Review: You Have a Match by Emma Lord

You Have a Match by Emma Lord

Published by: Wednesday Books
Released on: January 12 2021 (In the US), March (in AUS)
ISBN: 9781250237309

Read: 4 – 7 January 2021

This is Emma Lord’s second novel. I didn’t read Tweet Cute, but would often see positive and complementary reviews of it crossing my Goodreads updates.

You Have a Match didn’t disappoint. It is my favourite kind of contemporary young adult novel, with a complicated plot, interweaving many layers and themes, while still maintaining a witty romantic tone. The central focus sees main character Abby discover she has a secret full-blooded sister 18 months older. Adjacent to that is her seemingly unrequited crush on her best friend Leo, and a drop in her academic results, partly due to the grief of losing her grandfather, someone who saw her, and listened to her and encouraged her passion for photography.

When new sister Savannah appears as someone put together and totally in charge, Abby’s self-confidence dips even further. Her parents, usually too busy dealing with her three younger rambunctious brothers, have turned their focus on her grades, and she feels much pressure to excel, and its this stress and uncertainty about her future that prompts her to keep Savvy a secret a bit longer and head off on summer camp, pretending she is going to be studying for SATs when in reality, it’s a chance to try to explore her relationship with Savvy and the circumstances of their situation.

Look, there were times when Abby made poor choices of which I was not a fan. Camp brings with it many surprises, one of these being Leo, (a budding chef), and a chance to work on that friendship and hopefully develop it into something more. But of course, miscommunication is the key here, and they spend a lot of time not talking, which is a pity, but which also builds the tension. Another camper, Finn enables Abby’s impulsive tendencies and this in turn jeopardises Abby’s friendship with Savannah. As I say, it’s complicated and (my other favourite word) messy. There’s a lot more that could be said about other characters like Connie and Victoria, the wonders of social media, and the gorgeous dog, but I think I will leave you to discover them for yourselves.

The drama builds, as we speculate on Savvy’s adoption, secrets are revealed, and insights gained. I immersed myself completely in Abby’s voice and sympathized with her, while also holding her accountable for her actions. Towards the end, it becomes a lot more about their parents, which is definitely an important contribution to the story. There’s fun to be had while Abby discovers things about herself and how she relates to others, and I am pleased to report the resolutions are satisfying and tie up most loose ends nicely.

Thanks to Wednesday Books and Netgalley for an advanced copy. Highly recommended to fans of Emery Lord, Jenn Bennett and Sarah Dessen. It’s modern, twisty and inclusive. Savvy’s gay status doesn’t even raise an eyebrow. I am so glad Australia audiences will have easy access by March.

You Have a Match is available now in the US.

Review: If We Were Us by K L Walther

If We Were Us by K L Walther

Published by: Sourcebooks Fire
Released on 1 June 2020
ISBN: 9781728210261

Read on: 5 – 6 May 2020

I really enjoyed this romantic, boarding school story. It was light, and while our dual narrators mostly focus on teenage drama, and somewhat frivolous stuff, for example, dresses for prom, and spending time with friends, there is enough serious material to engage readers on a deeper level.

Sage and Charlie are best friends forever. So much so that almost everyone expects them to wake up and love in love. Both of them know that’s never going to happen – Sage is secretly in love with Charlie’s twin brother Nick, and Charlie is deeply, deeply in the closet. When Luke arrives, there’s a bit of a stir in the group of friends – good looking, personable, popular – which girl will snag him?

The boarding school setting is as you’d expect – elite, preppy and mostly rich kids. There are many characters to indicate the many friends Sage and Charlie have, and how many girlfriends Charlie has, and while they serve the purpose of offering a range of opinions about each other and the entanglements of romantic interludes, they really are just backdrops to our focused four.

Walther doesn’t explain everything either. Readers have to keep up with Sage’s breezy monologues, and Charlie’s intense regime of academic excellence, student leader, sporting commitments and getting together with and then quickly breaking up a string of beautiful peers. He’s quite exhausting, and as the story progresses and we watch the way he struggles with his attraction to Luke, we understand why he maintains so many commitments. Sage’s secret romance with Nick also seems like it’s a hot minute from disaster, and we’re not surprised when everything is turned on its head.

It is so easy to engage with Sage and Charlie. Their loyalty and love for each other is infinite. Even though they think they are keeping secrets from each other, they’re really not. They know each other too well. They are observant and keep a protective eye out. It’s a fascinating bond, and when Sage loses everything to keep Charlie safe, and Charlie realises what Sage has done for him, they are truly insightful moments for these kids, and we sympathise and cheer them on.

Talk on the review sites mention the terrible ways Charlie treats his girlfriends, and subsequently Luke. But Walther does a good job of showing us why he is so fearful about his sexuality. Nick too develops beautifully as a character. He has to come to terms with a lot about both Sage and Charlie, and his forgiveness is everything.

But Luke is the character that stands out for me – brave, resilient, extraordinarily strong. He puts up with a lot from Charlie, and it’s important that he draws a line on the treatment and holds his ground. But since predominantly, this is a romance novel, the grand gestures are predictable, and readers aren’t required to deal with too much angst or darkness.

Thanks to Netgalley and Sourcebooks Fire for the advanced copy. Recommended for readers who like books that focus on romance and friendships more than social issues and commentary. It doesn’t try to be more than it is, however, there’s some thoughtful conflict in there among all the typical high school hi-jinks. It’s funny too, so it doesn’t take itself too seriously. Highly satisfying conclusion. If We Were Us comes out on June first 2020. [Can I just add that watching these kids group hug and engage in absolute no social distancing seems weird in these current circumstances? Wonder if we’ll be given books set in this time in a year or so? Or will it just be a small blot on the year that was 2020? Who knows.]

Review: Yes No Maybe So by Becky Albertalli & Aisha Saeed

Yes No Maybe So by Becky Albertalli and Aisha Saeed

Published by Simon & Schuster
Released on 4 February 2020
ISBN: 9781471184666

Read: 24 – 25 December 2019

Yes No Maybe So is a thoughtful novel that encompasses a broad range of topical issues, wrapping them in a deliciously cute romance that will appeal to fans of Simon versus the Homo Sapien Agenda, which let’s face it, is practically every living teen on the planet right now. Albertalli’s novels reflect the concerns and celebrate the inclusiveness of this generation, and Aisha Saeed’s contribution to this one will ensure it continues.

Basic plot is simple, but effective. Socially awkward, Jewish white boy, Jamie fears public speaking which is does not bode well for his dream of becoming a politician. Maya, an American-Pakistani Muslim girl, finding herself at a loose end for the summer, for a variety of awful reasons, is encouraged (more like blackmailed) into canvassing for Jordan Rossum, the democratic candidate for her local district election. Her reward at the end? A car. Jamie and Maya were best friends at childcare, over 10 years ago, and when their mothers reconnect and push them together, only one really is keen – Jamie. Maya is on board for the car. Not that she tells Jamie that. Unfortunately.

Slowly, over the summer, they begin to share their fears, but not only that, as Rossum’s campaign gathers momentum, their optimism grows that they might be contributing to a brighter future. They also develop feelings for each other as they reconnect and support each other through family and friendship breakdowns. As you would imagine, they both make terrible mistakes towards the end, hurting each other. But of course, we know once they sit down, hash it out, and actually take some risks, everything will be okay.

Look, it’s adorable.

But more than, it’s a call to arms. Albertalli and Saeed break down American’s political system into digestible chunks that will inform and entertain young readers. Other countries don’t have the exact systems of the US, however, connections can be made and parallels drawn, so that readers can see how corruption and power make it almost impossible for marginalized groups to be heard. The authors are having none of that. They make it clear that individuals can all do his or her (or their) bit to defeat racists, bullies, homophobes, or whoever else stomps on the rights of others. It’s inspiring stuff, and it never sounds preachy. The two main characters always feel like teenagers—awkward, powerless, and prone to impulsive acts and words—so their insights and observations feel true. They genuinely realise that helping local communities, uniting under a common belief despite differences, and working towards a single purpose is uplifting and exciting.

There are many complications that aren’t even touched on here. Messy family situations, the role of the media and the lasting impacts of social media, the additions of terrific animals, and the eventual realization of strong feelings make Yes No Maybe So an engaging and triumphant reading experience. I have no doubt any teenager will love its message and the way the message is delivered.

Thanks to Netgalley and Simon & Schuster for advanced copy. I believe it’s out everywhere on February 4^th. Highly recommended for contemporary book lovers, who enjoy well developed characters bumbling around trying to be their best selves. Who love inclusive stories that don’t shy away from tackling big subjects, but in a readable manner that isn’t heavy handed. I found it really hopeful and loved the way it presented options for teenagers who might be feeling overwhelmed by the constant barrage of negativity offered by mainstream media outlets.

Review: Infinity Son (Infinity Cycle #1) by Adam Silvera

Infinity Son by Adam Silvera

Published by Simon & Schuster
Released on 14 January 2020
ISBN 9781471191565

Read 9 – 10 January 2020

Adam Silvera has built a strong following of fans due to his diverse characters and strong writing. His gay boys express feelings, have genuine, complicated lives, and his plots are original. So far, they have all been situated in contemporary settings, although the magic realism aspects of They Both Die at the End should have clued us into his interest in writing a broader range of genres.

There is no doubt that Infinity Son is fantasy, superhero and magical. Readers are dropped straight into this alternate world and have to do the hard work figuring out the rules and the state of the nation (hint: it’s not good). There are many elements that will be familiar – social media platforms are integral, as are the boroughs of New York, and the political manipulation of the public to allow those in power to retain and increase their control.

However, once terms like, ‘celestials’, ‘spectres’ and ‘The Blackout’ are thrown around, we quickly realise we aren’t in Kansas anymore, Dorothy! Silvera has created a world where some people come into their powers, usually because of a genetic family line, and manifest in recognisable ways—telekinesis, flight or healing—but they can also be in the form of magical creatures’ powers—hydras, phoenixes, or dragons—and the range of ability and power is explored with great detail.

But of course humans once again prove we can’t have nice things because ordinary jealous people decide to experiment with actual magical creatures’ blood and create the ability to become powerful through consuming these ingredients, and the world is divided between those who believe it’s okay to kill these beautiful beings for human desires, and those that don’t.

Emil and Brighton, twin brothers, very different, both longed for powers when they were young, but now, turning 18, it’s only Brighton who still wishes and believes they will manifest. Emil just wants to survive a world that is increasingly violent and uncertain. He observes the disintegrating society with disquiet and fear, while Brighton uses every opportunity of chaos to build his social media influence. Silvera sneakily comments on our growing addiction to everything virtual, and it’s not a pleasant reflection on us at all.

The narrative drive develops quickly and we have barely come to come up for air, as Email and Brighton are continually pushed to their limits, and most telling of all, the growing divide between their reaction to the events that consume them. It transpires that they look at the world through completely different lenses, and it’s also very clear that they do have each other’s backs and continue to rally for each other, even when everything descends into even more madness.

The concluding chapters are very thrilling and not everyone is safe. Another aspect to this novel is the large number of secondary characters who become important and all have their own personalities and agendas. This means it’s difficult to tell who we should be cheering for, and who will live, but this also serves to create a real community who may or may not survive. If we invest in these people, we might find ourselves not very happy at all. Be warned, the cliff hanger ending will infuriate. I don’t know why I believed this was a duology, but it’s not. There will be (at least?) three books.

Thanks to Netgalley and Simon & Schuster for the advanced copy. I found it compelling, but also a bit confusing. Everything happens quickly, and I kept hoping for more downtime to reflect on events and wanted them to have more time to plan. But alas, not to be. Also, the romance elements are small, but of course, who has time to fall in love with the fate of the whole world nearing crisis point. Recommended for readers who love LGBTQIA characters fitting into the world order, and who can help save the world. There are a lot of magical and mystical elements and gorgeous creatures who need rescuing. The brothers’ love for each other is highly visible, but that also foreshadows a darker conclusion that will be spotted by keen speculators. Infinity Son is due out today.

Review: Now a Major Motion Picture by Cori McCarthy

Now a Major Motion Picture by Cori McCarthy

Published by: Sourcebooks Fire
ISBN: 9781492652380
Released: April 3 2018 (in the US)

Read: April 16-17 2018

A quality contemporary young adult novel successfully combines a number of converging issues, as well an engaging set of characters and a plot that burbles along evenly. Now a Major Motion Picture starts off as one type of book, then evolves into another and along the way, readers are persuaded to think about several timely matters. McCarthy also manages to infuse the story with meta references, which blends inter-sectional and inter-textual themes effectively. Best of all, the novel is never dragged down by its weighty concerns, managing to balance the heaviness with a strong sense of humour and self-awareness.

Initially, Iris’s resentment at being sent by her father to the set of the film production of her late grandmother’s very popular fantasy trilogy, basically to serve as babysitter to her younger brother Ryder, makes us believe this will be a family drama in which Iris grows as a character, learns things about herself and reconciles with her family dysfunction. And it is that. But it’s also her love story, her guilt story, and her connecting to her past story. Little brother Ryder is pivotal to the family drama, but he is also a connection to the larger world—his attempted kidnapping by a crazed fan of grandma Thorne’s novels has soured Iris’s love for the books, and her parents too. It’s hoped that the film might relieve Ryder of his nightmares, and Iris of her guilt in her role in the kidnapping, but it’s going to take a lot more to solve the problem of their emotionally manipulative father, and their absent mother.

Ireland stands in for the fantasy locations, and it’s in this landscape that Iris finds some peace, and of course, a boy who challenges her self-perception, and her hostile attitude to her grandmother. There are two potential love interests, but this quickly becomes a non-issue, thankfully, and while tensions run hot and cold between our two love-birds, they soon become emotionally connected to ensuring the film gets made, and this bond, as well as their mutual concern for Ryder, means they look out for each other, and make suitable sacrifices to prove their love.

A lot of the story revolves around the adaptation of the book into the film. We are reminded of real life scenarios like Harry Potter and The Lord of the Rings, sometimes literally on the page. The constant crossing boundaries of what is real and what is fictional, creates an additional layer of meaning, and fans of these texts will either love it or hate it. There are always so many compromises necessary when adapting a text, and McCarthy seems to have a genuine understanding and I found these sections authentic. She deepens it when the fans intrude into the filmmaking process, and the duality of their passion is again believable and often frustrating. They love the work so much, they actually become a barrier to the production because they fear too many changes, they don’t like the chosen cast, and their viral exploitation of social media impacts on financial resources. McCarthy includes all this seamlessly through the plot, and it never feels like a rant or a plea.

However, there is a soapbox element, which is forgivable because it’s such an interesting and relevant issue. The director of the film, Cate has longed to adapt the novel because it spoke to her as a young female at film school. McCarthy shows us how hard it is for women directors to get their chance, and it’s really moving how much of a role model and mentor Cate wants to be for Iris. Her discussions about feminism, power and political games guide Iris eventually, but along the way, we see how much Cate has put on the line for this film. Her depiction is sympathetic and once again, very timely in our climate of positive change for women and society at large.

Iris navigates this story as a flawed character. She is unhappy, resentful, and full of self-doubt, particularly in relation to her own dreams of becoming a full time musician. While it seems like there is a lot going on, the different issues are all related and converge neatly with Iris gaining much insight into her family’s past, ensuring Ryder is given the opportunity to follow his dreams, and securing the film’s future. Her own happiness is well deserved, and McCarthy does well to not solve all her problems too quickly or conveniently. There’s still a way to go, with her father, the fans of the novel, and her own musical journey. But we leave her in a happy place.

Thanks to Sourcefire Books and to Netgalley for advanced copy. Now a Major Motion Picture did come out in the US a couple of weeks ago, and here in Australia, I urge you to keep an eye out for this complicated, feminist novel. Recommended to readers who like their contemporaries involving and messy. The secondary characters are diverse, and all treated well, with strong backstories. The interplay between the film and the book are familiar to readers who spend time creating their own fantasy cast for a hypothetical movie. It asks passionate fans to reconsider how they use social media, and is often the case, challenges people to always try to be kind. I really enjoyed Iris’s quest.

Review: Amelia Westlake by Erin Gough

Amelia Westlake by Erin Gough

Published by: Hardie Grant Egmont
ISBN: 9781760127152
Released: 2 April, 2018

Read: 12 January, 2018

Both Will and Harriet attend posh Rosemead Grammar, but their experiences couldn’t be further apart. While Harriet has embraced the opportunities—prefect, tennis champ, debater, and all round suck-up, Will is insouciant, subversive, anti-social and all out revolutionary. Their narratives voices are day and night, light and dark, enthusiastic conformist versus crusading rebel. Gough sublimely moves from Will’s angry, cynical tirades to Harriet’s entitled privilege, giving readers insight into an elite school environment where the reality of day-to-day learning butts up against the façade that is presented to the world.

The posh school is a familiar trope to readers of YA. While some books show staff who are caring and hard working, at Rosemead, we are confronted with sexism and casual discrimination. Of course, Will fights against it, while Harriet finds ways to excuse and to defend. We just know that this pair will clash, and it actually happens early on, their battle of wits snarky and flirty (even though they don’t know the other is gay) and the subsequent journey is deliciously fun as well as thought-provoking.

Not only are we privy to the ins and outs of the school, we are also given glimpses into the family lives of our two protagonists. Will’s parents have separated, and she and mum have downsized to an unit in the centre of Sydney, multicultural, loud and vibrant. Her father has moved to Perth, and we learn that Will’s fear of flying is a road block to seeing him. Flight is a constant metaphor weaving though Will’s storyline, and of course, it ties into Harriet’s plot as well.

Harriet’s parents are mouth surgeons, hardly ever home but exerting an unrealistic amount of pressure on Harriet’s academic, sporting, and social life. The number of balls she is juggling is evident in her near panic attacks at the mere suggestion she might drop even one. She’s a hot mess, basically, but incredibly focused and task-oriented.

Whereas Will represents the ‘woke’ young person, engaging in social justice issues and politics, Harriet stands for the sheltered innocent teenage Australian who has been encouraged to believe hard work and aligning herself with the ‘right’ people will bring rewards and happiness. Her many protestations of I didn’t know sound genuine, but we want to see action from her, and real change, and of course, we do and she does. It’s a terrific transformation, and part of the reason why Will falls for her, and hard.

Look, I have barely talked about the plot points at all, but just know Amelia Westlake’s attempts to highlight injustice and discrimination are inspiring and bring unexpected results. The girls discover their true friends, and by the end, there’s a sense that they have made a difference, and have not just stood by and let bad things happen. This is a positive message for young people–that they can help to make the world a better place. They also find each other, and there’s everything lovely about the acceptance of girls loving other girls.

Yes, some of the situations are over-the-top and maybe a little too contrived, but readers of contemporary teen novels will be happy to be swept along by the clever plot, the engaging characters and the joyous love story. Another quality #LoveOzYA novel. Out now in Australia.

 

Seeing Red: Angry Characters

For my first blog post, I am going to take up the #Rainbowblogchallenge, hosted by lots of bloggers, including Ellebiblio. The first colour is Red, and here is my take on angry characters. Thanks to all the bloggers. I will link you all on Instagram.

It’s not really who is angry in YA, but rather why and to what degree. Every teen is angry for any number of (justifiable?) reasons, but the depiction of one whose rage is convincing, yet still able to garner sympathy, is hard to find yet worth it if you could find one.

I found two 2016 releases and one due out in January, two  with male main characters, and one  with a spectacularly uncompromising girl. This ratio is valid, and reflects the reality and the truth represented in fiction. Boys are often more angry, and we have more angry boys in YA lit. Sam in One Would Think the Deep (June 2016), and Griffin from History is All You Left Me (January 2017) have both lost loved ones, and their rage spills over the page.

McGinnis has a different agenda. Her protagonist Alex in The Female of the Species (September 2016) is also grieving the death of a loved one (her sister), but her rage depicts a female prepared to kill, and confronts readers to contemplate rape culture. It’s brutal.

In all three circumstances the character has to work through not only grief, but guilt. If only I hadn’t… If I had just… what if I didn’t say that? The only way through to acceptance is to confront the negative thoughts and look to the future. Of course that is sometime impossible for some characters. In Alex’s case, it’s not that she can’t move beyond her guilt, it’s that she refuses to back down from bullies, and stands up to protect the vulnerable. This behaviour will have dire but not unexpected consequences. There’s a whole other blog post about the resolution of The Female of the Species, but that’s for another time.

Teens are an angry lot, but often it’s understandable. What’s important is how the author depicts them dealing with their anger, controlling it, and coming to accept it. Usually we see optimism, hope and triumph. But not always.