Review: You Have a Match by Emma Lord

You Have a Match by Emma Lord

Published by: Wednesday Books
Released on: January 12 2021 (In the US), March (in AUS)
ISBN: 9781250237309

Read: 4 – 7 January 2021

This is Emma Lord’s second novel. I didn’t read Tweet Cute, but would often see positive and complementary reviews of it crossing my Goodreads updates.

You Have a Match didn’t disappoint. It is my favourite kind of contemporary young adult novel, with a complicated plot, interweaving many layers and themes, while still maintaining a witty romantic tone. The central focus sees main character Abby discover she has a secret full-blooded sister 18 months older. Adjacent to that is her seemingly unrequited crush on her best friend Leo, and a drop in her academic results, partly due to the grief of losing her grandfather, someone who saw her, and listened to her and encouraged her passion for photography.

When new sister Savannah appears as someone put together and totally in charge, Abby’s self-confidence dips even further. Her parents, usually too busy dealing with her three younger rambunctious brothers, have turned their focus on her grades, and she feels much pressure to excel, and its this stress and uncertainty about her future that prompts her to keep Savvy a secret a bit longer and head off on summer camp, pretending she is going to be studying for SATs when in reality, it’s a chance to try to explore her relationship with Savvy and the circumstances of their situation.

Look, there were times when Abby made poor choices of which I was not a fan. Camp brings with it many surprises, one of these being Leo, (a budding chef), and a chance to work on that friendship and hopefully develop it into something more. But of course, miscommunication is the key here, and they spend a lot of time not talking, which is a pity, but which also builds the tension. Another camper, Finn enables Abby’s impulsive tendencies and this in turn jeopardises Abby’s friendship with Savannah. As I say, it’s complicated and (my other favourite word) messy. There’s a lot more that could be said about other characters like Connie and Victoria, the wonders of social media, and the gorgeous dog, but I think I will leave you to discover them for yourselves.

The drama builds, as we speculate on Savvy’s adoption, secrets are revealed, and insights gained. I immersed myself completely in Abby’s voice and sympathized with her, while also holding her accountable for her actions. Towards the end, it becomes a lot more about their parents, which is definitely an important contribution to the story. There’s fun to be had while Abby discovers things about herself and how she relates to others, and I am pleased to report the resolutions are satisfying and tie up most loose ends nicely.

Thanks to Wednesday Books and Netgalley for an advanced copy. Highly recommended to fans of Emery Lord, Jenn Bennett and Sarah Dessen. It’s modern, twisty and inclusive. Savvy’s gay status doesn’t even raise an eyebrow. I am so glad Australia audiences will have easy access by March.

You Have a Match is available now in the US.

Review: Be Dazzled by Ryan La Sala

Be Dazzled by Ryan La Sala

Published by: Sourcebooks Fire

Released: 1^st January 2021 (in the US)

ISBN: 9781492682691

Read: 25-26 December 2020

This second novel by Ryan La Sala is different from his first, Reverie, in many ways, but of course, in so many others, it’s familiar. The queerness is alive and well, and it’s great to see a range of orientations represented so positively. Luca’s bisexuality is a major part of the narrative, and it’s welcome in YA.

But as our narrator, Raffy controls what we see, and when we see it. Flashing back has become a real trope, and I have grown weary of it. However, in this story, it serves as a release valve. The events in Raffy’s present timeline start badly and continue to disastrous, so to return to the past where he and Luca lean into their attraction is a glimpse into a happier time. Not that La Sala explains every event and misadventure. No, he leaves spaces for us to ponder: what exactly does Luca see in Raffy? Sometimes it seems as if he’s mostly spending time because of Raffy’s hobbies and flair. Also, the situation that develops with Inaya lacks detail. There is a lot of room for readers to come to their own conclusions, which is the type of book I love to advocate. Too many of them spell everything out and leave teens with little chance to explore ideas and motivations for themselves.

There are many twists and turns in this world of cosplay and costume design. We are treated to absent AND overprotective parenting. Friendships seem constantly on the cusp of breaking down, and Raffy’s own mental state is a thing of concern. But the immersion into this increasingly more mainstream space is fully realized. I have little awareness of manga worlds, devotion to fictional characters through crafting, and the influence of Youtubers and Instagrammers, yet I experienced Raffy’s stress and triumph completely and satisfactorily. This is the power of the author’s writing and his own knowledge and acceptance of the people who inhabit and commit to these fantastical communities. They own their weird and quirky ways, and we are better for such celebrations and joy.

I received this uncorrected proof thanks to Netgalley and Sourcebooks Fire. Highly recommended to teens who enjoy being part of a tolerant and inclusive community. To those who appreciate that breaking up can sometimes be a good thing, and who cheer on the underestimated and underappreciated. Be Dazzled has a wonderfully appropriate cover and comes out (in the US) on New Year’s Day, 2021.

Review: The Camino Club by Kevin Craig

The Camino Club by Kevin Craig

Published by Duet Books
Released on 6 October 2020 (In the US)
ISBN 9781945053979

Read 26 – 27 September 2020

This is a road trip of a different kind. We follow an eclectic group of teenagers — a little bit delinquent, a little bit neglected, and a lot in need of empathy  — across a section of the Camino Way, a route travelled by pilgrims, through Spain for many centuries. Researching this journey, I discovered that there are quite a few different routes a tourist can choose. Our young Canadians travel from Ponferrada to Santiago de Compostela, (see map below) walking many kilometres a day through amazing landscapes and historic villages, and not for fun, or as part of a school trip. These kids are strangers to each other before they begin what is basically a punishment as a consequence of their (relatively low-level) offenses. It was this or go into Juvenile detention. Not much choice, really, and for one of them, it’s actually on his bucket list!

Picture: https://solitachapter.wordpress.com/2013/04/20/camino-de-santiago-by-solita-chapter-p-r-o-g-r-a-m-a/

Trent, the bucket list offender, is one of three narrative threads, and I think I enjoyed his feisty, no filter, unapologetic voice the most. As an out and proud gay young man, Trent has struggled, yet he remains vibrant and optimistic, and shows a generous big heart. The other two points of view are Diego, a Latino boy raised by his single mother and Abuela, and Shania (not Twain, thank you very much!) a hot headed angry young woman, mostly unlikeable at the start, who develops a crush on Diego, (which, you’ll be pleased to know, is returned).

There are three other teenagers on the pilgrimage – Claire, Manny and Greg – but we only view them through the eyes of the other kids. This means we don’t really get to know them as well. Right at the beginning, Manny and Diego joke about being like The Breakfast Club crowd (hence the pronouncement ‘The Camino Club’), and it is actually a little bit like that: They are a range of ethnicities, with different socio economic backgrounds (& crimes), but ultimately, it is the ways in which they are similar that paves the way to find common ground and bond.

The Camino Clubbers are supervised by Gilbert and Meagan, a pair of counsellors, who keep them on the path (literally), but who are also there as guides and mentors. I can understand the role they are meant to play, but I was disappointed that readers are not given more of these interactions on the page. We are told that the eight of them will assemble at least once a day to share their experiences, unburden their troubles, presumably to develop a group bond. But the focus on encounters between two or three of the group at any one time means that a lot of their individual growth happens through these smaller dialogues, with the group bond developing almost incidentally. Craig also introduces a character called Bastien, an old man who joins them and acts as a parental figure, and while he is genuine, warm-hearted and responsible for many of my tears, I think he diminishes the roles of Gil and Meagan.

I enjoyed walking along these trails with these troubled teenagers. It becomes clear that they have had tough lives, through absent or narrow-minded parents, and through bullying and societal expectations. While it takes them a while (some more than others. I am looking at you Greg!) to face their actions and take responsibility, it’s also hard to imagine that such a trip wouldn’t have a profound effect. The community of pilgrims is tangible, and the demonstration of kindness and inclusivity is palpable, so their eyes are opened up to a world that’s bigger than themselves. They see their behaviours as they are: selfish and reckless, and are challenged to be better. They know now that there are others who have their back. This little group is strong and by the end of the book, we understand they will be okay, especially if they continue to support each other through difficult times.

Thanks to Duet Books and Netgalley for the advanced copy. I have not been lucky enough to journey along the Camino Way, so I loved living vicariously through Trent, Diego and Shania. Recommended for readers who love their protagonists damaged but not broken, who are interested in seeing new places, and who love snarky sometimes shouty conversation. I haven’t mentioned it, but there is also grief here, but the healing is strong with the growth of characters an important part of the story.

Review: The Mall by Megan McCafferty

The Mall by Megan McCafferty

Published by Wednesday Books
Released on 28 July 2020 (in the US)
ISBN 9781250209955

Read: 14 – 17 July 2020

This is a layered ride, a roller coaster of fun and mystery, but also a story of a girl coming to terms with her own prejudices and selfishness. The literal quest for treasure involving cabbage patch dolls and a snarky ex best friend who dumped our MC for cooler buds back in elementary school, is a reflection of Cassie’s inner quest to reconcile all her different personas – girlfriend of domineering Troy, high achieving honor roll student, judger of anyone not planning to attend college, daughter of Frank and Kathy, not so much life partners now, as dentists and business partners, and girl with no car licence.

Cassie has big plans but getting mononucleosis was not one of them. After four months recovery, she returns to her life, assuming all with be the same: she’ll finally ‘do it’ with Troy, they’ll work together over summer at the America’s Best Cookies franchise at the local Mall, and sail away to New York together for their happy ever after.

Well, actually, no. It’s not hard to predict that everything falls out of her reach. The first few chapters are devastating to read as Cassie sees her whole life disintegrate. McCafferty does an excellent job of making this privileged brainy tunnel-visioned character a person of sympathy. But as we get to know her, we see how many ways she can be a better person. It’s a gambit to make Cassie unlikeable, but by the time we understand her flaws, we’ve also seen her generosity, her stubborn will and her slow realisation of how selfish and condescending she can be. Her attempts to make amends are welcome and that it’s full of laughter and fun, only serves to make it more of a delight to read.

I haven’t mentioned a huge part of the story – it’s set in the ‘90s. So we have the Mall as the main place for bored teenagers, the video arcades, the cinema, the food court. McCafferty recreates the time and place with nostalgic affection, and her characters fit seamlessly into the space. The use of the treasure hunt to send Cassie and Drea all over the Mall to locate clues allows us to meet a bunch of quirky retailers and shops, as well as a potential new romance for Cassie. The musical soundtrack is perfect, of course, as is the pop cultural references (Beverley Hills 90210 anyone?) and the descriptions of fashion and hairstyles.

Despite the inner turmoil and identity crisis Cassie faces, McCafferty keeps it mostly light and witty. It’s so much fun to read. I hope 2020 kids pick it up and love it as much as I do.

Thanks to Netgalley and Wednesday Books for the advanced copy. It’s out in the US on July 28, and I hope Australia will see sometime in the future. Highly recommended who love their teen angst strong and snarky, who love to see their protagonists have to face a cold splash of reality, but who can also admit their failings and work to be better. The boys here a mix (as is true of real life) – some big-hearted and respectful, others not so much! The friendship battles with Drea are good times. Cassie’s parental woes are worked through the plot in a clever way, with the mystery of the treasure hunt solved satisfactorily (sort of).

Review: The Extraordinaries by TJ Klune

The Extraordinaries by TJ Klune

Published by Tor Teen
Released on 14 July 2020
ISBN 9781250203656

Read 8 – 9 July 2020

Klune’s first foray into YA fiction is a bold exuberant celebration of all things queer and geeky. There is a big nod to lots of fun pop cultural elements: fan fiction and superheroes; but as well there is an intense emotional arc that, while swerving a little too close to sentimental, also reflects a strong sense of questioning identity for young people—am I good enough the way I am?

Nick is on a bunch of spectrums. He’s ADHD, a total geek boy, a totally gay geek boy, and the grief from his mother’s death hangs over him like a heavy cloud. His very supportive father is an adorable inclusion into the narrative as a person who tries hard to protect Nick, while giving him freedom, but also demanding more. Because Nick’s inability to filter himself, his reckless, impulsive side is sometimes a bit scary. It’s not that he’s thoughtless. His brain is just wired to ignore consequences and sometimes makes dangerous decisions that should scare most people.

Luckily, Nick is surrounded by loyal and straight-talking friends. Couple Jazz and Gibby tell him when he is taking things too far and follow him down erratic pathways. His best friend Seth has been missing in action over the summer, and now back at school, Nick is struggling to reconnect with this boy who has long been his secret crush (not helped by Nick writing a lot of slightly smutty fan fic about an Extraordinary called Shadow Star). Klune throws us straight into the middle of this complex relationship without giving all the backstory. He also includes Nick’s ex-boyfriend Owen, who is full of himself and incredibly hostile towards Seth. This dynamic is clearly more than what’s happening on page, and unfortunately for us, Nick’s oblivious narrative voice means we are constantly seeking out clues (which admittedly are dropped often), while he remains ignorant of what’s really going on with this pair of frenemies.

Nick puts himself at the centre of everything. This becomes tiresome, but since he is also very self-aware, he is able to keep readers on side, and our sympathy for him usually comes out ahead of our irritation at his antics and selfishness. But this is Klune very cleverly manipulating us and teasing us by incorporating the superhero elements of the story.

Look, I know I am a bit confusing. But that actually is the structure of the book. We are initially baffled by Nick’s obsession with Shadow Star. We can see Seth is right in front of Nick, and yet Nick lives in the clouds looking through a lens that is idealized and somewhat tainted. We keep reading because basically Klune is a very funny, geeky dude who constantly surprises with the jokes and the humanity and the affection he has for his characters.

And then everything starts to click, and the tension ramps up, and suddenly we are in the middle of a very suspenseful scenario and people could die people! So, we read on, worried for everyone, but especially our earnest, impulsive ordinary guy who without powers, takes on a hero’s journey because he must save those he loves, and he does it all with wit and intelligence, and a tiny spark of what the #$*? It’s extraordinary (gah, she had to go there). The resolution is nicely wrapped up, most mysteries are explained, and of course there’s a HEA…

Then, because this is book one, Klune shoves one more twisty dark secret at us, and leaves us with our mouths open, eyes twitching, hearts racing, and our minds ticking. *Shakes fist at the sky* Damn you Klune and your cliff-hangers. But this might just be me. Ha.

Thanks to Netgalley and Tor Teen for advancing this to me oh so long ago before #coronavirus, and through a delay of publication. I hope it all goes well for this book. Recommended for teens who love their protagonists awkward and flawed, but who is all heart. The intense moments are powerful and authentic, and the story dances around a number of genres. It’s a celebration of life and love, and it looks like there will be more. The Extraordinaries finally comes out tomorrow.

Review: Four Days of You and Me by Miranda Kenneally

Four Days of You and Me by Miranda Kenneally

Published by Sourcebooks Fire
Released on 5th May 2020 (In the US)
ISBN: 9781492684138

Read 05 – 06 March 2020

So far, Miranda Kenneally has focused on teen novels, depicting young sporty women, exploring their family, friendships, and love interests with the Hundred Oaks series. Four Days of You and Me signals a departure, and it’s an interesting direction. The structure and style of this new book is constrained and controlled and often requires readers to fill in a lot of gaps.

We meet up with our two protagonists, Lulu and Alex once a year, for four years, on the same day, May 7, which is basically the end of the American school year. Lulu is 15 when the novel starts the same as her arch-enemy Alex. The sparks between the two of them, as they duke it out over patches of land, class elections and being stuck together in an escape room are strong and fiery. They clearly have feelings and are attracted to each other, yet they are also stubborn, independent humans, and their on and off again romance will keep readers engaged and laughing.

Lulu has two best friends: Cousin Grace, and Max. They too struggle with crushes and gossips and are just as integral to the plot. They support Lulu, just as she supports them, through bad decision-making, heartbreak and cheer each other on through triumphs. Lulu is a passionate graphic novel creator, and keen green activist. Alex desperately needs a baseball scholarship because his family won’t be able to afford to send him to college. These different agendas butt up against each other, so this relationship is born of hard work and compromise.

But we don’t only see these characters once a year. Within each May 7 chapter, we also flashback to other pivotal days through that one year, meaning readers have to stay on their toes to keep up with all the events that have happened. As I previously mentioned, they also must fill in missing gaps and join the dots. It’s good to challenge readers and make them work for their rewards, and there are plenty of happy times and smexy times too (but not too graphic or exploitative). I have no hesitation in giving this to a 15 or 16-year-old.

We observe the obligatory moments in any teen’s schooling life – dances, formals, camps, and class trips. There are several important secondary characters, who help to keep the stories bubbling along, as well as developing the teens as authentic and realistic. These are all flawed kids who make mistakes, but that makes them easy to connect with on a number of levels.

Thanks to Sourcebooks Fire and Netgalley for the advanced copy. I have kept my review deliberately vague because it is good for readers to watch the growth and development for themselves. The novel tries to capture the way teens obsess and crave something one year, that seems so unimportant the next. Initially, there are boys for whom Lulu has no time because of their immaturity and nonsense, but who gradually become an important part of her friendship circle. Recommended for readers who like the angst of long term, will-they-won’t-they, and watching characters grow up in front of their eyes. The romance element is very strong, as are the friendships, and family drama to a lesser extent. Some sexual references are included, and Kenneally has always been sex positive and direct. The satisfying resolution is open, yet we leave our college-bound young men and women in a optimistic place. Four Days of You and Me is released on May 5, 2020.

Review: Unscripted by Nicole Kronzer

Unscripted by Nicole Kronzer

Published by Amulet Books
Released on 21 April 2020
ISBN 9781419740848

Read: 5 – 7 February 2020

This is a timely release in terms of the #metoo movement. Although protagonist Zelda is not sexually abused, there is a lot of misogynistic behaviour which is ignored by others, to the point where Zelda’s self-doubt and second-guessing leads to her keeping secrets and avoiding others while she blames herself for what’s happening to her. Her path from passive sufferer to outspoken survivor is a trip worth going on, not least of all because of its fresh backdrop.

Zelda is a wannabe comedian. She’s been invited to be part of a highly sought-after improvisation camp, where young people from all over the US congregate to learn from professional comedy writers. Zelda is joined by her brother Will, his (recently declared) boyfriend Jonas, and meets other girls, self-named The Gildas, Sirena, (who loves) Emily, Hannah and Paloma. It is these friends who make it possible for Zelda to finally open up and confess her treatment by the objectively gorgeous, but aggressively narcissistic Ben.

The story takes place over the two-week period of improv camp. Zelda is excited to be chosen as one of the varsity team (Ben’s ‘top’ group of course), but as time passes, and the boys, most especially mentor and leader Ben treat her in vile and underhanded ways, she starts to wonder whether she is talented at all, or if she is only picked because they need a girl (to play all the undesired parts, such as the dead prostitute, the nagging girlfriend, and so on). She is not given any platform to perform her own material, nor is she allowed to criticise the teams’ choices of her roles. It’s pretty terrible to watch, particularly when, in private, Ben shows a different side, one which is focused in on Zelda as a potential sexual conquest.

Zelda’s innocence explains why she puts up with this treatment for as long as she does. Ben is gorgeous and can be charming, so it’s fortunate Zelda is also introduced to another group of boys from the neighbouring Scout camp – Jesse, Murph and Ricky—who show her the ways boys can and should behave. At all times, these young men are thoughtful, careful, and responsible. Jesse is also attracted to Zelda, and his manner is respectful and compassionate. She spends as much time with him, walking trails, helping the younger scouts, as she does with Ben, and the disparity in attitude could not have been more extreme.

As well as the romantic plot line, the comedy thread is interesting, and it seems clear the author has a lot of insight into this world. There are many stories of the way female comedians have struggled to break into the industry. Misogyny apparently begins early when people are just starting out. The camp managers themselves display appalling judgement when confronted with Zelda’s claims of mistreatment, and this is familiar to those of us who have watched the way society and the media have vilified some victims of organisations like the Church or individuals like Harvey Weinstein.

By the time we observe Zelda’s exposure of Ben, her triumphant performance on stage, and honest discussions about being attracted to Jesse, we have seen how much she has been put through, and how much she persisted, and we cheer her on with applause and laughter.

Thanks to Netgalley and Amulet books for the advanced copy. It’s out in the US on April 21^st and here in Australia in June. Check release dates for other countries. Highly recommended for anyone looking for a thoughtful yet fun exploration of the way girls can be marginalized and made to conform to expectations. Zelda often reflects on the other Gildas, aware of how much harder it might be for them – as black women (Sirena and Paloma), as lesbians (Sirena and Emily) and as an albino woman (Hannah). It’s a small but significant conscious acknowledgement of one’s own privilege. As just mentioned, there is great diversity and inclusivity, and honest discussions about sex and trust. I found it an extremely engaging and welcome narrative, as well as a lovely romance.

Review: Yes No Maybe So by Becky Albertalli & Aisha Saeed

Yes No Maybe So by Becky Albertalli and Aisha Saeed

Published by Simon & Schuster
Released on 4 February 2020
ISBN: 9781471184666

Read: 24 – 25 December 2019

Yes No Maybe So is a thoughtful novel that encompasses a broad range of topical issues, wrapping them in a deliciously cute romance that will appeal to fans of Simon versus the Homo Sapien Agenda, which let’s face it, is practically every living teen on the planet right now. Albertalli’s novels reflect the concerns and celebrate the inclusiveness of this generation, and Aisha Saeed’s contribution to this one will ensure it continues.

Basic plot is simple, but effective. Socially awkward, Jewish white boy, Jamie fears public speaking which is does not bode well for his dream of becoming a politician. Maya, an American-Pakistani Muslim girl, finding herself at a loose end for the summer, for a variety of awful reasons, is encouraged (more like blackmailed) into canvassing for Jordan Rossum, the democratic candidate for her local district election. Her reward at the end? A car. Jamie and Maya were best friends at childcare, over 10 years ago, and when their mothers reconnect and push them together, only one really is keen – Jamie. Maya is on board for the car. Not that she tells Jamie that. Unfortunately.

Slowly, over the summer, they begin to share their fears, but not only that, as Rossum’s campaign gathers momentum, their optimism grows that they might be contributing to a brighter future. They also develop feelings for each other as they reconnect and support each other through family and friendship breakdowns. As you would imagine, they both make terrible mistakes towards the end, hurting each other. But of course, we know once they sit down, hash it out, and actually take some risks, everything will be okay.

Look, it’s adorable.

But more than, it’s a call to arms. Albertalli and Saeed break down American’s political system into digestible chunks that will inform and entertain young readers. Other countries don’t have the exact systems of the US, however, connections can be made and parallels drawn, so that readers can see how corruption and power make it almost impossible for marginalized groups to be heard. The authors are having none of that. They make it clear that individuals can all do his or her (or their) bit to defeat racists, bullies, homophobes, or whoever else stomps on the rights of others. It’s inspiring stuff, and it never sounds preachy. The two main characters always feel like teenagers—awkward, powerless, and prone to impulsive acts and words—so their insights and observations feel true. They genuinely realise that helping local communities, uniting under a common belief despite differences, and working towards a single purpose is uplifting and exciting.

There are many complications that aren’t even touched on here. Messy family situations, the role of the media and the lasting impacts of social media, the additions of terrific animals, and the eventual realization of strong feelings make Yes No Maybe So an engaging and triumphant reading experience. I have no doubt any teenager will love its message and the way the message is delivered.

Thanks to Netgalley and Simon & Schuster for advanced copy. I believe it’s out everywhere on February 4^th. Highly recommended for contemporary book lovers, who enjoy well developed characters bumbling around trying to be their best selves. Who love inclusive stories that don’t shy away from tackling big subjects, but in a readable manner that isn’t heavy handed. I found it really hopeful and loved the way it presented options for teenagers who might be feeling overwhelmed by the constant barrage of negativity offered by mainstream media outlets.

Review: Infinity Son (Infinity Cycle #1) by Adam Silvera

Infinity Son by Adam Silvera

Published by Simon & Schuster
Released on 14 January 2020
ISBN 9781471191565

Read 9 – 10 January 2020

Adam Silvera has built a strong following of fans due to his diverse characters and strong writing. His gay boys express feelings, have genuine, complicated lives, and his plots are original. So far, they have all been situated in contemporary settings, although the magic realism aspects of They Both Die at the End should have clued us into his interest in writing a broader range of genres.

There is no doubt that Infinity Son is fantasy, superhero and magical. Readers are dropped straight into this alternate world and have to do the hard work figuring out the rules and the state of the nation (hint: it’s not good). There are many elements that will be familiar – social media platforms are integral, as are the boroughs of New York, and the political manipulation of the public to allow those in power to retain and increase their control.

However, once terms like, ‘celestials’, ‘spectres’ and ‘The Blackout’ are thrown around, we quickly realise we aren’t in Kansas anymore, Dorothy! Silvera has created a world where some people come into their powers, usually because of a genetic family line, and manifest in recognisable ways—telekinesis, flight or healing—but they can also be in the form of magical creatures’ powers—hydras, phoenixes, or dragons—and the range of ability and power is explored with great detail.

But of course humans once again prove we can’t have nice things because ordinary jealous people decide to experiment with actual magical creatures’ blood and create the ability to become powerful through consuming these ingredients, and the world is divided between those who believe it’s okay to kill these beautiful beings for human desires, and those that don’t.

Emil and Brighton, twin brothers, very different, both longed for powers when they were young, but now, turning 18, it’s only Brighton who still wishes and believes they will manifest. Emil just wants to survive a world that is increasingly violent and uncertain. He observes the disintegrating society with disquiet and fear, while Brighton uses every opportunity of chaos to build his social media influence. Silvera sneakily comments on our growing addiction to everything virtual, and it’s not a pleasant reflection on us at all.

The narrative drive develops quickly and we have barely come to come up for air, as Email and Brighton are continually pushed to their limits, and most telling of all, the growing divide between their reaction to the events that consume them. It transpires that they look at the world through completely different lenses, and it’s also very clear that they do have each other’s backs and continue to rally for each other, even when everything descends into even more madness.

The concluding chapters are very thrilling and not everyone is safe. Another aspect to this novel is the large number of secondary characters who become important and all have their own personalities and agendas. This means it’s difficult to tell who we should be cheering for, and who will live, but this also serves to create a real community who may or may not survive. If we invest in these people, we might find ourselves not very happy at all. Be warned, the cliff hanger ending will infuriate. I don’t know why I believed this was a duology, but it’s not. There will be (at least?) three books.

Thanks to Netgalley and Simon & Schuster for the advanced copy. I found it compelling, but also a bit confusing. Everything happens quickly, and I kept hoping for more downtime to reflect on events and wanted them to have more time to plan. But alas, not to be. Also, the romance elements are small, but of course, who has time to fall in love with the fate of the whole world nearing crisis point. Recommended for readers who love LGBTQIA characters fitting into the world order, and who can help save the world. There are a lot of magical and mystical elements and gorgeous creatures who need rescuing. The brothers’ love for each other is highly visible, but that also foreshadows a darker conclusion that will be spotted by keen speculators. Infinity Son is due out today.

Review: We Used to be Friends by Amy Spalding

We Used to Be Friends by Amy Spalding

Published by: Amulet Books
Released on January 7, 2020 (in the US)
ISBN: 9781419738661

Read: December 28 – 30, 2020

Amy Spalding is a great author. I have read almost all of her lighter, romantic comedies such as Kissing Ted Callaghan (2015) and The Reese Malcolm List (2013), and always enjoyed her fully developed characters and those awkward but often hilarious scenarios that were easy to relate to. Her latest novel We Used to Be Friends, takes a more serious approach to what is often treated as a sub-plot in many YA contemporaries—the friendship between two teenage girls.

James and Kat have been friends forever. But it’s easy to see right from the start, that they are very different people—James is a runner, introverted committed to her five-year plan. Kat is outgoing, popular, living day to day. Her mother died a few years back and her older brother is now away at college, and she just wants the best senior year experience she can have. James, an only child, is the offspring of high school sweethearts and as we start the novel, everything is about to unravel.

We read Kat’s story from the beginning of senior year, right through to leaving home for college. Arriving home after summer break, Kat’s boyfriend confesses to cheating on her ‘because (he) was bored’… and …’it meant nothing’… Dumping him will result in huge changes, including meeting a vivacious girl (so, actually I am bi? Okay then), changing lunch tables and broadening her social circle.

But before we meet Kat, we hear James’s narrative voice. And she begins at the end. She is about to head off to her chosen college, her friendship with Kat is over, and as she leaves her house with her father, she asks if they can drop in to visit mum before we go… what the? It’s all topsy‑turvey. And from there, alternately, we are with Kat as she moves forward to the end of senior year and move backwards with James to the beginning.

I felt more sympathy towards James’s plight, but feel I received more information about Kat’s. Clearly the backwards timeline didn’t satisfy as much especially because there’s a strong sense of anxiety growing as we get closer to the disaster that occurs to completely overwhelm her. Kat’s acceptance of her true sexual orientation and of the new woman in his father’s life never feel as tumultuous as James’s situation. As well, as is reflective of James’s nature, her voice is starker, more direct and not as emotional. Whereas Kat shares and shares (and shares).

There are many gaps in a narrative like this, which I very much appreciate and admire. It’s the author’s skill that allows readers to follow the threads and fill in spaces, and I like a book that keeps me actively engaged. While some might not want to work that hard, rewards are there for people who persist. Of course, my bug bear is again on display—a book like this is much better as a print copy. I wanted to flick back through James’s section when I finally reached Kat’s versions, and sometimes it was impossible to find the corresponding bit (Did James talk about prom? It’s a crucial element of Kat realising how far she and James had lost their way, and I wanted to review James’s input, and no amount of searching took me there).

Thanks to Netgalley and publisher for this advanced copy. Highly recommended for readers who want more depth about non-romantic relationships. While both girls’ love interests play a part, the focus is on the breakdown of James and Kat’s inability to reach out to each other when their own world view shifts significantly. It’s a mature read, with discussions about sex and underage drinking at parties. Bisexuality is representative positively, and diversity is strong and convincing. We Used to be Friends is released in the US on January 7. I hope we see it here in Australia soon.