional comedy writers. Zelda is joined by her brother Will, his (recently declared) boyfriend Jonas, and meets other girls, self-named The Gildas, Sirena, (who loves) Emily, Hannah and Paloma. It is these friends who make it possible for Zelda to finally open up and confess her treatment by the objectively gorgeous, but aggressively narcissistic Ben.
The story takes place over the two-week period of improv camp. Zelda is excited to be chosen as one of the varsity team (Ben’s ‘top’ group of course), but as time passes, and the boys, most especially mentor and leader Ben treat her in vile and underhanded ways, she starts to wonder whether she is talented at all, or if she is only picked because they need a girl (to play all the undesired parts, such as the dead prostitute, the nagging girlfriend, and so on). She is not given any platform to perform her own material, nor is she allowed to criticise the teams’ choices of her roles. It’s pretty terrible to watch, particularly when, in private, Ben shows a different side, one which is focused in on Zelda as a potential sexual conquest.
Zelda’s innocence explains why she puts up with this treatment for as long as she does. Ben is gorgeous and can be charming, so it’s fortunate Zelda is also introduced to another group of boys from the neighbouring Scout camp – Jesse, Murph and Ricky—who show her the ways boys can and should behave. At all times, these young men are thoughtful, careful, and responsible. Jesse is also attracted to Zelda, and his manner is respectful and compassionate. She spends as much time with him, walking trails, helping the younger scouts, as she does with Ben, and the disparity in attitude could not have been more extreme.
As well as the romantic plot line, the comedy thread is interesting, and it seems clear the author has a lot of insight into this world. There are many stories of the way female comedians have struggled to break into the industry. Misogyny apparently begins early when people are just starting out. The camp managers themselves display appalling judgement when confronted with Zelda’s claims of mistreatment, and this is familiar to those of us who have watched the way society and the media have vilified some victims of organisations like the Church or individuals like Harvey Weinstein.
By the time we observe Zelda’s exposure of Ben, her triumphant performance on stage, and honest discussions about being attracted to Jesse, we have seen how much she has been put through, and how much she persisted, and we cheer her on with applause and laughter.
Thanks to Netgalley and Amulet books for the advanced copy. It’s out in the US on April 21st and here in Australia in June. Check release dates for other countries. Highly recommended for anyone looking for a thoughtful yet fun exploration of the way girls can be marginalized and made to conform to expectations. Zelda often reflects on the other Gildas, aware of how much harder it might be for them – as black women (Sirena and Paloma), as lesbians (Sirena and Emily) and as an albino woman (Hannah). It’s a small but significant conscious acknowledgement of one’s own privilege. As just mentioned, there is great diversity and inclusivity, and honest discussions about sex and trust. I found it an extremely engaging and welcome narrative, as well as a lovely romance.
Review: Yes No Maybe So by Becky Albertalli & Aisha Saeed
Yes No Maybe So by Becky Albertalli and Aisha Saeed
Published by Simon & Schuster
Released on 4 February 2020
ISBN: 9781471184666
Read: 24 – 25 December 2019
Yes No Maybe So is a thoughtful novel that encompasses a broad range of topical issues, wrapping them in a deliciously cute romance that will appeal to fans of Simon versus the Homo Sapien Agenda, which let’s face it, is practically every living teen on the planet right now. Albertalli’s novels reflect the concerns and celebrate the inclusiveness of this generation, and Aisha Saeed’s contribution to this one will ensure it continues.
Basic plot is simple, but effective. Socially awkward, Jewish white boy, Jamie fears public speaking which is does not bode well for his dream of becoming a politician. Maya, an American-Pakistani Muslim girl, finding herself at a loose end for the summer, for a variety of awful reasons, is encouraged (more like blackmailed) into canvassing for Jordan Rossum, the democratic candidate for her local district election. Her reward at the end? A car. Jamie and Maya were best friends at childcare, over 10 years ago, and when their mothers reconnect and push them together, only one really is keen – Jamie. Maya is on board for the car. Not that she tells Jamie that. Unfortunately.
Slowly, over the summer, they begin to share their fears, but not only that, as Rossum’s campaign gathers momentum, their optimism grows that they might be contributing to a brighter future. They also develop feelings for each other as they reconnect and support each other through family and friendship breakdowns. As you would imagine, they both make terrible mistakes towards the end, hurting each other. But of course, we know once they sit down, hash it out, and actually take some risks, everything will be okay.
Look, it’s adorable.
But more than, it’s a call to arms. Albertalli and Saeed break down American’s political system into digestible chunks that will inform and entertain young readers. Other countries don’t have the exact systems of the US, however, connections can be made and parallels drawn, so that readers can see how corruption and power make it almost impossible for marginalized groups to be heard. The authors are having none of that. They make it clear that individuals can all do his or her (or their) bit to defeat racists, bullies, homophobes, or whoever else stomps on the rights of others. It’s inspiring stuff, and it never sounds preachy. The two main characters always feel like teenagers—awkward, powerless, and prone to impulsive acts and words—so their insights and observations feel true. They genuinely realise that helping local communities, uniting under a common belief despite differences, and working towards a single purpose is uplifting and exciting.
There are many complications that aren’t even touched on here. Messy family situations, the role of the media and the lasting impacts of social media, the additions of terrific animals, and the eventual realization of strong feelings make Yes No Maybe So an engaging and triumphant reading experience. I have no doubt any teenager will love its message and the way the message is delivered.
Thanks to Netgalley and Simon & Schuster for advanced copy. I believe it’s out everywhere on February 4th. Highly recommended for contemporary book lovers, who enjoy well developed characters bumbling around trying to be their best selves. Who love inclusive stories that don’t shy away from tackling big subjects, but in a readable manner that isn’t heavy handed. I found it really hopeful and loved the way it presented options for teenagers who might be feeling overwhelmed by the constant barrage of negativity offered by mainstream media outlets.
Review: Infinity Son (Infinity Cycle #1) by Adam Silvera
Infinity Son by Adam Silvera
Published by Simon & Schuster
Released on 14 January 2020
ISBN 9781471191565
Read 9 – 10 January 2020
Adam Silvera has built a strong following of fans due to his diverse characters and strong writing. His gay boys express feelings, have genuine, complicated lives, and his plots are original. So far, they have all been situated in contemporary settings, although the magic realism aspects of They Both Die at the End should have clued us into his interest in writing a broader range of genres.
There is no doubt that Infinity Son is fantasy, superhero and magical. Readers are dropped straight into this alternate world and have to do the hard work figuring out the rules and the state of the nation (hint: it’s not good). There are many elements that will be familiar – social media platforms are integral, as are the boroughs of New York, and the political manipulation of the public to allow those in power to retain and increase their control.
However, once terms like, ‘celestials’, ‘spectres’ and ‘The Blackout’ are thrown around, we quickly realise we aren’t in Kansas anymore, Dorothy! Silvera has created a world where some people come into their powers, usually because of a genetic family line, and manifest in recognisable ways—telekinesis, flight or healing—but they can also be in the form of magical creatures’ powers—hydras, phoenixes, or dragons—and the range of ability and power is explored with great detail.
But of course humans once again prove we can’t have nice things because ordinary jealous people decide to experiment with actual magical creatures’ blood and create the ability to become powerful through consuming these ingredients, and the world is divided between those who believe it’s okay to kill these beautiful beings for human desires, and those that don’t.
Emil and Brighton, twin brothers, very different, both longed for powers when they were young, but now, turning 18, it’s only Brighton who still wishes and believes they will manifest. Emil just wants to survive a world that is increasingly violent and uncertain. He observes the disintegrating society with disquiet and fear, while Brighton uses every opportunity of chaos to build his social media influence. Silvera sneakily comments on our growing addiction to everything virtual, and it’s not a pleasant reflection on us at all.
The narrative drive develops quickly and we have barely come to come up for air, as Email and Brighton are continually pushed to their limits, and most telling of all, the growing divide between their reaction to the events that consume them. It transpires that they look at the world through completely different lenses, and it’s also very clear that they do have each other’s backs and continue to rally for each other, even when everything descends into even more madness.
The concluding chapters are very thrilling and not everyone is safe. Another aspect to this novel is the large number of secondary characters who become important and all have their own personalities and agendas. This means it’s difficult to tell who we should be cheering for, and who will live, but this also serves to create a real community who may or may not survive. If we invest in these people, we might find ourselves not very happy at all. Be warned, the cliff hanger ending will infuriate. I don’t know why I believed this was a duology, but it’s not. There will be (at least?) three books.
Thanks to Netgalley and Simon & Schuster for the advanced copy. I found it compelling, but also a bit confusing. Everything happens quickly, and I kept hoping for more downtime to reflect on events and wanted them to have more time to plan. But alas, not to be. Also, the romance elements are small, but of course, who has time to fall in love with the fate of the whole world nearing crisis point. Recommended for readers who love LGBTQIA characters fitting into the world order, and who can help save the world. There are a lot of magical and mystical elements and gorgeous creatures who need rescuing. The brothers’ love for each other is highly visible, but that also foreshadows a darker conclusion that will be spotted by keen speculators. Infinity Son is due out today.
Ten Books One Decade
Putting myself out there to share my highlights of a decade of reading #loveozya novels. These were originally posts on my Instagram and Litsy feeds from Dec 28 to Jan 6.
Tenbooksonedecade
2010
I cannot remember 2010. I was working in a secondary boys’ library and had already been there for 4 years. Enough to feel comfortable. I remember @childrensbookdaily had talked me into returning to uni to complete a Masters of Ed. ‘We need to update our degrees’. Sigh. I only got through one semester because I knew taking on the role of Qld Judge for the #cbcaawards would mean I would be reading (and not much else). I read over 400 books that year, and nearly as many the following.
Melina Marchetta’s return to the world of Francesca and her buddies completely bowled me over—emotional nuance, messy family, and the story of Tom. Shockingly real. I could have picked Marchetta for about four of my years, so it’s only right she’s my first pick of the decade.
2011
While The Piper’s Son didn’t win OR category, my pick for 2011 did. It would be remiss of me not to select at least one Scot Gardner book. His writing over the last 15 years reflect much of the change in YA trends. His male protagonists are often lost (literally), certainly flawed, but always deserve the opportunities to put their lives in order. I especially appreciate that romantic love isn’t a major concern and that friendship, identity and family are strong and welcome features of Gardner’s themes.
The Dead I Know features Aaron, a young man looking for a role model, searching for answers, and the simmering thread of violence is always lurking, ready to pull him into a darker world. Luckily his apprenticeship with John gives him the sense of security and stability he needs. Big shout out to Sparrow (2017) and Changing Gear (2018), which both challenge toxic masculinity norms.
2012
My oldest son slacked his way through Year 12, and I spent the year carting him to gymnastic training and events, choral and orchestra rehearsals and performances, and I took a deep breath after judging for two years, stepping down from reading over 80 #loveozya novels to only 29. Jaclyn Moriarty released a fantasy novel that started the quirky, original warm-hearted series, The Colours of Madeleine which I completely embraced.
Her two lovely main characters, Elliot and Madeleine, swapping letters through a tear between their two worlds, show feisty tenacity, kindness and courage. They are clever novels seemingly light and witty, but that are actually and ultimately multi-layered and terrifically insightful. Her work continues to speak to ordinary people with extraordinary imaginations and startling inner lives. I love everything she writes.
2013
Confession Time: I didn’t read The First Third until 2017. After I read The Sidekicks. After I had conversed with Will. After I left my boys’ school library, where I had pitched it and promoted it. All I can say to 2013 me is what the hell? I didn’t miss the hype. I watched it receive both critical and popular acclaim. All my peers lauded it and the kids loved it and when I finally read it, I accepted its greatness. The First Third is a perfect blend of humour and emotion. Will treats his audience with respect, and he does not pander or preach. Will is a person of many opinions and a marketing acumen I envy. His stories are authentic, his style is his own, and I can’t wait to see what else he has for us.
Special mention to my other favs: Wildlife by Fiona Wood, Life in Outer Space by Melissa Keil and Girl Defective by Simmone Howell.
2014
II went back to study part-time in 2014. My younger son completed Year 12 at the same school as me, both pressures making it a difficult time. Probably the reason why I only read about 24 #loveozya novels. Having said that, I actually predicted 5 of the 6 OR shortlisted books that year (#humblebrag), so there’s that.
The Protected explores grief in exquisite and infinite sharpness. Hannah’s pain is raw and real. Conversing with her dead sister Katie creates unbearable connection. Her parents’ absence is understandable, yet also unforgivable, and it’s astonishing the relief we feel when Hannah starts talking to Anna. Josh’s appearance brings much needed sunshine to what is in essence of story about confronting death and accepting loss. Claire Zorn is an assured, master storyteller. I hope we don’t lose her entirely to the picture book genre.
Other favourites of 2014 include Intruder by Christine Bongers, Are you Seeing Me? by Darren Groth and Tigerfish by David Metzenthen.
2015
This was my most difficult year professionally. I found myself without a job in August, just in time to sort my youngest son into Calvary basic training a week before his 18th birthday. That and study kept me from despair and trauma. Finding a new job after turning 50 seemed an impossible dream. I only read 18 #loveozya novels, but the highlight was Fiona’s third book in the aptly named Six Impossiverse trilogy, Cloudwish. There was something elusive and mercurial about Van Uoc’s inner voice, such a contrast to her external presentation – wild versus compliant, risky versus accepting, bold versus quiet. She’s a rare find.
Just as important as Fiona’s writing skills, is the fierce support she offers other Australian authors and to the YA community at large through her thoughtful examinations of books and trends. She promotes diversity and inclusivity, and I have gained insights every time I hear her speak.
Other notable mentions of 2015 for me are A Single Stone by Meg McKinlay, The Flywheel by Erin Gough and Lili Wilkinson’s Green Valentine.
2016
I found validation and purpose this year when Pauline from Riverbend Books asked me to read for RSO. I will be ever grateful for her confidence in me. I continue to read for this amazing service – I mean come on; someone asks me to read YA! #luckyandgrateful I also completed my MEd (Knowledge Networks and Digital Innnovations) while I started the process of becoming a supply/relief teacher.
This was a tough year to pick from the 36 novels I read. Three high quality stories, all exploring grief over the unexpected tragic loss of a loved one, could easily have been the one, but two authors have already had other books highlighted (demonstrating their mastery), but on top of that, Cath Crowley’s Words in Deep Blue also focused on books! And bookshops! And the power of words! And included swoony Henry! So, winner. I love this book so much.
The other two excellent #loveozya novels for me in 2016 are One Would think the Deep by Claire Zorn and The Sidekicks by Will Kostakis.
2017
If I thought 2016 was a difficult year to pick a best book, 2017 has been even harder. I read 45 #loveozya books through my ongoing association with RSO and was able to spend significant time looking after other people’s lovely libraries. This made me realise that being able to share my love of teen novels was still something I wanted to do. But I was also asked to speak at several network meetings, PD events, and I started to believe that I would be able to fill my time valuable by helping other library staff. I started applying more seriously for full time work, but also started to formulate a possible plan b. And was less stressed, less anxious.
But back to the wonderful books of 2017. How do I pick between some of the amazing books that were released this year? I could easily select any one of ten books, and if you want to see them all, go here. I made a ridiculous number of lists, two specifically related to Australian YA.
The book I ultimately chose, Because of You by Pip Harry rates highly for a number of reasons. I am going to go back one of many ravs about this book to try to explain… Harry’s inclusive and diverse cast of minor characters carries a subtle message about stereotyping and judging others. The tone is warm and gentle, but the subject matter is harsh and uncomfortable. However, readers aren’t made to feel pity or guilt. Instead they are inspired by the way individuals rise to the challenge to help others… It’s an astonishingly powerful story.
2018
In a year of Lenny (Book of Everything), Merrick (Changing Gear), and Ana and Jono (from Between Us), it is the protagonist of The Learning Curves of Vanessa Partridge who stays with me most of all. I apparently read 49 #loveozya novels this year, helped by me judging the Young Adult category of the Qld Premier’s Literary Awards. Vanessa’s intellectual curiosity about her sexuality and her navigation through unwanted advances was a highlight. The novel also covered environmental issues, parental mental health, and authentic friendships. I loved every complicated, messy thing about it!
This year I returned to a library on a part time basis. It was a perfect re-introduction back to school, and I settled into a rhythm of juggling a number of roles—I haven’t really mentioned my active involvement in CBCA Qld, and this year, I took on President of the Branch, in a year where we hosted the Shortlist and Winner announcement functions. I really fluked it in, because Jenny Stubbs’s team did the work, and I got to be the front line of the credit taking. Seriously, Qld achieves way beyond its means in these spaces. Such a great year!!
2019
This was a tough year – health issues, death of my dad, and returning to work full time meant I was often stressed. However, some new good things happened too – Rhianna Patrick (@ABCRhi) invited me to be a regular on her radio book chat panel and that has been such good fun. Another year as Qld Branch president, a trip to Canberra for the National CBCA conference and judging the Qld Lit Awards kept me involved in kids’ lit while school encouraged me to learn more about coding and programing (eek). There were fewer YA novels released, but more MG, and I have many opinions about that.
This is How We Change the Ending represents Vikki Wakefield’s contribution to YA this decade. Starting with her debut novel. All I Ever Wanted in 2011, all five novels reflect a genuine representation of Australian teens—their desires, their fears, and their triumphs. Her latest sub-verts our expectations and challenges us all to listen to the teens in our lives and support them to find their best selves.
I also completed loved It Sounded Better in My Head by Nina Kenwood.
So farewell to the short-sighted twenty-teens. May we all save the planet in the twenty-twentys!
Trish Talks Texts 