Review: You Have a Match by Emma Lord

You Have a Match by Emma Lord

Published by: Wednesday Books
Released on: January 12 2021 (In the US), March (in AUS)
ISBN: 9781250237309

Read: 4 – 7 January 2021

This is Emma Lord’s second novel. I didn’t read Tweet Cute, but would often see positive and complementary reviews of it crossing my Goodreads updates.

You Have a Match didn’t disappoint. It is my favourite kind of contemporary young adult novel, with a complicated plot, interweaving many layers and themes, while still maintaining a witty romantic tone. The central focus sees main character Abby discover she has a secret full-blooded sister 18 months older. Adjacent to that is her seemingly unrequited crush on her best friend Leo, and a drop in her academic results, partly due to the grief of losing her grandfather, someone who saw her, and listened to her and encouraged her passion for photography.

When new sister Savannah appears as someone put together and totally in charge, Abby’s self-confidence dips even further. Her parents, usually too busy dealing with her three younger rambunctious brothers, have turned their focus on her grades, and she feels much pressure to excel, and its this stress and uncertainty about her future that prompts her to keep Savvy a secret a bit longer and head off on summer camp, pretending she is going to be studying for SATs when in reality, it’s a chance to try to explore her relationship with Savvy and the circumstances of their situation.

Look, there were times when Abby made poor choices of which I was not a fan. Camp brings with it many surprises, one of these being Leo, (a budding chef), and a chance to work on that friendship and hopefully develop it into something more. But of course, miscommunication is the key here, and they spend a lot of time not talking, which is a pity, but which also builds the tension. Another camper, Finn enables Abby’s impulsive tendencies and this in turn jeopardises Abby’s friendship with Savannah. As I say, it’s complicated and (my other favourite word) messy. There’s a lot more that could be said about other characters like Connie and Victoria, the wonders of social media, and the gorgeous dog, but I think I will leave you to discover them for yourselves.

The drama builds, as we speculate on Savvy’s adoption, secrets are revealed, and insights gained. I immersed myself completely in Abby’s voice and sympathized with her, while also holding her accountable for her actions. Towards the end, it becomes a lot more about their parents, which is definitely an important contribution to the story. There’s fun to be had while Abby discovers things about herself and how she relates to others, and I am pleased to report the resolutions are satisfying and tie up most loose ends nicely.

Thanks to Wednesday Books and Netgalley for an advanced copy. Highly recommended to fans of Emery Lord, Jenn Bennett and Sarah Dessen. It’s modern, twisty and inclusive. Savvy’s gay status doesn’t even raise an eyebrow. I am so glad Australia audiences will have easy access by March.

You Have a Match is available now in the US.

Review: Be Dazzled by Ryan La Sala

Be Dazzled by Ryan La Sala

Published by: Sourcebooks Fire

Released: 1st January 2021 (in the US)

ISBN: 9781492682691

Read: 25-26 December 2020

This second novel by Ryan La Sala is different from his first, Reverie, in many ways, but of course, in so many others, it’s familiar. The queerness is alive and well, and it’s great to see a range of orientations represented so positively. Luca’s bisexuality is a major part of the narrative, and it’s welcome in YA.

But as our narrator, Raffy controls what we see, and when we see it. Flashing back has become a real trope, and I have grown weary of it. However, in this story, it serves as a release valve. The events in Raffy’s present timeline start badly and continue to disastrous, so to return to the past where he and Luca lean into their attraction is a glimpse into a happier time. Not that La Sala explains every event and misadventure. No, he leaves spaces for us to ponder: what exactly does Luca see in Raffy? Sometimes it seems as if he’s mostly spending time because of Raffy’s hobbies and flair. Also, the situation that develops with Inaya lacks detail. There is a lot of room for readers to come to their own conclusions, which is the type of book I love to advocate. Too many of them spell everything out and leave teens with little chance to explore ideas and motivations for themselves.

There are many twists and turns in this world of cosplay and costume design. We are treated to absent AND overprotective parenting. Friendships seem constantly on the cusp of breaking down, and Raffy’s own mental state is a thing of concern. But the immersion into this increasingly more mainstream space is fully realized. I have little awareness of manga worlds, devotion to fictional characters through crafting, and the influence of Youtubers and Instagrammers, yet I experienced Raffy’s stress and triumph completely and satisfactorily. This is the power of the author’s writing and his own knowledge and acceptance of the people who inhabit and commit to these fantastical communities. They own their weird and quirky ways, and we are better for such celebrations and joy.

I received this uncorrected proof thanks to Netgalley and Sourcebooks Fire. Highly recommended to teens who enjoy being part of a tolerant and inclusive community. To those who appreciate that breaking up can sometimes be a good thing, and who cheer on the underestimated and underappreciated. Be Dazzled has a wonderfully appropriate cover and comes out (in the US) on New Year’s Day, 2021.

Review: Defending the Galaxy by Maria V Snyder

Defending the Galaxy (Sentinels of the Galaxy #3) by Maria V Snyder

Published by HQ Young Adult – AU
Released on December 2 2020
ISBN 9781489252784

Read 9 – 12 December 2020

This is the first time in a long while where I have been unable to review a Netgalley book before its release date, and believe me! I feel all the remorse. Funny that, considering how small an audience this blog has, and how little my reviews contribute. But no matter. My Catholic guilt doesn’t discriminate.

I loved the first two books in this series, and having reviewed the second one a year ago here, I can see that I would be gushing about all the same elements: Ara’s growth, her ability to do what’s right not what’s easy, and the fast-paced action. This book just bulldozes through a number of complex plot points, some insightful considerations about the way humans treat technology and anything in fact that they can bend to their will, as well as some great family dynamics and the love story. Aah Niall, you are a true treasure: trusting, supportive and patient.

At the end of book 2, Ara’s connection to the Q-net is complete. Her bond and musings with the sentient being make for thoughtful and witty conversations. Q helps Ara navigate the obstacles, the bad guys and the whole galaxy, and it really feels like she is only 17. Continuously referred to as ‘junior officer’, readers never forget that she is low on every scale. When Ming pulls out the mother card and Ara is grounded, teen readers will observe an interesting stand off. Ara has been living by herself, training as a security officer, and yet she acquiesces to her mother’s worry and protective behaviour, demonstrating her maturity and her understanding of her parents’ feeling. But secretly, she continues to help her teammates and the human race, so much of her rebellious nature persists.

Jarren and his cronies are revealed in more detail: their motivation, their goals and their process. The HoLFs remain scary and a very clever enemy. Their attacks constantly create tension and suspense. While Ara’s abilities often seem to solve everything, she does have to work for the rewards — just trying to get the head honchos on board is a mammoth task in itself.

This is a highly satisfying conclusion to an action packed sci fi series. Recommended to any fans of this authors’ work, and to readers who enjoyed series such as Marissa Meyer’s Renegades, and Claudia Grey’s Constellations. Thanks to Netgalley and Harlequin Teen for advanced copy.

Released (in Australia) on December 2nd.

Review: The Mall by Megan McCafferty

The Mall by Megan McCafferty

Published by Wednesday Books
Released on 28 July 2020 (in the US)
ISBN 9781250209955

Read: 14 – 17 July 2020

This is a layered ride, a roller coaster of fun and mystery, but also a story of a girl coming to terms with her own prejudices and selfishness. The literal quest for treasure involving cabbage patch dolls and a snarky ex best friend who dumped our MC for cooler buds back in elementary school, is a reflection of Cassie’s inner quest to reconcile all her different personas – girlfriend of domineering Troy, high achieving honor roll student, judger of anyone not planning to attend college, daughter of Frank and Kathy, not so much life partners now, as dentists and business partners, and girl with no car licence.

Cassie has big plans but getting mononucleosis was not one of them. After four months recovery, she returns to her life, assuming all with be the same: she’ll finally ‘do it’ with Troy, they’ll work together over summer at the America’s Best Cookies franchise at the local Mall, and sail away to New York together for their happy ever after.

Well, actually, no. It’s not hard to predict that everything falls out of her reach. The first few chapters are devastating to read as Cassie sees her whole life disintegrate. McCafferty does an excellent job of making this privileged brainy tunnel-visioned character a person of sympathy. But as we get to know her, we see how many ways she can be a better person. It’s a gambit to make Cassie unlikeable, but by the time we understand her flaws, we’ve also seen her generosity, her stubborn will and her slow realisation of how selfish and condescending she can be. Her attempts to make amends are welcome and that it’s full of laughter and fun, only serves to make it more of a delight to read.

I haven’t mentioned a huge part of the story – it’s set in the ‘90s. So we have the Mall as the main place for bored teenagers, the video arcades, the cinema, the food court. McCafferty recreates the time and place with nostalgic affection, and her characters fit seamlessly into the space. The use of the treasure hunt to send Cassie and Drea all over the Mall to locate clues allows us to meet a bunch of quirky retailers and shops, as well as a potential new romance for Cassie. The musical soundtrack is perfect, of course, as is the pop cultural references (Beverley Hills 90210 anyone?) and the descriptions of fashion and hairstyles.

Despite the inner turmoil and identity crisis Cassie faces, McCafferty keeps it mostly light and witty. It’s so much fun to read. I hope 2020 kids pick it up and love it as much as I do.

Thanks to Netgalley and Wednesday Books for the advanced copy. It’s out in the US on July 28, and I hope Australia will see sometime in the future. Highly recommended who love their teen angst strong and snarky, who love to see their protagonists have to face a cold splash of reality, but who can also admit their failings and work to be better. The boys here a mix (as is true of real life) – some big-hearted and respectful, others not so much! The friendship battles with Drea are good times. Cassie’s parental woes are worked through the plot in a clever way, with the mystery of the treasure hunt solved satisfactorily (sort of).

Review: The Extraordinaries by TJ Klune

The Extraordinaries by TJ Klune

Published by Tor Teen
Released on 14 July 2020
ISBN 9781250203656

Read 8 – 9 July 2020

Klune’s first foray into YA fiction is a bold exuberant celebration of all things queer and geeky. There is a big nod to lots of fun pop cultural elements: fan fiction and superheroes; but as well there is an intense emotional arc that, while swerving a little too close to sentimental, also reflects a strong sense of questioning identity for young people—am I good enough the way I am?

Nick is on a bunch of spectrums. He’s ADHD, a total geek boy, a totally gay geek boy, and the grief from his mother’s death hangs over him like a heavy cloud. His very supportive father is an adorable inclusion into the narrative as a person who tries hard to protect Nick, while giving him freedom, but also demanding more. Because Nick’s inability to filter himself, his reckless, impulsive side is sometimes a bit scary. It’s not that he’s thoughtless. His brain is just wired to ignore consequences and sometimes makes dangerous decisions that should scare most people.

Luckily, Nick is surrounded by loyal and straight-talking friends. Couple Jazz and Gibby tell him when he is taking things too far and follow him down erratic pathways. His best friend Seth has been missing in action over the summer, and now back at school, Nick is struggling to reconnect with this boy who has long been his secret crush (not helped by Nick writing a lot of slightly smutty fan fic about an Extraordinary called Shadow Star). Klune throws us straight into the middle of this complex relationship without giving all the backstory. He also includes Nick’s ex-boyfriend Owen, who is full of himself and incredibly hostile towards Seth. This dynamic is clearly more than what’s happening on page, and unfortunately for us, Nick’s oblivious narrative voice means we are constantly seeking out clues (which admittedly are dropped often), while he remains ignorant of what’s really going on with this pair of frenemies.

Nick puts himself at the centre of everything. This becomes tiresome, but since he is also very self-aware, he is able to keep readers on side, and our sympathy for him usually comes out ahead of our irritation at his antics and selfishness. But this is Klune very cleverly manipulating us and teasing us by incorporating the superhero elements of the story.

Look, I know I am a bit confusing. But that actually is the structure of the book. We are initially baffled by Nick’s obsession with Shadow Star. We can see Seth is right in front of Nick, and yet Nick lives in the clouds looking through a lens that is idealized and somewhat tainted. We keep reading because basically Klune is a very funny, geeky dude who constantly surprises with the jokes and the humanity and the affection he has for his characters.

And then everything starts to click, and the tension ramps up, and suddenly we are in the middle of a very suspenseful scenario and people could die people! So, we read on, worried for everyone, but especially our earnest, impulsive ordinary guy who without powers, takes on a hero’s journey because he must save those he loves, and he does it all with wit and intelligence, and a tiny spark of what the #$*? It’s extraordinary (gah, she had to go there). The resolution is nicely wrapped up, most mysteries are explained, and of course there’s a HEA…

Then, because this is book one, Klune shoves one more twisty dark secret at us, and leaves us with our mouths open, eyes twitching, hearts racing, and our minds ticking. *Shakes fist at the sky* Damn you Klune and your cliff-hangers. But this might just be me. Ha.

Thanks to Netgalley and Tor Teen for advancing this to me oh so long ago before #coronavirus, and through a delay of publication. I hope it all goes well for this book. Recommended for teens who love their protagonists awkward and flawed, but who is all heart. The intense moments are powerful and authentic, and the story dances around a number of genres. It’s a celebration of life and love, and it looks like there will be more. The Extraordinaries finally comes out tomorrow.

Review: More than Maybe by Erin Hahn

More Than Maybe by Erin Hahn

Published by: St Martin’s Press (Wednesday Books)
Released: 21st June 2020 (in the US)
ISBN 9781250231642

Read: 20 -21 June 2020

While it’s really important to make sure I read just before I review a book, l also don’t recommend waiting until the day before it’s due to be released either. I am unable to give myself time to ponder the style, the plot or any of those other elements that require some thought before writing a review.

So, just so you know – I just finished More Than Maybe not 30 minutes ago, and I am still aglow with the lovely grand gesture and the perfectly pitched epilogue, and the tremendous bond that is the love between Vada and Luke.

They share the story with alternate chapters. Luke is a British boy, all charm and music nerd, a perfect counterbalance to wannabe music journalist Vada. I loved that they both had secret crushes on each other, which is a bit different to the usual plot where it’s either the boy or the girl who has the long-term crush. Here we see Luke feverishly checking every time Vada posts a new music vlog, and Vada going to sleep listening to Luke’s soothing voice through the podcast he presents with his twin brother, Cullen.

Both have music in their blood – Luke’s father is an ex punk rocker, now mostly retired looking for purpose. Vada’s horrible father used to be the lead singer of a local band. They broke up when drummer Phil quit and Marcus, now insurance salesman, having abandoned Vada’s mother, regularly turns up to Phil’s bar (where Vada works), and tosses around blame and regret while drinking himself to embarrassing levels. He refuses to help Vada financially and still expects her to babysit his new children. I don’t want him to take up any more of the review, actually. He’s basically a nightmare of a character and father.

So while Vada and Luke share secret longings for each other (Cullen and Luke record their show in Phil’s sound booth), neither of them are bold enough to take any steps beyond stumbling small talk. Of course, fate intervenes, by way their class schedule. Vada takes a dance elective, mostly to use the improvisation time to drive out her demons through movement and song. Luke’s music composition class is given the opportunity to create a piece for one of the dance class to choreograph a dance for the end of year final assessment. While Vada dances without knowing Luke is observing, she convinces herself no one will ask to work with her. But there’s no way Luke can pick anyone else!

While in actuality, very little collaboration goes on between them (Luke is able to compose several songs about Vada with very little effort), it does begin a series of texts, sharing stories and adventures, in which they get to know each other, allowing us to see them as well. This includes the acknowledgement that Luke is not interested in a life of performance, even though he has the voice of an angel, and the song writing ability of a legend and the network opportunity his father Charlie is only too willing to exploit. Luke’s decision to keep all his composition work private means he feels misunderstood by his family, and this is played out when Cullen uploads a video of Luke singing a song (secretly inspired by his love for Vada). It goes viral. He denies there ‘is a girl’, and the aftermath of this decision provides much of the drama of the middle of the book.

Hahn develops characters that are authentically teen. Cullen and his boyfriend Zack are more than side characters, as is Vada’s best friend Meg, and all the bar workers – lumbersexual Ben, and dread headed Kazi. I also liked seeing Vada’s mum build her lovely romance with Phil, and Luke and Cullen’s parents as well. Complicated messy families who still work together to overcome their issues are very much welcome in YA fiction.

Hahn drops in many musical references and although personally, I am aghast at Vada’s aggressive dislike for Stevie Nicks (what the?), most of the bands and songs reflect Vada and Luke’s growing relationship and inform much of the plot. Luke’s own songs are raw and when he lets others in, we see his vulnerabilities and how much he’s prepared to do for Vada.

Thanks to publisher, Wednesday Books, and Netgalley for advanced copy. This is a super romantic story with two main characters deserving of the dreams they want to follow. They are usually thoughtful of other people, but yeah, they make mistakes and then try to do better. I have previously reviewed Hahn’s first book, You’d Be Mine, another teen romance involving teen music stars, and I am here for both of them. More than Maybe will be released in the US on June 21. Recommended if you love your fictional boys shy and a little bit broken, your fictional girls feisty and goal oriented, and a range of side characters who try to make our protagonists step up and risk love.

Review: Yes No Maybe So by Becky Albertalli & Aisha Saeed

Yes No Maybe So by Becky Albertalli and Aisha Saeed

Published by Simon & Schuster
Released on 4 February 2020
ISBN: 9781471184666

Read: 24 – 25 December 2019

Yes No Maybe So is a thoughtful novel that encompasses a broad range of topical issues, wrapping them in a deliciously cute romance that will appeal to fans of Simon versus the Homo Sapien Agenda, which let’s face it, is practically every living teen on the planet right now. Albertalli’s novels reflect the concerns and celebrate the inclusiveness of this generation, and Aisha Saeed’s contribution to this one will ensure it continues.

Basic plot is simple, but effective. Socially awkward, Jewish white boy, Jamie fears public speaking which is does not bode well for his dream of becoming a politician. Maya, an American-Pakistani Muslim girl, finding herself at a loose end for the summer, for a variety of awful reasons, is encouraged (more like blackmailed) into canvassing for Jordan Rossum, the democratic candidate for her local district election. Her reward at the end? A car. Jamie and Maya were best friends at childcare, over 10 years ago, and when their mothers reconnect and push them together, only one really is keen – Jamie. Maya is on board for the car. Not that she tells Jamie that. Unfortunately.

Slowly, over the summer, they begin to share their fears, but not only that, as Rossum’s campaign gathers momentum, their optimism grows that they might be contributing to a brighter future. They also develop feelings for each other as they reconnect and support each other through family and friendship breakdowns. As you would imagine, they both make terrible mistakes towards the end, hurting each other. But of course, we know once they sit down, hash it out, and actually take some risks, everything will be okay.

Look, it’s adorable.

But more than, it’s a call to arms. Albertalli and Saeed break down American’s political system into digestible chunks that will inform and entertain young readers. Other countries don’t have the exact systems of the US, however, connections can be made and parallels drawn, so that readers can see how corruption and power make it almost impossible for marginalized groups to be heard. The authors are having none of that. They make it clear that individuals can all do his or her (or their) bit to defeat racists, bullies, homophobes, or whoever else stomps on the rights of others. It’s inspiring stuff, and it never sounds preachy. The two main characters always feel like teenagers—awkward, powerless, and prone to impulsive acts and words—so their insights and observations feel true. They genuinely realise that helping local communities, uniting under a common belief despite differences, and working towards a single purpose is uplifting and exciting.

There are many complications that aren’t even touched on here. Messy family situations, the role of the media and the lasting impacts of social media, the additions of terrific animals, and the eventual realization of strong feelings make Yes No Maybe So an engaging and triumphant reading experience. I have no doubt any teenager will love its message and the way the message is delivered.

Thanks to Netgalley and Simon & Schuster for advanced copy. I believe it’s out everywhere on February 4th. Highly recommended for contemporary book lovers, who enjoy well developed characters bumbling around trying to be their best selves. Who love inclusive stories that don’t shy away from tackling big subjects, but in a readable manner that isn’t heavy handed. I found it really hopeful and loved the way it presented options for teenagers who might be feeling overwhelmed by the constant barrage of negativity offered by mainstream media outlets.

Review: Infinity Son (Infinity Cycle #1) by Adam Silvera

Infinity Son by Adam Silvera

Published by Simon & Schuster
Released on 14 January 2020
ISBN 9781471191565

Read 9 – 10 January 2020

Adam Silvera has built a strong following of fans due to his diverse characters and strong writing. His gay boys express feelings, have genuine, complicated lives, and his plots are original. So far, they have all been situated in contemporary settings, although the magic realism aspects of They Both Die at the End should have clued us into his interest in writing a broader range of genres.

There is no doubt that Infinity Son is fantasy, superhero and magical. Readers are dropped straight into this alternate world and have to do the hard work figuring out the rules and the state of the nation (hint: it’s not good). There are many elements that will be familiar – social media platforms are integral, as are the boroughs of New York, and the political manipulation of the public to allow those in power to retain and increase their control.

However, once terms like, ‘celestials’, ‘spectres’ and ‘The Blackout’ are thrown around, we quickly realise we aren’t in Kansas anymore, Dorothy! Silvera has created a world where some people come into their powers, usually because of a genetic family line, and manifest in recognisable ways—telekinesis, flight or healing—but they can also be in the form of magical creatures’ powers—hydras, phoenixes, or dragons—and the range of ability and power is explored with great detail.

But of course humans once again prove we can’t have nice things because ordinary jealous people decide to experiment with actual magical creatures’ blood and create the ability to become powerful through consuming these ingredients, and the world is divided between those who believe it’s okay to kill these beautiful beings for human desires, and those that don’t.

Emil and Brighton, twin brothers, very different, both longed for powers when they were young, but now, turning 18, it’s only Brighton who still wishes and believes they will manifest. Emil just wants to survive a world that is increasingly violent and uncertain. He observes the disintegrating society with disquiet and fear, while Brighton uses every opportunity of chaos to build his social media influence. Silvera sneakily comments on our growing addiction to everything virtual, and it’s not a pleasant reflection on us at all.

The narrative drive develops quickly and we have barely come to come up for air, as Email and Brighton are continually pushed to their limits, and most telling of all, the growing divide between their reaction to the events that consume them. It transpires that they look at the world through completely different lenses, and it’s also very clear that they do have each other’s backs and continue to rally for each other, even when everything descends into even more madness.

The concluding chapters are very thrilling and not everyone is safe. Another aspect to this novel is the large number of secondary characters who become important and all have their own personalities and agendas. This means it’s difficult to tell who we should be cheering for, and who will live, but this also serves to create a real community who may or may not survive. If we invest in these people, we might find ourselves not very happy at all. Be warned, the cliff hanger ending will infuriate. I don’t know why I believed this was a duology, but it’s not. There will be (at least?) three books.

Thanks to Netgalley and Simon & Schuster for the advanced copy. I found it compelling, but also a bit confusing. Everything happens quickly, and I kept hoping for more downtime to reflect on events and wanted them to have more time to plan. But alas, not to be. Also, the romance elements are small, but of course, who has time to fall in love with the fate of the whole world nearing crisis point. Recommended for readers who love LGBTQIA characters fitting into the world order, and who can help save the world. There are a lot of magical and mystical elements and gorgeous creatures who need rescuing. The brothers’ love for each other is highly visible, but that also foreshadows a darker conclusion that will be spotted by keen speculators. Infinity Son is due out today.

Review: We Used to be Friends by Amy Spalding

We Used to Be Friends by Amy Spalding

Published by: Amulet Books
Released on January 7, 2020 (in the US)
ISBN: 9781419738661

Read: December 28 – 30, 2020

Amy Spalding is a great author. I have read almost all of her lighter, romantic comedies such as Kissing Ted Callaghan (2015) and The Reese Malcolm List (2013), and always enjoyed her fully developed characters and those awkward but often hilarious scenarios that were easy to relate to. Her latest novel We Used to Be Friends, takes a more serious approach to what is often treated as a sub-plot in many YA contemporaries—the friendship between two teenage girls.

James and Kat have been friends forever. But it’s easy to see right from the start, that they are very different people—James is a runner, introverted committed to her five-year plan. Kat is outgoing, popular, living day to day. Her mother died a few years back and her older brother is now away at college, and she just wants the best senior year experience she can have. James, an only child, is the offspring of high school sweethearts and as we start the novel, everything is about to unravel.

We read Kat’s story from the beginning of senior year, right through to leaving home for college. Arriving home after summer break, Kat’s boyfriend confesses to cheating on her ‘because (he) was bored’… and …’it meant nothing’… Dumping him will result in huge changes, including meeting a vivacious girl (so, actually I am bi? Okay then), changing lunch tables and broadening her social circle.

But before we meet Kat, we hear James’s narrative voice. And she begins at the end. She is about to head off to her chosen college, her friendship with Kat is over, and as she leaves her house with her father, she asks if they can drop in to visit mum before we go… what the? It’s all topsy‑turvey. And from there, alternately, we are with Kat as she moves forward to the end of senior year and move backwards with James to the beginning.

I felt more sympathy towards James’s plight, but feel I received more information about Kat’s. Clearly the backwards timeline didn’t satisfy as much especially because there’s a strong sense of anxiety growing as we get closer to the disaster that occurs to completely overwhelm her. Kat’s acceptance of her true sexual orientation and of the new woman in his father’s life never feel as tumultuous as James’s situation. As well, as is reflective of James’s nature, her voice is starker, more direct and not as emotional. Whereas Kat shares and shares (and shares).

There are many gaps in a narrative like this, which I very much appreciate and admire. It’s the author’s skill that allows readers to follow the threads and fill in spaces, and I like a book that keeps me actively engaged. While some might not want to work that hard, rewards are there for people who persist. Of course, my bug bear is again on display—a book like this is much better as a print copy. I wanted to flick back through James’s section when I finally reached Kat’s versions, and sometimes it was impossible to find the corresponding bit (Did James talk about prom? It’s a crucial element of Kat realising how far she and James had lost their way, and I wanted to review James’s input, and no amount of searching took me there).

Thanks to Netgalley and publisher for this advanced copy. Highly recommended for readers who want more depth about non-romantic relationships. While both girls’ love interests play a part, the focus is on the breakdown of James and Kat’s inability to reach out to each other when their own world view shifts significantly. It’s a mature read, with discussions about sex and underage drinking at parties. Bisexuality is representative positively, and diversity is strong and convincing. We Used to be Friends is released in the US on January 7. I hope we see it here in Australia soon.

Best Books 2019

I have read 180 mostly young adult and middle years fiction books (so far) in 2019. I have cut those down to a list of 24 (how? I do not know). See picture above. The most important concerns that were felt in the YA community this year seem to be #ownvoices and positive representatives of rarely seen or heard minority groups. I believe I have included excellent examples of these, including How We Roll, How it Feels to Float, and Ghost Bird. I seem to also have a bias toward LGBT stories (too many to list), and am happy to see an increasing number of books for younger teens.

I then whittled that crazy long list down to only 5. Look, on any given day, it could have been a different five. I cast my eye over my choices now, and I find myself second guessing decisions. So basically I loved them all a lot.

Three of them are squarely contemporary YA, and reflect a range of intensity — from full on gritty realism (This is How We Change the Ending) through to happy, flirty romance (It Sounded Better in my Head). Call it What you Want fits neatly between these two #loveOzYA books, developing strong social issue story lines as well as a realistic love story. All of these books demand that their protagonists confront some very harsh truths about themselves and the choices they make, and organically allow them to navigate their own way through. I hope they find readers who will not only identify with their anxieties, but who will also be able to conquer some of their own life stresses. Reading is both therapy and escape.

To Night Owl from Dogfish represents my growing interest in books for 12 to 14 year olds. Honestly, they are the largest audience for my school library borrowing, and seeking out the full range of genres for them, to try to cater for every different reading taste, has become a priority and a godsend. These readers are so appreciative of efforts to provide them with accessible and satisfying material. There is much job affirmation to be gained from what might seem to be a chore (but clearly isn’t). Anyway, it is a funny warm novel, developing a terrific friendship between two unlikely girls. Their care and support of each other shines through their scrapes and sulks. The fact that it is written entirely through emails, text messages and a variety of other epistolary means, challenges this age group initially, but I have only heard glowing reviews from students. It’s a really enjoyable read.

I cannot make a list of favourite reads without including a new Marchetta. Those of us who started way back in 2004 with Saving Francesca have been waiting patiently for Jimmy’s story, and The Place on Dalhousie lives up to all expectations. A slim, tight novel, Marchetta nails what she always does best: creating complicated, messy families from air, bringing them together even when (especially if) they don’t want it. So much laughter is here. But also a feeling of nostalgia for people gone. It struck me with all the feels, but that is typical of this author. Her writing seems to tick every one of my reading boxes.

I wonder if next year we will be showered with more climate novels–not in the dystopian, set in the near future scenario–but in the right-now, it’s happening and what can be done situation. It seems highly likely given it’s the number one concern for teenagers across the world. And of course, it’s not only young people facing up to an uncertain future, it’s all of us.